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Dear All,

 

I was doing a bisque firing tonight. As usual, I kept the top hole open during firing. Now that it is cooling it is still open. Tomorrow, I will gradually open all three holes when it gets below 400 to hasten cooling.

 

It occurred to me tonight, what would happen if, when I do my next glaze firing, I closed the top peep hole after I reached top temperature (i.e., including the down ramps) and I was purely in the cooling stage?? I have been taught to always keep this top peep hole open after the firing is done.

 

My rationale is that it would contain the heat and make the cooling process slower and have an effect on the resulting glaze.

 

Has or does anyone close the top peep hole after they finish a glaze firing? Will this affect my glaze? Will it cause an over melt?

 

Please know I am using stone ware and am using simple matt glazes.

 

Nelly

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I was taught to leave the top peep hole open also, but sometimes I would close it if I had some work close to the top of the kiln, I would only put a peep hole plug in it at the very end of the firing, I know it shouldn't make any difference but it made me feel better. When I was in college the head professor was working in primary colors low fire glazes electric, he would leave all of the plugs out during the firing, he thought this gave him brighter colors. I tried it a couple of times but it didn't seem to make any difference in C6 glazes and it took longer to fire. Denice

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I was taught to leave the top peep hole open also, but sometimes I would close it if I had some work close to the top of the kiln, I would only put a peep hole plug in it at the very end of the firing, I know it shouldn't make any difference but it made me feel better. When I was in college the head professor was working in primary colors low fire glazes electric, he would leave all of the plugs out during the firing, he thought this gave him brighter colors. I tried it a couple of times but it didn't seem to make any difference in C6 glazes and it took longer to fire. Denice

 

 

Dear Denise,

 

I never use plugs. What is the difference between a plug and closing the holes?? I have seen these old ceramic plugs but never knew why they were used. I do sometimes use bright slips under a clear glaze. Perhaps I will try your professors trick some day over the summer to see how it turns out. Thank you for your response.

 

Nelly

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Dear All,

 

I was doing a bisque firing tonight. As usual, I kept the top hole open during firing. Now that it is cooling it is still open. Tomorrow, I will gradually open all three holes when it gets below 400 to hasten cooling.

 

It occurred to me tonight, what would happen if, when I do my next glaze firing, I closed the top peep hole after I reached top temperature (i.e., including the down ramps) and I was purely in the cooling stage?? I have been taught to always keep this top peep hole open after the firing is done.

 

My rationale is that it would contain the heat and make the cooling process slower and have an effect on the resulting glaze.

 

Has or does anyone close the top peep hole after they finish a glaze firing? Will this affect my glaze? Will it cause an over melt?

 

Please know I am using stone ware and am using simple matt glazes.

 

Nelly

 

 

I leave most of my plugs out up to red orange heat during a bisque. then I put all in except for the top one til yellow orange. Then shut down kiln at ^06 and leave all plugs in to slow the cool. I do not use a kiln setter, and only use a witness cone pack for bisque. Glaze the same. I learned to use color of kiln heat years ago to approximate my temperatures. Most of the kiln gasses are gone much earlier than 1200F with quartz inversion just getting over.

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I leave my plugs in always.

I crack the lid on the start up of a bisque and then close it when past 800 degrees.

I do not glaze fire in an electric but wonder why the plugs would be left out (evil spirits release???) I have no idea why .Especially when most use the new fan vented exhaust gizmos.

Mark

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Ok, just to confuse you guys :-) I am going to use Celcius as measurement of temperature ...

 

I leave my top bung hole open for a bisque firing till my kiln reaches 600C. this allows all moisture to evaporate, and make sure no damage to my elements. For a glaze firing, I keep it open to about 200C.

 

If I am desperate to unpack a kiln, I will open the top bung at about 220C. And the door bung at about 180C.

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I leave the top bung out for the first two hours of the firing, especially for a bisque. This allows your moisture from glazes and clay body to escape. It is also easier on your elements and less corrosive if the moisture can get out. Then I put all spies in and fire her up. If the top spy hole plug is left out for the duration of the firing, your firing will be slower and cost you muchoe more electricity.[and time].I do not think that your colours would look better because of the spies being left out. Possibly commercial reds might be an exception. They can be tricky!

TJR.

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I leave my plugs in always.

I crack the lid on the start up of a bisque and then close it when past 800 degrees.

I do not glaze fire in an electric but wonder why the plugs would be left out (evil spirits release???) I have no idea why .Especially when most use the new fan vented exhaust gizmos.

Mark

 

 

Dear Mark,

 

I am firing in a brand new just off the line ConeArt electric Kiln. When you say you keep your plugs in always, would that be similar to me keeping my peep holes shut. I used to candle with the lid open for a couple of hours with all peep holes open just to drive off last little bits of water.

 

Interesting that you crack at 800 degrees. I have never tried doing it at the high of temperature. I was told that you should never open the lower two peep holes until it is around 400 or the temperature of an oven.

 

Anyway, I think this could be a little more complicated and involves many factors (i.e., effect of glaze on the thickness of the ware and rapid cooling causing cracking, how different glazes react etc.).

 

I am off for the summer, so I will likely do some gentle experiments.

 

I must research what kiln plugs area and their function (i.e., whether they are the same thing as peep holes that slide on a hinge).

 

Thank you Mark.

 

Nelly

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I leave the top bung out for the first two hours of the firing, especially for a bisque. This allows your moisture from glazes and clay body to escape. It is also easier on your elements and less corrosive if the moisture can get out. Then I put all spies in and fire her up. If the top spy hole plug is left out for the duration of the firing, your firing will be slower and cost you muchoe more electricity.[and time].I do not think that your colours would look better because of the spies being left out. Possibly commercial reds might be an exception. They can be tricky!

TJR.

 

 

Dear TJR,

 

Leaving the top peep hole open is exactly what I did yesterday. I wanted to candle for two hours but with this new computerized kiln, the "slow bisque" setting moves really slowly. My large platters were bone dry so I thought, what the heck!!!

 

Given that candling is my usual practice, I will be trying to achieve this in a ready to go digital formula.

 

Good reminder though about the corrosion on the wires. I forgot about that.

 

Thank you.

 

Nelly

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Peep holes and spy plugs-

The plugs stay in the spy hole as I put a soft brick wedge that holds the top (lid) open for a bisque-this lets the moisture out-when I say 800 I really mean when I get around to checking it. I set my ramp on medium (speed of temp. climb) and if I remember to check it at 400 600 or 800 whatever I close the lid when I walk by -taking the wedge out. Kiln is outside of studio so I tend to forget about it. its on a kiln setter and timer (not electronic new style)

so when I drop lid I ramp it up a to a higher climb as I know its all dry inside and it turns off on its own with a backup.

I tend to bisque in my gas kilns more and electrics are just for last minute extras or overflow as Electricity costs more than gas for me.

The lid cracked open lets way more moisture out than a tiny spy plug.

I do not bisque by cone anymore in gas kilns-just look at it and both digital pyros- You get a feel for this over the years.

Mark

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I leave the top bung out for the first two hours of the firing, especially for a bisque. This allows your moisture from glazes and clay body to escape. It is also easier on your elements and less corrosive if the moisture can get out. Then I put all spies in and fire her up. If the top spy hole plug is left out for the duration of the firing, your firing will be slower and cost you muchoe more electricity.[and time].I do not think that your colours would look better because of the spies being left out. Possibly commercial reds might be an exception. They can be tricky!

TJR.

 

 

Dear TJR,

 

Leaving the top peep hole open is exactly what I did yesterday. I wanted to candle for two hours but with this new computerized kiln, the "slow bisque" setting moves really slowly. My large platters were bone dry so I thought, what the heck!!!

 

Given that candling is my usual practice, I will be trying to achieve this in a ready to go digital formula.

 

Good reminder though about the corrosion on the wires. I forgot about that.

 

Thank you.

 

Nelly

 

 

Nellie;

Lucky you to have a brand new Cone Art kiln. I had to sell mine when I moved out of my previous studio. I did not want to lug it down the stairs. Hey, that reminds me, I am still owed $150.00 bucks for it. I am not that familiar with computerized kilns, although I used one when I taught a course called Ceramics for Art Educators at the University of Saskatchewan in Saskatoon. [hard to spell] I know that you can reprogram those babies to fire faster though. That staining on your nice metal kiln wall comes from moisture leaking out of the kiln lid. Better to direct it out of the spy holes.Enjoy your summer. I am still slogging it out at high school until June 30.

TJR

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I leave the top bung out for the first two hours of the firing, especially for a bisque. This allows your moisture from glazes and clay body to escape. It is also easier on your elements and less corrosive if the moisture can get out. Then I put all spies in and fire her up. If the top spy hole plug is left out for the duration of the firing, your firing will be slower and cost you muchoe more electricity.[and time].I do not think that your colours would look better because of the spies being left out. Possibly commercial reds might be an exception. They can be tricky!

TJR.

 

 

Dear TJR,

 

Leaving the top peep hole open is exactly what I did yesterday. I wanted to candle for two hours but with this new computerized kiln, the "slow bisque" setting moves really slowly. My large platters were bone dry so I thought, what the heck!!!

 

Given that candling is my usual practice, I will be trying to achieve this in a ready to go digital formula.

 

Good reminder though about the corrosion on the wires. I forgot about that.

 

Thank you.

 

Nelly

 

 

Nellie;

Lucky you to have a brand new Cone Art kiln. I had to sell mine when I moved out of my previous studio. I did not want to lug it down the stairs. Hey, that reminds me, I am still owed $150.00 bucks for it. I am not that familiar with computerized kilns, although I used one when I taught a course called Ceramics for Art Educators at the University of Saskatchewan in Saskatoon. [hard to spell] I know that you can reprogram those babies to fire faster though. That staining on your nice metal kiln wall comes from moisture leaking out of the kiln lid. Better to direct it out of the spy holes.Enjoy your summer. I am still slogging it out at high school until June 30.

TJR

 

 

Dear TJR,

 

Yes, I am lucky to have a new Cone Art Kiln. I totally love it. Yesterday, when I opened it, I knew (even before going into it) that it the platters would be fine. The climb up in temperature was soooo gentle. Having said that, I was up until 2am waiting for it to go off so I could sleep. It is amazing how much cleaning you can do while waiting for a kiln to finish. I know I could likely have just left it but I thought rather than not know if it was off when I went to bed, I would make sure. I now need a kiln book to record firings. I wonder if I can find a recording page created on line that I could use. I will check.

 

Nelly

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Hey Slurrious,

 

That is one slick chart. I will definitely print this out. At my old studio we just had a book with boxes. It contained the date, time started, increase ramps, and hold times. This chart provides a visual of the whole firing. I like that--I am visual!!!

 

Great chart finding Slurrious. I will print out a bunch of copies and start my binder.

 

Gawd, I love this site.

 

Nelly

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In kilns without a downdraft vent, most manufacturers recommend leaving the top spy/peep hole open for the entire firing, to allow gases and water vapor to escape. Leaving more than one open will just waste energy as you are also losing a certain amount of heat as well. Many of the old manuals say to leave the lid cracked for the first part of the firing, but I have never seen that to be necessary, and is just an energy waste in my opinion. The only time I would see propping the lid during the firing as necessary is in kilns that do not have low-med-high switches or infinite switches, but rather just on/off switches (old Evenheat kilns for example). Propping the lid in those cases would slow down the firing at the beginning and prevent explosions, since the elements are always on high when on.

 

Kilns with downdraft vents should always have all the peep/spy holes closed during the firing. Otherwise the vent will not work properly, since the spy hole is much too large for the small amount of draft created by the vent. Some manufacturers will have holes in the kiln lid for the vent to pull air through (Skutt). Others do not put holes in the lid (L&L), since round kilns are dry stacked and generally drafty enough for the vents to function properly. That said, my 18" L&L did require lid holes since the small kilns tend to be much tighter and less drafty than the larger ones.

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  • 3 years later...

I'm still learning how to navigate my kiln....  10 months of using a new electric kiln,  only to have to replace it with different  model due to faulty bricks, hence i have to fire a different kiln.  I have one spy hole and one vent hole in the lid. I don't have a vent system.  I use cone 6 commercial glazes on stoneware and midfire porcelain.  What are your suggestions as to plugging either of these two holes for a glaze firing.  I have read many different opinions and the manufacturer of the kiln is different again.  What happens to the glazes when the holes are plugged or not plugged?  Do you plug at the beginning of a firing or part way through??  And if they are used at what temp can you pull them out??    I hope someone can help a newbie.  JO

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I believe in slow cooling, it allows better crystal formation in the glazes. This gives them greater depth. When I was firing cone 06, I left the peeps open at the top to allow the gasses to escape, especially when firing reads. They were stronger at that temp because of their formulation. However, at cone 6 I really do not believe that the gasses are significant after 2100F. This is approximately when I plug all peeps as I do not have a downdraft vent. Plugging the peeps allows for slightly faster rise in temp, and slower cooling from ^6 down.  I usually remove peeps when top of kiln is only slightly warm to touch.

 

best,

pres

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if you leave the lid up a half inch or so and keep the peeps open until the gasses have gone out of the kiln, you will save a lot of wear and tear on the elements and other wiring of your kiln.  knowing when to close the top and put the plugs in the peepholes is the question.  some kilns with controllers show the temperature, older ones have nothing to indicate temperature.

 

with reasonable care to prevent burning yourself, use a piece of clear glass, mine is from a dollar store 8x10 picture frame, hold it above the lid where it is propped open so you can see if any moisture forms on the glass.  as long as you see something, leave the peeps open.  once the temperature goes above 1000 degrees FAHRENHEIT you will see less fogginess on the glass.  when it does nothing at all, close the lid and peepholes so heat is retained inside the kiln.

 

if you close the whole thing up from the beginning, the gasses will escape through the openings in your kiln where the wiring runs.  not good for the wiring or elements.

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I have an electric kiln with a downdraft vent. For bisque I leave the top plug out, for glaze I close all the plugs as per the instructions that came with the kiln and vent. I do a slow bisque and a slow glaze as well. If I am concerned about stuff being dry or not I will preheat for a couple hours but do this less now that I tend to keep a lot more pieces in processing and there is always something I can stick in that is dry to fill out a load.

 

I haven't seen any issues with wear and tear and I am approaching 100 firings on the same set of coils and original thermocouple. Not saying I'm not going to but I keep very detailed records and have seen no drop off in kiln efficiency.

 

It might be interesting to know how many that crack the lid and do other things have a vent just to get a more complete picture about how others do things.

 

T

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In glaze firings there is still a fair amount of stuff that burns out of the glaze, and if you've waxed the bottoms of your pots all that wax will burn out, too. So it's a good idea to keep the top peep open to allow all those fumes and gases to exit the kiln, if you don't have a vent. I would keep the top peep open for the entire firing.

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  • 2 years later...
On 02/11/2015 at 4:29 PM, oldlady said:

if you leave the lid up a half inch or so and keep the peeps open until the gasses have gone out of the kiln, you will save a lot of wear and tear on the elements and other wiring of your kiln.  knowing when to close the top and put the plugs in the peepholes is the question.  some kilns with controllers show the temperature, older ones have nothing to indicate temperature.

 

with reasonable care to prevent burning yourself, use a piece of clear glass, mine is from a dollar store 8x10 picture frame, hold it above the lid where it is propped open so you can see if any moisture forms on the glass.  as long as you see something, leave the peeps open.  once the temperature goes above 1000 degrees FAHRENHEIT you will see less fogginess on the glass.  when it does nothing at all, close the lid and peepholes so heat is retained inside the kiln.

 

if you close the whole thing up from the beginning, the gasses will escape through the openings in your kiln where the wiring runs.  not good for the wiring or elements.

From one ‘old lady’ to another - thank you for being so clear.  We have just bought a new to us (secondhand) kiln Cone Art, very exciting as my original kiln was bought already 30 years old and now Im sculpting I need something a bit larger.

Peep holes didnt exist on my old kiln, I left the top bung out til 800C or until the ‘mirror on a stick’ (DIY tool for finding the things you drop under what you are working on) did not mist.   No need for gloves or danger to burn yourself, the stainless steel sick is quite long to keep hands clear.   I know this is an old thread, but this site always answers my questions.  One of these days Ill remember to look here first.  I found it necessary to keep the lid closed until 200C, or just warm to the touch.  

Granice (grandma Janice)

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  • 1 year later...

Thanks so much! Unfortunately the kiln is in my garage and I'm not sure I will keep everything out of my house. I am willing to get creative and put a  fan in front of the vent with some dryer hose and force the fumes out the window. Do you have any suggestions? I am wide open any help you can provide

Thanks Again

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Forum regulars and moderators may well wade in here by end of day...

I fire in the garage as well, and although my somewhat ancient kiln is fitted with both downdraft and hood vent, there's still some fumes; wax resist burn off seems the best indicator. I'm leaving the big rollup door open throughout. We have two person doors between the studio/garage and living space; I pin the first one and side door to the outside open when the onshore is blowing - hence air moves toward the kiln side.

Any road, my suggestion would be to leave door(s) to living space closed, the big door open, and yourself well away from the plume of kiln fumes!

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