Roberta12

It appears that 2 glazes are layered. As @neilestrick said, ask the artist. She may be willing to explain.

Yes, as @PeterH said, it is Sonja Brough. Great work! I had to search to see what she was doing. She casts these pieces for the texture, then has a method for getting the color on which does appear to be the slipcasting material. Something like Forestceramico Sean Forest Roberts except he carves. Sonja doesn't appear to be carving, but a similar process.

I have a Northstar table top slab roller which has been a workhorse for me for 9 years. 16" Yes, I definitely can get the right thickness each time. I would assume the Bailey would perform well also. I use canvas for some things if I want the texture, but one of our members here on the forum told me about using printers blankets. I like the smooth texture. I just discovered that you can buy them on Amazon! And I have also used Slab Mat before. But if you want a nice smooth texture you simply use a rib and smooth out any texture or wrinkles or whatever. Roberta

Yes, amoca would be great, and my friend suggested https://www.craftcontemporary.org/ She said they have great exhibits. My friend also said end of August is not a great time for sales but the Museums would be worth your time. Roberta

@oldlady Let me check with my potter friend who lives there. I will get back to you.

I have worked with a decal company with original logos and script etc. They usually send a copy to be proofed. They are also knowledgeable about their product. Another suggestion for @Joe from Chagrin Falls is to have a potter create the plates and have a painter/watercolorist paint directly on the bisqued plates with underglaze. Then the potter can clear glaze then fire. I have a friend who has worked with me before. Just a thought.

Do you have access to a glaze library? It is helpful for me to look at photos to begin with and then branch out. John Britt's book for midfire has lots of photos and information. Linda Bloomfield, Gabriel Kline, Michael Bailey all have lots of information as well as good photos. Sometimes those books are in library or you can borrow from someone? If you follow Joe Thompson on instagram @oldforgecreations is a wonderful resource. If you find something you like, then you can go from there! Roberta

I have used underglaze both ways. I agree with @Bill Kielb some clear glazes work better than others over underglaze. Bisque firing the underglaze first helps with smudging and somehow "setting" the color but I have not really had a bad result putting underglaze on bisque, then clear then firing. For me, the key seems to be the clear glaze.

Wow @Hulk Lots of home projects for sure! My husband and mom have had some recent health issues but those are getting sorted out now. Our camping plans have been delayed so that is probably what we will be doing in July and August as well as going to NM to see kids. We only have an outdoor pool in town for swimming so I am enjoying swimming laps as much as I can. I am also leaving in a few days to go to a workshop at Idyllwild Arts. The presenter will be Ruth Easterbrook. It should be fun. They have a great facility there. Ooops, that is sort of a ceramic plan, isn't it!? Roberta

@Bill Kielb Have you found that a certain kind of brush works better than others?

@Benzine If the slab doesn't flatten out after the glaze firing and you have to remake it, could you make the letters/numbers separately and attach them after all pieces are fired? Just a thought. Roberta

@Carol Will I do exactly what @Min does. Circle punches, different sizes. I use the square punch as well. Roberta

I really like the off register look @neilestrick r,

I have to ask, what is the firing range on the Blick Clay? Got a bit of pitting there, along with not being blue.

My husband has always been supportive of my clay life. I started my small business after I had retired and he retired a year later. He takes the clay downstairs for me, helps haul greenware out of the house to the shop where I fire, has worked some of the larger out of town shows with me (he is a good wrapper of pots). I have made pots working around a shoulder repair, a hip replacement with a fractured femur, and a knee replacement. So my husband has been a great help with loading and unloading the kiln. I had an unexpected kiln repair one November and had the kiln torn apart replacing elements etc, it was -30 degrees and 10:30 p.m with a show looming. I was at the end of my last nerve, he came out to check on me and lend a hand. I said, "don't you wish I had became a knitter and sold hats?" He said, "no, that wouldn't have been nearly as interesting!" r

I really do encourage you to check out the state and local rules for this type of sale. In Colorado we know that it is a misdemeanor to sell retail without a license and without reporting sales tax. You may be able to get by for awhile but it is something to keep in mind.....

We have had some events (Mother's Day, studio sales, etc.) on a fairly casual basis as you have described and in order to avoid the problem with sales tax, etc, everyone was their own vendor. Responsible for their own sales and reporting. In Colorado, if we run all sales through one point, we have to have a special license and are considered a Marketplace Facilitator. You might want to check into the sales rules and laws in NY. Go to the Dept of Revenue online for NY. I think @GEP advice is on point for you for now. And @DirtRoadsis correct that Square will 1099 you at the end of the year. That will be reported. You will have to figure that out. I know lots of people who started out selling their wares out of their trunk! But when you know better you do better! Good Luck with all of it. Roberta

Yes, I was thinking about corrosion as well. You have lovely windows right there and the fumes could cause discoloration and corrosion. I remember a post a few years ago about someone whose kiln was in the garage and there was a corrosion problem. But I also know how desperate we can get trying to set up our own studio workspace. And yes, I carry all my pots from the basement up the stairs, out through the garage, across the driveway to the workshop. We simply do what we have to, to make things work! Roberta

I inherited a book on kilns by Daniel Rhodes. Kilns, Design, Construction, and Operation. Copyright 1968. I do not plan on building a kiln but it seems to be a good reference and I loved the photos and explanations of the different types of kilns. Since I know little of kiln building, I do not know if his diagrams are detailed enough. But it might be a title to look for? Roberta

Could you send a picture? You said hump mold but then said you couldn't get the cup out. Does that mean you put the clay inside a mold or outside on the mold. Usually my plaster molds dry clay very quickly. But I live in a dry area. Were your plaster molds cured? I usually wait a few days before using them. Just throwing out some ideas. Roberta

Who knew??? Certainly not me! I know that some plastic is thinner, heavier, but that is the extent of my knowledge! Thanks for the research @Min

In the past, I have placed everything on wareboards, still in the leatherhard stage, and transported that way. I have a Subaru outback, I was able to lay the seats down and accomodate all the wareboards. I have also transported in low tubs with lids, placed some old towels and rags between things just to keep them from knocking together. That way I could stack the tubs and get more in the car. I prefer transporting things in leatherhard stage, rather than dry. A bit more resilient, I guess. I have a bumpy rural roads for part of my journey. Good luck!

What a great idea @Babs a community effort!

I was looking through glaze recipes to determine which glazes to mix for the Empty Bowl fundraiser. Cobalt is $$$, Tin ox is $$$ Gerstley may be on the rise, and since I will be getting funds from a couple of local groups to cover the cost of glazes, I think I am going to buy dry premixed glazes. My personal dry ingredients have become more precious. Roberta

Beautiful @Mudfish ! Nice work!