Anatol Posted September 6, 2019 Report Share Posted September 6, 2019 I brought this piece some time ago from Japan and now trying to figure how it was made. What is this black speckled glaze? Are there any commercial analogues? Is it simply granulate added to a metallic glaze, or perhaps tenmoku glaze? And the top white glaze, was it fired to lower cone then underlying glaze? The two stay separate and don’t blend, while copper (?) running from the metallic base giving this bluish tint... Link to comment Share on other sites More sharing options...
liambesaw Posted September 6, 2019 Report Share Posted September 6, 2019 Looks like a traditional oxide based black (cobalt + iron) fired in reduction. The white kinda looks like a nuka glaze. They're fired at the same time. The reduction can bring out some metallic sheen from the oxides, which is the metallic brown you see on the bottom with the darker spots probably being the cobalt. Link to comment Share on other sites More sharing options...
Mark C. Posted September 7, 2019 Report Share Posted September 7, 2019 My guess is the outside glaze is a high manganese content glaze-looks like one i use.Tom Coleman published the recipes in glaze I use. Link to comment Share on other sites More sharing options...
Anatol Posted September 7, 2019 Author Report Share Posted September 7, 2019 @liambesaw thanks for the answer! So if I take any transparent glaze for the right cone, add 5% (?) of cobalt oxide and 5%(?) of iron oxide and then fire in reduction I suppose to get this speckled effect? I just love this black speckles effect on black grayish surface Which cone is it? Link to comment Share on other sites More sharing options...
Anatol Posted September 7, 2019 Author Report Share Posted September 7, 2019 @Mark C.thanks for the answer! Is this recipe available somewhere online, or print only? Link to comment Share on other sites More sharing options...
Mark C. Posted September 7, 2019 Report Share Posted September 7, 2019 Looks like a cone 10 glaze outside and inside glazes separately . Link to comment Share on other sites More sharing options...
neilestrick Posted September 8, 2019 Report Share Posted September 8, 2019 On 9/7/2019 at 3:48 AM, Anatol said: @liambesaw thanks for the answer! So if I take any transparent glaze for the right cone, add 5% (?) of cobalt oxide and 5%(?) of iron oxide and then fire in reduction I suppose to get this speckled effect? I just love this black speckles effect on black grayish surface Which cone is it? Nope. It's not that simple at all. I don't know what the dark glaze is, or what they added for the speckles. But it's not just a transparent glaze because it would be glossy if it was. It's definitely high in iron, but I'm not convinced there's any cobalt in it. The glossy glaze on the inside looks like a titanium white which has been applied over the iron glaze. That combo is what's giving the blue. It would be a different blue if there was cobalt in the dark glaze. 5% cobalt is way too much for any glaze. Find a good book on glaze formulation before you jump into mixing your own. It's important to make sure your glazes are safe. Coloring oxides don't all work at the same percentages. Some require more, some less. They all have different maximums that are considered safe. Link to comment Share on other sites More sharing options...
JohnnyK Posted September 8, 2019 Report Share Posted September 8, 2019 The black speckles on the brown could also be something as simple as dipping a stiff brush in a black glaze and spattering it over the brown. I've used this technique before on some of my work. It takes some practice to get the spackle pattern right, but it is doable and nothing exotic... Link to comment Share on other sites More sharing options...
Hulk Posted September 8, 2019 Report Share Posted September 8, 2019 I've found picking up liquid to be speckly with an ear syringe to be blown out in fine drops worth trying - practice in the glaze bucket first; however, likely better for speckle effect that's uneven on purpose, as in a gradient of speckles from dense to minimal. Link to comment Share on other sites More sharing options...
Anatol Posted September 9, 2019 Author Report Share Posted September 9, 2019 @neilestrick thanks! I found glazy.org and already see that even 1% of cobalt is already too much. Will study this site for the start, it's the wealth of information. Link to comment Share on other sites More sharing options...
Babs Posted September 9, 2019 Report Share Posted September 9, 2019 John Britt gets the inside effect by applying a white glaze over a glaze rich in iron.. oilspot thrn white applied thickly. Might be what you are after. Link to comment Share on other sites More sharing options...
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