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dhPotter

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About dhPotter

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    Advanced Member

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  • Location
    Duck Hill, MS
  • Interests
    Deer and Turkey hunting(we eat deer through out the year), Cooking(I am the cook), Football(watching), Observing Nature

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  1. dhPotter
    My ^6 glaze firing normally takes 18 hours. The firing schedule has a 5 hour down fire programmed.
  2.    dhPotter reacted to a post in a topic: Oxide washes on top of glazes! Oh my!
  3.    dhPotter reacted to a post in a topic: What’s on your workbench?
  4.    Algoessailing reacted to a post in a topic: Transparent cone 6 grey glaze?
  5. dhPotter
    @Algoessailing Searching for Clear will get you transparency glazes. Also look at digitalfire.com for clear glazes.
  6.    dhPotter reacted to a post in a topic: Transparent cone 6 grey glaze?
  7.    dhPotter reacted to a post in a topic: Spray glazing turns satin glaze glossy?
  8.    dhPotter reacted to a post in a topic: Flocculation and deflocculation -- how much is enough?
  9.    dhPotter reacted to a post in a topic: Extremely stupid and ignorant to hazards with working with clay
  10.    dhPotter reacted to a post in a topic: Extremely stupid and ignorant to hazards with working with clay
  11. dhPotter
    email your photo to yourself - this is what makes the size smaller - then post the emailed pic to this forum.
  12.    dhPotter reacted to a post in a topic: Porcelain pieces cracking in kiln during glaze firing
  13.    dhPotter reacted to a post in a topic: Glaze aplication advise
  14.    dhPotter reacted to a post in a topic: Glaze aplication advise
  15.    Nae reacted to a gallery image: Fine_Dining_1.jpg
  16.    LeeU reacted to a comment on a gallery image: Fine_Dining_1.jpg
  17. dhPotter
    I never wedge. Never. Don't know about the science behind the slamming. I just know the results of slamming is softer clay to work with. I slam the clay, cut off what I want then cone wedge on the wheel. Laziness is not part of a potter's make up. You will find out if you keep at it. There are no short cuts in pottery.
  18.    Babs reacted to a gallery image: Fine_Dining_1.jpg
  19. dhPotter
    @Rick WiseSeems like you and I are in the same boat - hobby potter. First thing I do is take the clay out of the box. If the bag has a rubber band, I tie it up really tight - if no band I put a rubber band on the bag. Next is to put the bags in a big plastic garbage can that has a garbage can bag in it. I cover the top with 2 pieces of plastic before putting the garbage can lid on. This has worked out for several years. I usually buy about 500 pounds that may last nearly a year. Don't forget to slam the bag on the concrete, on all sides, before using the bag of clay. If I don't use the w
  20.    glazenerd reacted to a comment on a gallery image: IMG_3886.JPG
  21.    GEP reacted to a post in a topic: Gray glaze - what to add to base other than a stain?
  22. dhPotter
    Use you white glaze and add small increments of Mason stain 6600. I use 0.3% added to my white to get a very nice light gray liner.
  23. dhPotter
    The way I understand Specific Gravity, it is measuring the amount of material suspended in the water. If you take the SG prior to the "flocking" are you absolutely sure all material is suspended in the water? After "flocking", the material is suspended in the water and would give a better SG reading .
  24.    Babs reacted to a comment on a gallery image: Fine_Dining_1.jpg
  25.    oldlady reacted to a gallery image: b_wb_shca.JPG
  26.    oldlady reacted to a gallery image: PSF_sm_plate.JPG
  27.    Hulk reacted to a comment on a gallery image: IMG_3886.JPG
  28. dhPotter

    IMG_3886.JPG

    dhPotter commented on dhPotter's gallery image in Browse Member Galleries

    IMG_3886.JPG
    The customer wanted a very plain plate. Customer also wanted a tan with little to no rust breaking. It took well over 100 test tiles to develop. Then numerous plate firings to get the glaze application thickness just right. This glaze was developed by mixing a clear at 60% and a matte at 40%. The color was developed by adding 2% rutile, 2% tin oxide and 1.6% RIO. The glaze has some visual movement. This glaze is food safe with no cutlery marking. Cutlery dragged across the glaze has little to no sound. The glaze does not physically move when fired - stays where you put it.
  29. dhPotter

    Evolution

    dhPotter added images to a gallery album in Browse Member Galleries

    The evolution from dipping to spraying. All of these pieces have new glazes. Learning new glazes and how they act and learning to spray glaze.
  30. dhPotter
    Your linked to pictures look like glazes over Strontium Crystal Magic Cool. SCMC has both Lithium carb and titanium dioxide
  31. dhPotter
    Fine_Dining_1.jpg
    The 12 piece dinnerware collection.
  32. dhPotter

    IMG_2651.jpg

    dhPotter commented on dhPotter's gallery image in Browse Member Galleries

    IMG_2651.jpg
    Thank You ! This piece was the first. Have tried to replicate that delicate curve. Even made a template. Nothing has equaled this original. The glaze is easy to replicate. 4 glazes on the outside.
  33. dhPotter
    @HulkSpraying - You can do it !! Granted it took me 5 loads to figure out how thick to spray - that was before I saw OldLady's suggestion of spraying till the glaze looks like "Chunky Velvet" - works nearly every time. The SG on these sprayed glazes, for me, is around 150-155. Set your compressor for about 42 psi and when you pull the trigger the psi will be at 40 - perfect for my Critter spray gun. As far as keep mixing the glaze - fire you some 1 inch clay balls to maturity to make ball bearings - place 2-3 in the sprayer jar. As you spray, periodically swirl the ball bearings around to
  34. dhPotter
    Hey there @LC88 Fellow Mississippian I had dug some clay in Holmes county. This area is in the Yazoo River basin. The clay is white but fires to a reddish at cone1. The clay has an enormous amount of calcium. When fired to cone 6 it oozed calcium so much so that the piece looks like it has been glazed with a lava glaze. Both of these tests were single fired. It is plenty plastic on its own.
  35. dhPotter
    To center large amounts of clay I pat center for a long time. Then place both hands on the opposite side of the clay and gently pull toward you while slowly increasing the wheel speed. Now do your coning. The clay should be centered but may need a little coaxing into center. Assuming the wheel is spinning Counter clockwise - After opening the ball and compressing the bottom, place your left hand on the left side and your right hand on the clay directly in front of you with your fingers, I use my middle finger, at the bottom on the inside and your thumb reaching to the wheelhead. Find yo
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