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Posts posted by karenkstudio
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I fire flat tile pieces in a variety of sizes. Before loading each shelf, I sprinkle dry kiln wash on each shelf which helps the flat pieces slide on the shelf as the clay shrinks during firing. I seldom have cracks in my bisque pieces, and where I place it on the shelf makes no difference.
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Bro saved me the expense and mistake if ordering a new switch.
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Last time I wanted to fire my large electric kiln 2 sets of elements would not heat when turned to high. I have a paragon kiln with the "setter-timer" wired to the set of switches. Fortunately, my brother is a retired electrician and brought his testing equipment, at my request, when he visited. He has never worked on a kiln. After some initial testing, and figuring out how all the wiring was configured, he removed the cover on the "setter-timer" box to examine those connections. Upon close examination, he noticed a dead SPIDER blocking the connection to the 2 sets of elements that would not work. He blew the dead spider out, reassembled everything and when we turned it on everything worked. He said it isn't unusual for insects to cause electrical problems.
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I know this topic has been discussed, however I came across information on an art center's web site which list fees for firing. This might serve as a guide.
Loaded and Fired by Staff Loaded and Fired by the Artist
Low Fire Mid-Range Low Fire Mid Range
Large Oval Kiln $80 $100 $40 $60
Medium Kiln $60 $80 $30 $40
Small Kiln $40 $60 $20 $30
Test Kiln $15 $20 $10 $15
For kilns loaded and fired by staff the turnaround time is usually within two weeks.
For kilns loaded and fired by the artist themselves they must first pass a skills check. If you have fired many times before, this is just a brief conversation between you and our Ceramics Center Manager. If you have only fired a few times or have never fired an electric kiln, our Ceramics Studio Manager will go through the firing process with you beforehand - this cost $35 for the 1 hour lesson. Kilns can only be loaded and unloaded during open studio hours or LUX business hours.
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I've searched for examples of 3-D printed ceramics online. Many were delicate, aesthetically pleasing extruded coil pieces arranged in every configuration the computer and printer will allow, and I think that's where 3-D printed ceramics is right now.
I'm the type of person who likes leave a mark by swiping my finger across a frosted cake. Perhaps some potters will begin to manually alter these
as they have done with wheel thrown pieces.
I could never build coil pieces like these by hand.
- neilestrick, Bill Kielb and Pres
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1 hour ago, Babs said:
Have used syringes but still have to make the holes afterwards
Thanks Min.
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Min, Let me know how the syringes work. I don't have any to experiment with.
I have tried this with glue sticks also but didn't like the line impressions left on every beads because of the way the inside of the glue stick tubes were made.
2 hours ago, Min said: -
To make the "bead popper",
1. screw the "plunger" completely out of the chap stick cylinder
2. Turn the plunger over and force it back into the tube while turning the knob at the bottom. If you line it up with the screw at the center, this will allow you to draw the "plunger" back down into the tube.
3. Screw the little plunger back far enough so you see the top of that center screw. Then take a sharp xacto knife and cut off the extra part of the tube so the plunger is even with the top part of the screw and the tube.
4. When using, start by spraying a little Pam inside the tube with the plunger retracted in the tube, cut the small beads from a slab of clay and push the bead out by screwing the plunger to the top of the tube.
Note: I smooth the top edge of the bead when it's pushed just beyond the top edge of the tube. The bottom edge is finished when on the straw (pictured in my original post.)
When making the larger beads, retract the plunger and stuff clay in the tube making sure you keep the screw centered as you fill the tub with clay.
Hope this helps.
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Made a "bead popper" from an empty Chap Stick tube. Automatically centers the hole in the bead.
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I posted the picture of the NOVA kiln. There is no way to gradually turn up the temperature. It's the type of kiln that is plugged into a regular outlet, and was probably intended for glass fusing and china painting. I only use it reheat pieces for horsehair raku and like the fact that the elements are covered. I use a sight cone system to determine temp.
I don't think it would be practical for bisque. I've never glazed anything in this kiln.
Mine only cost $25 so I thought it would worth having for some of my experiments.
The picture of the kiln is in my gallery.
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Definition question....
What do you think of when clay items are described as ceramics, while other items are described as pottery? How many clay artists prefer one definition over the other when describing their work?
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Lady, I think that thingy is a part from a transmission, but I'm not sure.
I dry my pieces by sandwiching them between plaster slabs.
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- blackthorn, Min, lgusten and 10 others
- 13
Koontz Sculpture
in Aesthetic Approaches and Philosophy
Posted
news.artnet.com/market/jeff-koons-balloon-dog-shattered-2258472 and someone is interested in buying the shards!