Jump to content

karenkstudio

Members
  • Posts

    142
  • Joined

  • Last visited

Posts posted by karenkstudio

  1. Last time I wanted to fire my large electric kiln 2 sets of elements would not heat when turned to high. I have a paragon kiln with the "setter-timer" wired to the set of switches. Fortunately, my brother is a retired electrician and brought his testing equipment, at my request, when he visited. He has never worked on a kiln.  After some initial testing, and figuring out how all the wiring was configured, he removed the cover on the "setter-timer" box to examine those connections.  Upon close examination, he noticed a dead SPIDER blocking the connection to the 2 sets of elements that would not work.  He blew the dead spider out, reassembled everything and when we turned it on everything worked.  He said it isn't unusual for insects to cause electrical problems.

     

  2. I know this topic has been discussed, however I came across information on an art center's web site which list fees for firing.  This might serve as a guide.


         Loaded and Fired by Staff                                                                            Loaded and Fired by the Artist     
                                                    Low Fire      Mid-Range                                               Low Fire                 Mid Range
    Large Oval Kiln                $80                    $100                                                            $40                       $60
    Medium Kiln                      $60                    $80                                                               $30                       $40
    Small Kiln                              $40                   $60                                                               $20                      $30
    Test Kiln                                $15                    $20                                                               $10                      $15
     

    For kilns loaded and fired by staff the turnaround time is usually within two weeks.

    For kilns loaded and fired by the artist themselves they must first pass a skills check. If you have fired many times before, this is just a brief conversation between you and our Ceramics Center Manager. If you have only fired a few times or have never fired an electric kiln, our Ceramics Studio Manager will go through the firing process with you beforehand - this cost $35 for the 1 hour lesson. Kilns can only be loaded and unloaded during open studio hours or LUX business hours.

  3. I've searched for examples of 3-D  printed ceramics online.    Many were  delicate, aesthetically pleasing  extruded coil pieces arranged in every configuration the computer and printer will allow, and I think that's where 3-D printed ceramics is right now. 

    I'm the type of person who likes leave a mark by swiping my finger across a frosted cake.  Perhaps some potters will  begin to manually alter these

    as they have done with wheel thrown pieces.

     I could never build coil  pieces like these by hand.

     

     

     

     

     

  4. To make the "bead popper",  

    1.   screw the "plunger" completely out of the chap stick cylinder  

    2.   Turn the plunger over and force it back into the tube while turning the knob at the bottom. If you line it up with the screw at the center, this  will allow you to draw the "plunger" back down into the tube.

    3.   Screw the little plunger back far enough so you see the top of that center screw.   Then  take a sharp xacto knife and cut off the extra part of the tube so the plunger is even with the top part of the screw and the tube.

    4.   When using, start by spraying  a little Pam inside the tube with the plunger retracted in the tube, cut the small  beads  from a slab of clay and push the bead out by screwing the plunger to the top of the tube.   

    Note:  I smooth the top edge of the bead when it's pushed just beyond the top edge of the tube. The bottom edge is finished when on the straw  (pictured in my original post.)   

    When making the larger beads, retract the plunger and stuff clay in the tube making sure you keep the screw centered as you fill the tub with clay.  

     Hope this helps.

  5. I posted the picture of the NOVA kiln.  There is no way to gradually turn up the temperature.   It's the type of kiln that is plugged into a regular outlet, and was probably intended for glass fusing and china painting.  I only use it reheat pieces for horsehair raku and like the fact that the elements are covered. I use a sight cone system to determine temp.

     I don't think it would be practical for bisque.   I've never glazed anything in this kiln.

    Mine only cost $25 so I thought it would worth having for some of my experiments.  

    The picture of the kiln is in my gallery. 

×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use.