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Denice
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Denice got a reaction from Hulk in Paperclay and regular clay for raku
I have made paper clay several times, I have never found anything that was very good at inhibiting mold growth. My home made paper clay was good for large sculptural pieces but not good for fine detail work. My local ceramic store started carrying paper clay, I bought 100 lbs of it and loved it. It was more like regular clay and much easier to work with. I had about 5lbs of clay left when I was finished with my project, I rolled it into a slab an let it dry. When I need to repair a crack or reattached something I will break off a piece of paper clay. I soak it and then add it to the clay I am working with. I didn't have any problems with the clay growing mold. Denice
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Denice got a reaction from Hulk in Is this kiln worth it?
I bought a kiln that looks like this one, it also had glaze running down the walls. I paid $100 for it because it had 2 good shelves and 100 stilts that were still in the boxes. I got it home and saved the lid and stand demolished the kiln. Denice
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Denice got a reaction from grackle in QotW: What type of floor or floor coverings do you have in the shop?
I also use the floor puzzle foam mat, my pathway is a big rectangular in my studio. If I have a area that gets extremely dusty and dirty I will pull them up to clean. If one particular area starts wearing thin I can easily replace them. I had a bedroom in the basement my son used as a hangout, rowdy boys, soda and carpet don't mix so I covered it with foam mat. When we polished the concrete I moved them upstairs to my studio. Now I have a lifetime supply. I even stand on one in the kiln room when I am loading the kiln. I don't leave it there when I am firing. My husband is working on his wood shop and I found a big heavy duty dense mat on clearance. I think it will help his sore feet. Denice
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Denice got a reaction from Pres in QotW: What type of floor or floor coverings do you have in the shop?
I also use the floor puzzle foam mat, my pathway is a big rectangular in my studio. If I have a area that gets extremely dusty and dirty I will pull them up to clean. If one particular area starts wearing thin I can easily replace them. I had a bedroom in the basement my son used as a hangout, rowdy boys, soda and carpet don't mix so I covered it with foam mat. When we polished the concrete I moved them upstairs to my studio. Now I have a lifetime supply. I even stand on one in the kiln room when I am loading the kiln. I don't leave it there when I am firing. My husband is working on his wood shop and I found a big heavy duty dense mat on clearance. I think it will help his sore feet. Denice
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Denice got a reaction from Hulk in QotW: What type of floor or floor coverings do you have in the shop?
I also use the floor puzzle foam mat, my pathway is a big rectangular in my studio. If I have a area that gets extremely dusty and dirty I will pull them up to clean. If one particular area starts wearing thin I can easily replace them. I had a bedroom in the basement my son used as a hangout, rowdy boys, soda and carpet don't mix so I covered it with foam mat. When we polished the concrete I moved them upstairs to my studio. Now I have a lifetime supply. I even stand on one in the kiln room when I am loading the kiln. I don't leave it there when I am firing. My husband is working on his wood shop and I found a big heavy duty dense mat on clearance. I think it will help his sore feet. Denice
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Denice got a reaction from Min in QotW: What type of floor or floor coverings do you have in the shop?
I also use the floor puzzle foam mat, my pathway is a big rectangular in my studio. If I have a area that gets extremely dusty and dirty I will pull them up to clean. If one particular area starts wearing thin I can easily replace them. I had a bedroom in the basement my son used as a hangout, rowdy boys, soda and carpet don't mix so I covered it with foam mat. When we polished the concrete I moved them upstairs to my studio. Now I have a lifetime supply. I even stand on one in the kiln room when I am loading the kiln. I don't leave it there when I am firing. My husband is working on his wood shop and I found a big heavy duty dense mat on clearance. I think it will help his sore feet. Denice
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Denice got a reaction from Pyewackette in QotW: Do you fire your own kiln, . . .
I went from firing three manual kilns to, a LL with Genisis controller, a Paragon Caldera test kiln with a Genisis controller and a small Duncan manual kiln. I decided to go with the controllers because of my age and my MS, I was afraid I would forget that I was firing. The last couple of months I have had trouble with my memory and concentration, I managed to get through a manual firing and a controller firing. It really scared me how fuzzy my brain was, it was a MS relaspe. They can last several months or never clear up, my brain is clear now . I am so happy that I have automated my home and studio. Denice
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Denice got a reaction from Roberta12 in QotW: Do you fire your own kiln, . . .
I went from firing three manual kilns to, a LL with Genisis controller, a Paragon Caldera test kiln with a Genisis controller and a small Duncan manual kiln. I decided to go with the controllers because of my age and my MS, I was afraid I would forget that I was firing. The last couple of months I have had trouble with my memory and concentration, I managed to get through a manual firing and a controller firing. It really scared me how fuzzy my brain was, it was a MS relaspe. They can last several months or never clear up, my brain is clear now . I am so happy that I have automated my home and studio. Denice
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Denice got a reaction from Pres in QotW: Do you fire your own kiln, . . .
I went from firing three manual kilns to, a LL with Genisis controller, a Paragon Caldera test kiln with a Genisis controller and a small Duncan manual kiln. I decided to go with the controllers because of my age and my MS, I was afraid I would forget that I was firing. The last couple of months I have had trouble with my memory and concentration, I managed to get through a manual firing and a controller firing. It really scared me how fuzzy my brain was, it was a MS relaspe. They can last several months or never clear up, my brain is clear now . I am so happy that I have automated my home and studio. Denice
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Denice got a reaction from JohnnyK in QotW: Do you fire your own kiln, . . .
I went from firing three manual kilns to, a LL with Genisis controller, a Paragon Caldera test kiln with a Genisis controller and a small Duncan manual kiln. I decided to go with the controllers because of my age and my MS, I was afraid I would forget that I was firing. The last couple of months I have had trouble with my memory and concentration, I managed to get through a manual firing and a controller firing. It really scared me how fuzzy my brain was, it was a MS relaspe. They can last several months or never clear up, my brain is clear now . I am so happy that I have automated my home and studio. Denice
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Denice got a reaction from Rae Reich in Technique for remaking the "Easter Egg No.2, ca.2019" by Miraku Kamei XV
The lights I created were made out of C6 stoneware clay ran through a slab roller, ribbed and then draped on some plaster forms. Denice
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Denice got a reaction from Hulk in Does locking the lid on a kiln crack it or save any electricity
I have never owned a kiln with a locking lid before, I noticed when I was firing my new LL the lid had lifted about a quarter of a inch. My old Skutt didn't ever lift but I did replace the lid a lot. I just wanted your opinion if I should lock the lid. Trying to prevent replacing lids in the future. Denice
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Denice got a reaction from Callie Beller Diesel in Technique for remaking the "Easter Egg No.2, ca.2019" by Miraku Kamei XV
About 15 years ago I made a wall lantern and hanging light shade with this technique. My first lantern didn't allow enough light out so I thinned the clay around the cut outs and then used white glaze inside the second one. When I was carving the hanging shade I decided to using thinner clay and larger cut outs. It had a bell shade just as I got to the middle I realized I didn't have any support. I left about two inches uncarved in the middle and carved a pattern around the bottom edge. I found several minor stress crack inside that didn't show up on the surface, they told me it had twisted a little when was firing. If you are doing some testing you could try putting separator around the edge or take a damp Q-tip around the edge to clean the glaze. To get the deeper pull back on the glaze. Denice
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Denice got a reaction from Rae Reich in Technique for remaking the "Easter Egg No.2, ca.2019" by Miraku Kamei XV
About 15 years ago I made a wall lantern and hanging light shade with this technique. My first lantern didn't allow enough light out so I thinned the clay around the cut outs and then used white glaze inside the second one. When I was carving the hanging shade I decided to using thinner clay and larger cut outs. It had a bell shade just as I got to the middle I realized I didn't have any support. I left about two inches uncarved in the middle and carved a pattern around the bottom edge. I found several minor stress crack inside that didn't show up on the surface, they told me it had twisted a little when was firing. If you are doing some testing you could try putting separator around the edge or take a damp Q-tip around the edge to clean the glaze. To get the deeper pull back on the glaze. Denice
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Denice got a reaction from Pres in QotW: What form of foot do you use on vertical forms?
I do more hand building than throwing so I don't have any inventive ways of creating a foot. Your number 4 is the way I would trim for a runny glaze, number 2 I would use this for quickly made cups. I made bisque molds for recycled glass casing I had to break the molds off of the fired glass, I had seventy of them to make. Number 7 is the look I like to trim on more elegant well balanced pot. Denice
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Denice got a reaction from Hulk in QotW: What form of foot do you use on vertical forms?
I do more hand building than throwing so I don't have any inventive ways of creating a foot. Your number 4 is the way I would trim for a runny glaze, number 2 I would use this for quickly made cups. I made bisque molds for recycled glass casing I had to break the molds off of the fired glass, I had seventy of them to make. Number 7 is the look I like to trim on more elegant well balanced pot. Denice
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Denice got a reaction from Pres in QotW: How often do you vacuum out your kiln and sieve your glazes?
I vacuum out a kiln when the bottom starts to gets speckled looking or a pot shatters in a bisque firing. I sieve my glazes before I use them if they have been sitting on a shelf for a long time. I tend to jump around on glazes so I probably sieve them every time I use them. Maybe you got a piece clay stuck on your sleeve and it fell off when you were loading. Denice
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Denice got a reaction from Hulk in Extruders and WD-40
I used bags that the newspaper came in, I no longer take the paper so I just put the clay directly in it. My extruder is homemade so I think it has more areas for the clay to hide in. When I am finished with it I take it apart and let it soak for a day before I clean it. Denice
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Denice got a reaction from Rae Reich in Kiln outdoors vs. basement
I fired a big Skutt in a basement like that for 13 years, I had some ventilation but not enough, you have windows so you could probably run a vent hose out it. My ceiling was tongue and groove boards and my floor and walls were cement. You could always put up some cement board if the ceiling worries you. The Skutt was in the same area as the breaker box, I had a electrician put in the correct breaker, wire and outlet. It was a old house and some of it still had knob and tube wiring. Make sure you buy a kiln that comes in sections, much easier to move. On days the kiln was fuming more than my ventilation set up could handle I would stay out of the basement. I don't think there is a system that removes all of the fumes. My kilns are in a separate room with a Skutt dual vent system, a window and a ceiling exhaust. Sometimes I can still smell fumes, I can shut the door or leave the room. Denice
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Denice got a reaction from s6x in test kiln recommendation
I don't vent either of my test kilns, I think they are too small. I have put a piece of shelving under the edge of the lid during a bisque firing. My old AIM kiln had a large peep hole that the fumes could get out. My new Paragon is sealed up, no peep holes. I remove the piece of shelf when the fumes are gone. a window is behind the test kiln. I have a small manual kiln that I can easily fill and do a bisque firing so I try to stick to glaze firings in the test kilns. Denice
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Denice got a reaction from s6x in Kiln outdoors vs. basement
I fired a big Skutt in a basement like that for 13 years, I had some ventilation but not enough, you have windows so you could probably run a vent hose out it. My ceiling was tongue and groove boards and my floor and walls were cement. You could always put up some cement board if the ceiling worries you. The Skutt was in the same area as the breaker box, I had a electrician put in the correct breaker, wire and outlet. It was a old house and some of it still had knob and tube wiring. Make sure you buy a kiln that comes in sections, much easier to move. On days the kiln was fuming more than my ventilation set up could handle I would stay out of the basement. I don't think there is a system that removes all of the fumes. My kilns are in a separate room with a Skutt dual vent system, a window and a ceiling exhaust. Sometimes I can still smell fumes, I can shut the door or leave the room. Denice
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Denice got a reaction from s6x in test kiln recommendation
I bought a new Paragon Caldera XL last year. My old test AIM test kiln was in need of repair, I was wanting to jump into the world of computerized firing. It has a Genisis controller and very tightly built with three inch bricks. The three inch brick is very important, my AIM had two inch brick that cooled down way to fast. I would try to slow it down manually, it was very difficult to do. I never felt like my test were totally accurate, the glazes always looked different when they came out of a large firing. The Genisis controller is also easy to use, I believe the Caldera takes a 15amp outlet. You could fire two mugs in it. You may have to find a smaller test kiln with thick walls for a 120v outlet Firing a test glaze fast could produce different results than a big standard firing. The Genisis glaze program is hours slower than the program I fired manually. My L&L has the same controller so I just let it do it thing. Denice
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Denice got a reaction from Pres in QotW: As a potter, are you a hobbyist, self employed, or do you work for a larger ceramics company as a potter or support person?
I started out wanting to be a art teacher, I didn't get to attend college until I was older. I decided to concentrate on clay instead of teaching. I had my studio for 15 years when I went back to finish my degree. I taught some art classes in my son's school, sold some pots and did portraiture sculpture during that time period. When I graduated from college I closed my decorating business that I had for 20 years to concentrate on my work. I had my mother, father, niece and other relatives die that year, my husband and I decided that life is too short and I should be in the studio working. I started selling my work at galleries before I graduated, so I at least had money for supplies. I haven't sold any work since Covid, most of the galleries around here closed and didn't reopen. I don't care about selling work anymore, I will let my son deal with it when I am gone. Right now I am headed out to my studio, I have a mural to finish before I head into a new direction with my work. Yesterday I picked up a 25lb bag of clay off the floor and ran it thru the slab roller. I flipped it over after I laid sheet rock on it and cut the tiles. I am a 70 year old woman who has Multiple Sclerosis, working with clay makes you STRONG. At this stage of my life strength is more important than money. Denice
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Denice got a reaction from Roberta12 in QotW: As a potter, are you a hobbyist, self employed, or do you work for a larger ceramics company as a potter or support person?
I started out wanting to be a art teacher, I didn't get to attend college until I was older. I decided to concentrate on clay instead of teaching. I had my studio for 15 years when I went back to finish my degree. I taught some art classes in my son's school, sold some pots and did portraiture sculpture during that time period. When I graduated from college I closed my decorating business that I had for 20 years to concentrate on my work. I had my mother, father, niece and other relatives die that year, my husband and I decided that life is too short and I should be in the studio working. I started selling my work at galleries before I graduated, so I at least had money for supplies. I haven't sold any work since Covid, most of the galleries around here closed and didn't reopen. I don't care about selling work anymore, I will let my son deal with it when I am gone. Right now I am headed out to my studio, I have a mural to finish before I head into a new direction with my work. Yesterday I picked up a 25lb bag of clay off the floor and ran it thru the slab roller. I flipped it over after I laid sheet rock on it and cut the tiles. I am a 70 year old woman who has Multiple Sclerosis, working with clay makes you STRONG. At this stage of my life strength is more important than money. Denice
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Denice got a reaction from Rae Reich in QotW: Given a new 15 X 20 space for a studio, what would be your first 5 things to do to it?
I have the windows with a view and my outlets are four feet off the floor, I could use more outlets also. I don't have a floor drain. wanted to put one in when I built the studio but we couldn't get the county inspectors to grasp the idea. They thought I would be polluting the near by creek. Doubling my space would be nice but I probably would fill it with stuff I should get rid of. My husband is on a bright lights rampage, he put new LED tube lights in my studio that are so bright you need sunglasses. Fortunately they are dimmable. Denice