Rick Wise Posted September 15, 2020 Report Share Posted September 15, 2020 After several years of successful cup making I have recently had a rash of cups that come out of the glaze firing (electric, cone 6) with invisible cracks in them. The cracks run generally top to bottom and are hard to see until you know they are there. But if you thump them the flat sound gives it away. Some are ok at first and crack only upon being filled with hot coffee for the first time. I'm looking for an explanation. My hypothesis is this: I have recently been trying to get more weight out of them at trimming. I start with 16 oz of clay and try to trim down to less than 10 oz at leather hard stage. To do this I have been trimming more aggressively on the top half of the cup and not just at the base. So, as a result, the wall thickness of the cups issomewhat thinner. Does anyone have experience with this sort of thing? Do you think the relatively thin walls could be the reason they are cracking in the kiln? Comments and speculation welcomed. Link to comment Share on other sites More sharing options...
liambesaw Posted September 15, 2020 Report Share Posted September 15, 2020 I'm wondering if your clay body is defective since you have been having trouble with stuff cracking when fired. Seems like a reasonable area to explore Link to comment Share on other sites More sharing options...
Rick Wise Posted September 15, 2020 Author Report Share Posted September 15, 2020 Doubt it as it is the same body I have been using for some time. Same clay, same glazes, same techniques other than more trimming of the upper walls. Link to comment Share on other sites More sharing options...
liambesaw Posted September 15, 2020 Report Share Posted September 15, 2020 Just now, Rick Wise said: Doubt it as it is the same body I have been using for some time. Same clay, same glazes, same techniques other than more trimming of the upper walls. But is it the same batch? Link to comment Share on other sites More sharing options...
Babs Posted September 15, 2020 Report Share Posted September 15, 2020 Been discussions in this forum re glaze fit. Thinner pot making it more evident? What are they sounding like after the bisque? All you glazes or just one? Same glaze inside as out? Can yo throw a few thin ones to see if stressing on trimming? Link to comment Share on other sites More sharing options...
Min Posted September 15, 2020 Report Share Posted September 15, 2020 3 hours ago, Rick Wise said: Do you think the relatively thin walls could be the reason they are cracking in the kiln? Sharp edge to the cracks, not rounded into the crack? If the glaze is on the borderline of putting too much compression on the glaze with the wall thickness you used to make them and now they are thinner it could be enough to push them into a cooling dunt. Clay can't take the compression the glaze is now putting it under. Break one open and see how thick the glaze is (especially on the bottom) compared to the clay thickness. I'ld take your remaining mugs and freeze them overnight then put them in the sink and pour boiling water into them. Clay:glaze mismatch of COE's can show up days/weeks after unloading, freezer/boiling water test will stress them so (hopefully) if they are going to dunt they will do so with this test. I'm currently working on porcelain casting slip recipes with clear glaze. Little test pot below came out the kiln in 2 pieces, ill fitting glaze. Link to comment Share on other sites More sharing options...
Babs Posted September 15, 2020 Report Share Posted September 15, 2020 @Min anyctip on "loosening" a tight glaze. last batch of clay doesn't like my glaze Link to comment Share on other sites More sharing options...
Min Posted September 15, 2020 Report Share Posted September 15, 2020 Increase the expansion of the glaze. What's in the glaze? Link to comment Share on other sites More sharing options...
Babs Posted September 15, 2020 Report Share Posted September 15, 2020 Will post later. Not in shed. Link to comment Share on other sites More sharing options...
liambesaw Posted September 15, 2020 Report Share Posted September 15, 2020 Sodium Link to comment Share on other sites More sharing options...
Bill Kielb Posted September 16, 2020 Report Share Posted September 16, 2020 5 hours ago, Rick Wise said: Do you think the relatively thin walls could be the reason they are cracking in the kiln? Comments and speculation welcomed. It’s certainly possible. Why not make a couple the old way and a couple the new way and see if it’s the clay or the trimming. Personally when I want very light thin wares I try and throw them that way, then no trimming at the top or excess stress on it trimming inverted. It’s too easy to introduce really minor cracks or make it go out of round. My thin stuff needS to be mostly free of any major trimming as thrown. Based on the outcome of your test above, you might then try experimenting with throwing thinner and pre trimming the bottom as much as possible before removing from the wheel. Link to comment Share on other sites More sharing options...
Babs Posted September 16, 2020 Report Share Posted September 16, 2020 9 hours ago, liambesaw said: Sodium Chloride???:-))) Link to comment Share on other sites More sharing options...
liambesaw Posted September 16, 2020 Report Share Posted September 16, 2020 2 minutes ago, Babs said: Chloride???:-))) That would be a mess! More like substituting some potash Feldspar for neph sy or soda spar. Easiest way I can think to add expansion. Link to comment Share on other sites More sharing options...
Babs Posted September 16, 2020 Report Share Posted September 16, 2020 51 minutes ago, liambesaw said: That would be a mess! More like substituting some potash Feldspar for neph sy or soda spar. Easiest way I can think to add expansion. ThankThankss. Will get to the recipe tomorrow and see what you guys come up with Link to comment Share on other sites More sharing options...
Mark C. Posted September 16, 2020 Report Share Posted September 16, 2020 Glaze fit on that clay body . Thin pots should not crack-but improper glaze fit can crack them. Link to comment Share on other sites More sharing options...
Babs Posted September 17, 2020 Report Share Posted September 17, 2020 @Min Here is my recipe. Cornish stone 65 Frit3110 20 Calcite 10 Zinc oxide dense 5 Addition: Tin oxide 4 Good majolica but now a bit tight for clay company sources from different region. Thanks Link to comment Share on other sites More sharing options...
Min Posted September 17, 2020 Report Share Posted September 17, 2020 @Babs, so for sure the pots are getting dunting with the new clay and this glaze? Easiest way to increase the COE without adding any new materials would be to increase the 3110 frit. It's going to throw the flux ratio off a bit but should be okay still. Glaze some test cylinders (thinly thrown or slabbed) on the inside only, apply the glaze thickly, you want to create the perfect storm for dunting here. Take X amount of the glaze and add 5% more 3110, glaze a test cylinder and repeat. I'ld keep doing this until you get up to an additional 20% of 3110. After firing freeze them then pour boiling water into them and see if they dunt. If you don't want to do such an extreme test then glaze both the inside and outside with the glazes. Adjust the tin once you figure out how much frit you need to add. Link to comment Share on other sites More sharing options...
Babs Posted September 17, 2020 Report Share Posted September 17, 2020 Thanks Min. Have a time coming up to play so will throw a few cylinders for this purose. May take glaze just over the lip to make beakers for grandkid drinking if they survive. Link to comment Share on other sites More sharing options...
Min Posted September 17, 2020 Report Share Posted September 17, 2020 Other approaches to take also if this doesn't fix it but I think it's worth testing. Not knowing what spars, frits etc you have in Australia makes this a bit tricky. Link to comment Share on other sites More sharing options...
Babs Posted September 17, 2020 Report Share Posted September 17, 2020 @MinThanks Min. Most Ferro frits. But will start as you advise. Will also try anoter liner glaze as don't always need the maj. factor just love the eyeballing of this glaze Link to comment Share on other sites More sharing options...
Rick Wise Posted November 10, 2020 Author Report Share Posted November 10, 2020 I have concluded to my own satisfaction that I got a bad batch of clay from Standard. After changing clays all the problems disappeared as quickly and as mysteriously as they had arrived. I also noticed that the un-used clay in the bag had, after sitting a while, begun to develop fissures in it. Weird -- but glad to know this is possible. Link to comment Share on other sites More sharing options...
oldlady Posted November 11, 2020 Report Share Posted November 11, 2020 rick, are you now going to continue to trim the tops or try to throw and trim at the same time to make the walls even? Link to comment Share on other sites More sharing options...
Rick Wise Posted November 11, 2020 Author Report Share Posted November 11, 2020 Hi Oldlady! I may have been unclear earlier. It was never a matter of uneven-ness. I always trim (or turn as the Brits say) my pieces both to get the shape I want as well as to reduce weight (I lack the skill to throw as thin as I would like). So, in trying to get weight out of the cups I would trim up and down the sides of the cup to make the wall thinner. I will still do this as I like them to be as light as possible. So .... you single fire everything? Link to comment Share on other sites More sharing options...
Rick Wise Posted November 11, 2020 Author Report Share Posted November 11, 2020 On 9/15/2020 at 2:01 PM, liambesaw said: I'm wondering if your clay body is defective since you have been having trouble with stuff cracking when fired. Seems like a reasonable area to explore You win the prize liambesaw! It was BAD CLAY! Link to comment Share on other sites More sharing options...
oldlady Posted November 11, 2020 Report Share Posted November 11, 2020 i only bisque if i am in florida making things to sell later. the florida studio is small and i need to harden the pots to drive them home a thousand miles. single firing is so easy for the slab based things i make and because i do not have to do liner glazes in mugs. i leave throwing to the rest of you folks. i only throw bowls for the empty bowl supper. my plans are to widen out in future to make what i really want, undersea coral-like formations as sculpture. Link to comment Share on other sites More sharing options...
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