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Pres

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Posts posted by Pres

  1. Mark C.  asked a question in the QotW pool this week, that is a different take:  What are other activities that influence your ceramic work or keep you mentally healthy other than daly directly. For me its other passions that are just like clay. I have to do them-what are yours.?

    I have often mentioned my bowling, and my kayaking. This last several months has been tough on both. Bowling has been canceled until Fall, the leagues are done. Most bowling alleys are opening, every other alley. The largest population of bowlers is older, so it is doubtful if there will much in the way of tournaments or other larger bowling venues in my area. 

    Kayaking, has been on hold, as last fall I purchased a new Mazda 3 hatchback, and will have to spend a bit to get a new rack to fit the car. strange to see a 16 ft. sea kayak on a Mazda 3, but that is what I have been carrying them on. Actually two of them when my wife or someone else is along. 

    All in all these things are exercise, stress relief, and recreation.

    So once again, 

    QothW: What are other other activities that influence your ceramic work or keep you mentally healthy other than daly directly.

    best,

    Pres

  2. I have noticed a very high number of people in our local populations have stopped wearing masks. I also have heard from businesses that they are afraid to confront those do not wear masks even though their place of business says you must wear a mask outside the door. I wear a mask, and try to frequent businesses where people wear masks, we still have not gone to local restaurants other than take out. We have stopped going to businesses where they seem to have thrown up their hands about the mask rule. I notice that many states with relaxed rules are seeing a bigger uptick in infections, so I will do everything I can to stay safe.

     

    All in my humble opinion,

    best,

    Pres

  3. Which way Ben, the wooden form or the larger extruder. I did make several wooden forms for the HS after the workshop. The worked well, and students used them over the years for soap dishes, fancy boxes and other items. I returned to the HS after I retired, and the new teacher had cleaned house throwing out most of the tools and items she did not believe in or understand. Wooden forms were on, a GG nearly got thrown out before I showed her what it was. Sometimes you wonder. I do not have access to a deep throat band saw anymore, so it would be difficult to make the form. Could do it in pieces with my jig saw and laminate together, but that is a lot of work.

     

    best,

    Pres

  4. Yeah I miss having access to the big Bailey's  that we had at school, but have a small electric rig to make handles. I think the idea is neat, but then I like the thrown idea also.

    Years ago, I attended a John Glick workshop at ART, and he demonstrated a wood for for a vanity soap dish. The cheese hard slab was placed in the hinged wooden form, and two slabs were fitted to the top while in the form. The first slab was joined on, and using a sponge stretched to make water catch. The second slab was also done the same way not stretching as much. then drain holes were added to the bottom of the second slab carefully not to go through the bottom slab. Also added a drain hole at the inside edge of the second slab to be able to drain the water while cleaning. After all done a screen door hook was loosened on the wooden form and hinges on opposite side let you open it up tor trim everything to the side walls of the cheese hard slab placed in the beginning. very elegant and functional.

     

    best,

    Pres

  5. I have been working on a regular slab made butter dish. I made the mistake of making one as a request from a niece for Christmas last year. Others in the family saw it, and decided they needed one. So I instead of doing a one off, several times I came up with this set up.

    ButterDishConstruction.JPG

    I am using a thin piece of plastic between the form and the slab of clay, as it makes removal a breeze, and the plastic stretches into the corners of the form. I use rollers and stamps to decorate the slab pieces. The 2X4 is covered on one side with an extra layer of rubber backed felt to bring the form up to the correct width.

    I recently had a custom stamp made of a design I created in Corel Draw that is uses my symbol/signature as a basis.

     I have still not fired any of these, but don't foresee any issues.

    best,

    Pres

  6. Hi folks,

    Once again, no new questions in the QotW pool, so I have been considering what may be of interest. Here in Pennsylvania, we are moving into what they call Green stage across the state with businesses opening up with fewer restrictions. My question for all of you, knowing the different regions are doing the same is: QotW: How are you going about the "re-opening of the economy"?

    My wife and I are both in our early 70's, healthy, but not willing to expose ourselves too early.  When it comes to working in the shop, that is fine, but then I would not consider doing a street show or any other sort of event this Summer. I shudder to think of what the consequences will be considering the large gatherings of the last few weeks, only time will tell. I also believe there will be some pop up sort of street sales, as somebody decides to take advantage of the lack of organized arts or craft shows. I won't do them. We still wear masks everywhere we go, and limit ourselves to some of the things we used to do, like visiting my 93 year old father 140 miles away from us. Things will be slow for a while, and I feel we have to be patient, but then we are retired, and patience seems to be easier. 

     

    Once again: QotW: How are you going about the "re-opening of the economy"?

     

    best,

    Pres

  7. Rick, Check out some of my earlier blog posts. There is a post that shows using a plumbing set up for trimming chalice stems. Your problem involves a little more ingenuity. First I would look for a 3" to 2" reducer, or any PVC reducer that would help you start. Double sided tape on the bottom would allow you to attach it to the GG. Then use your GG arms to hold the bottle in place. Take a walk through the plumbing section, lots of possibilities there, and I hope that looking at some of my tools will help you out. Near the Chalice trimming post is a post on a reducer used to trim lids to an exact diameter. That may help also.

     

    best,

    Pres

  8. I was trimming some lids today, on the GG. Came to one that needed some diameter correction to fit into the canister. As I was already using the GG, I shifted off the lid, grabbed a plastic plumbing pipe reducer, and centered it with the GG, dampened the reducer, centered the lid and trimmed the edge without the pads causing me to move when I went by them. Lid trimmed well.

     

     

    best,

    Pres 

  9. Hi folks, I have been putting off on a QotW; couldn't think of one. However their was a recent strand discussing the venting of a kiln where the potter said the significant other was not shelling anymore money out to vent the kiln.  Min made reference to me that it would be a good  QotW.  I tried to set up a question that would be related to all members of one family, and how they feel about the time, the money, the dirt or other factors we deal with when working with clay. So this weeks question  is. .. . (drum roll, hear it!)  QotW: What is the feeling of your family as related to your studio addiction?

    My situation over the years has been mainly positive when it comes to playing in the clay.  I took it in school, I taught it, I did shows for years that helped to fund meager Summer vacations for a family of four camping. I put together my own studio, and worked most of the Summers making pots, and some of the Fall and Spring. How does my wife feel about it? She encourages/forces me to get out in the shop, as she knows that when I'm a bear or restless, the clay will settle me down. She also benefits by some nice pieces, and some rejects in the house. When the children were young, they were not interested in getting dirty, or working with the clay, nor even interested in watching. My granddaughter is the same way, but she is into art and getting to be quite an acrylic artist doing 2-3 paintings a month. . . hope she keeps it up. My wife took classes in college, probably to be with me, but she knows enough about it we talk about what I am doing and suggests other possibilities.  So in the end, I would say there are very little negatives, other than the fact that for a few years the water pump in the washing machine would go out more often, which I would replace.

     

    best,

    Pres

  10. Truly, some skills are archaic, but something to be said for the basics. That said, I never. . . . never allowed students to use the GG until they had mastered centering with clay chocks or water to hold center/hold down then to trim. The idea that when they would go to college, or another studio or have their own, maybe there would or wouldn't be a GG. If only one, do you wait to trim a mug, or try to learn how to get along with out. My belief is to be able to do without, then never have to rely on the technology.  I taught at a HS with 6 wheels, and usually had 6-12 students in the Ceramics 2 classes. With one GG in the early years, you can see how there would be a problem. Take that to a college or studio direction where there may be 20 students. Do you buy 20 GG's?

     

    best,

    Pres

  11. I have been using a GG since they first came out years ago. I had at that time been doing all of the other options, centering on wheel head, wet thrown chucks, bisque thrown chucks, hump chucks for bowls, bowl chucks. All that said, when it came to large platters, or chalices, or really tall narrow vases, pitchers with pulled and uneven tops, or some other pieces, these options were often frustrating or inadequate. Along came the GG, and I first relearned how to trim, how to place the arms for best trimming, when to use just the pads on the bottom or use arms or use the reversed pads for large diameters. Then I started using plumbing parts to create chucks for things like chalice stems, or trimming honey jar lids or other pieces. Go back to not using the GG, NEVER! Do I still center by hand, on occasion, but compare the time for 50 mug trims by hand centering and by using a GG. The experienced GG user will beat the centering by hand easily, and the result is the same.

    IMHO

     

    best,

    Pres

  12. Great wheels in their day, I had an HP and an MP in the HS. They are still there running well. The HP was my favorite. Splash pans.. . . I tried to find replacements, but never could. I guess best bet is to make one out of a plastic bin. Still the large table was a plus, and tools were easily organized as there was lots of space.

    If I remember correctly there were two or 3 adjustment areas in the control box on the wheel itself, it allowed you to set speed, at pedal up and down, torque to some degree, and pedal graduation. Not certain, but seems right.

     

     

    best,

    Pres

  13. 20 minutes ago, Mark C. said:

    Prep-Your lid is loose sitting on top?? no hinge?

     

    Yeah Mark, my lid is not hinged as I switch between 3&4 sections. I have had this set up for years, then about 5 years ago I put on a new thicker lid, and added a second handle. I lift the lid off of the floor to put it on the kiln no matter how many sections, not a problem. However, the handles are sheet metal hollow rounded. the handle broke near the end of the grip close to the screw plates.

     

    best,

    Pres

  14. Opened a glaze load this morning. Turned off yesterday at 3am. AS I was lifting the lid off (I use two handles on the kiln lid to remove and place on. As I often fire my sectional with 4 sections) One of the handles broke, and tore my hand on two fingers. Luckily the lid was mostly on the floor so it didn't get damaged. Nothing a few bandaids couldn't handle, but bled quite a bit. 

    Load is great, get to grind and ship out the last of the Communion sets this year.

     

    best,

    Pres

  15. Reminds me of the years in the beginning when I had an old electric kiln, just replaced with a new L&L. The school had a courtyard in the center of the complex that was walled by classroom 4 stories up all around. I was in the basement, and a door led out to the courtyard. I decided to get permission to do Raku in the courtyard with the electric kiln. I read up on everything, and made certain we could reach temp in time, and made certain to unplug the kiln from the industrial extension leading out. We had burn barrels for reduction, I mixed up some glazes. . . and we went at it. Did it for about 3 years with teachers learning to close their windows in the Spring other wise get smoked out! About the 3rd year they made a decision to put Central Supply in the HS building. They roofed over the courtyard, and put in double doors with a ramp in. No more raku. Never did determine if it was logistics, or a sneaky way of getting rid of raku. . . Forgot to mention that the Superintendents offices were on the first floor on one wall facing the courtyard!

     

    best,

    Pres

  16. Teaching in HS, I made the decision to transition from ^06 to ^6. Itw as a personal decision on my part, but in the long run I believe it benefited the program. That transition however made me aware of the fact that low/high fire clays and glazes would not mix. So I did not allow anything in the studio unless the clay came from the studio.

     

    bst,

    Pres

  17. I remember the salt, and gas firing I did. I was a grad student at Penn State taking Summer classes. My firing partner and I used a small salt kiln outside that had no door, had to be bricked up. We loaded up ware from everyone including a lot of our own. All went well, until about 1am, when the bricked in door started bulging out about 1 1/2 f feet. We scrambled around to try and find a way of bracing it up and did so with some T supports that were somewhere nearby. We got to where we should put in the salt, did that right, but did not close the damper before hand. Really dry salt firing, but not a failure, if the door had collapsed I don't have any idea what would have happened. I don't think it would have been pretty!

     

    best,

    Pres

  18. HI folks, nothing in the pool again. I have been loading the kiln today, and it reminded me of something that happened years ago that might make a good topic with a few laughs. Seems we may need a good laugh lately. So my newest contribution to the Question of the Week is:

    QotW: What is the silliest thing you have done or seen done dealing with Ceramics? I was teaching Ceramics 1 at the HS, and someone asked me to come check out her small kiln. She said that the kiln setter was not working and that she had over fired her last load. I went to her house, the 6 cubic foot kiln was setting on the floor, and the lid was up on the kiln. It was obvious she had overfired, but had cleaned up pretty well as she used a shelf to protect the floor of the kiln. So I started checking out the setter to see what the problem might be. All seemed to be in order, but the drop tab would not swing down. I asked her if this was the first time firing, and she said no, that she had fired the kiln several times over the last few years. Hmmm. Did something happen to the kiln lately I asked. No, we had just finished cleaning up the area, and moved it back into place. I started looking around and noticed a handle on the floor near the kiln. Turns out they had left the dust pan on the floor, and as it was late at night they had placed one leg on the dust pan. Since she didn't have shelves other than the floor shelf she did not realize the kiln was not level.

     QotW: What is the silliest thing you have done or seen done dealing with Ceramics? 

     

    best

    Pres

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