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Babs

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Posts posted by Babs

  1. When I asked the question I was remembering a,lengthy posting on Zinc oxide. Fortunately? today I found I did have the dense zinc oxide in my supplies as well as a white powder. The dense Zinc Oxide was an off white, old supply.

    Recipe I was going to try calls for

    ZnO                     25

    Pot Feldspar  40

    Ball clay              5

    Calcite                15

    Silica 2oo           15

    What does anyone think..desc nice domestic glaze with the addition of 4 part iron..olive honey colour.

     

  2. 2 hours ago, Min said:

    Nope.

    A third firing to ^03 can definitely change the look of glazes fired to mid or high fire. In effect what you would be doing is a strike firing which can alter glazes high in colouring oxides, particularly with iron or copper.

    Thanks Min , will go with the same procedure as before, drat it!! 

    Might unleash a new amazing range though! But ....

    It was a copper clear at c5 turning to a "matte" at refire to C03, slip added prior was a copper/ MnO2 thing, only on outside of pot .

     

  3. 33 minutes ago, Bill Kielb said:

    It sounds like the clay was fired to cone 5 and then cone 5 glaze was applied and fired to cone 03 which makes it simply an under fired glaze,  so very matte, but only two glaze firings. Maybe I am reading this incorrectly. If you have a low fire glaze that is matte and very close, or perhaps an acceptable contrast then for the sake of speed,  I think I would make the lid with a relatively broad gallery out of clay you are used to, so easy to fit, fire the clay to cone, then apply the low fire matte glaze and fire to its cone.

    I might be misunderstanding though.

    Sorry, I glazed it fired it to C5, to maturity, then refired to C03 with added oxide brush work. The clear glaze turns "matte". Years ago...

    Now I am making 3 lids but only have the measurements of finished pot, photo, pot other side of the country.

    Just wondering if there is significant shrinkage occuring at the second glaze firing.  And my other query.

    Thanks Bill.

  4. I have been askedx100 to try to make a replacement lid for a teapot. That specific teapot was fored to cone 5 , clear green glaze,then fired to c 03 which made glaze a microcrustalluzed glaze,"opaque".

    Will that 3rd firing cause more shrinkage?

    Or if I do a controlled cooldown  what type of glazes may also be altered in that process?  Guy wants it quickly...

    I know, I know...

  5. 9 hours ago, AJP said:

    I'm trying to find what book these recipes came from. Found these in an old text book my professor made. Does anyone recognize the font/style? Would love the whole book.

    Thanks

     

    book.pdf 684.05 kB · 8 downloads

    Looks like one man's collection of other folk's glazes, prob no text book as such

    Some are Bwenard Leach's , some are Val Cushings , you say they are your professor's so why not ask him?

  6. 17 hours ago, Brett said:

    Thanks Bill - I will  put a hand operating valve upstream of the burner as you suggest, and take into account all the other information supplied by you and others. Thanks again!

    Think that's a must.  I operated the first part of firing by using a pilot light, could be pretty vigorous but burner too vigorous for 1st part of my firing. After the cylinder regulator,  inside my shed, a shut off lever,  the gas control valve with pressure indicator was next, an air intake was next in line, then  down to the burner. Never touched the air intake at burner.

    Just saying.

    Good luck. Depending what neck of the scrub you are in there would be gas firers nearby who could twig what is wrong in the setup you have.

    Have you been firing this kiln successfully and this burner issue has just arisen?

  7. A possible danger where it is is that the heat sensor / gas switch off mechanism may be affected by the interior temp of kiln emanating from the orifice not the loss of flame from burner. Do you have another air conrtoller up the line?

    Whats the flame path like inside and the suck of the stack/ damper at other end?

    Will be a play between all of the above

  8. Yes the higher bisque is prob main reason if not the only one. Your ware would not have the same thickness of glaze and so would take on a different appearance. See the recent post re mistakenly firing to cone 5 bisque by Elaine Clapper

    Are your cones significantly different than previous firings?

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