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Denice

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Posts posted by Denice

  1. On 9/25/2023 at 12:05 PM, s6x said:

    Thank you Denice.  Did you find that the fumes would migrate into the house above?  My house is old too. built 1935...  

    I never noticed the fumes migrating upstairs,  I could barely smell them in the studio next door.   I thought I should play it safe and leave the area,   my house was built in 1929.   We had to move I was having trouble climbing the 4 flights of stairs.   I was diagnosed with MS after we moved,  the only stairs we have now go to the basement to hide from tornado's.    Denice

  2. I am working on a sunset that is at the top of a mural.    I have been testing and found that if I apply a yellow underglaze on the tile it is much easier to brush a another color of underglaze on top of it and keep a straight line.   The Mayco Glaze I am using suggests Cone  C06 for this application.    Denice

  3. I fired a big Skutt in a basement like that for 13 years,   I had some ventilation but not enough,  you have windows so you could probably run a vent hose out it.   My ceiling was tongue and groove boards  and my floor and walls were cement.   You could always put up some cement board if the ceiling worries you.   The Skutt was in the same area as the breaker box,  I had a electrician put in the correct breaker, wire and outlet.   It was a old house and some of it still had knob and tube wiring.   Make sure you buy a kiln that comes in sections,  much easier to move.  On days the kiln was fuming more than my ventilation set up could handle I would stay out of the basement.   I don't think there is a system that removes all of the fumes.  My kilns are in a separate room  with a Skutt dual vent system,  a window and a ceiling exhaust.  Sometimes I can still smell fumes,  I can shut the door or leave the room.    Denice

  4. I don't vent either of my test kilns,   I think they are too small.   I have put a piece of shelving under the edge of the lid during a bisque firing.    My old AIM kiln had a large peep hole that the fumes could get out.   My new Paragon is sealed up,  no peep holes.  I remove the piece of shelf when the fumes are gone.  a window is behind the test kiln.   I have a small manual kiln that I can easily fill and do a bisque firing so I try to stick to glaze firings in the test kilns.    Denice

  5. I vacuum out a kiln when the bottom starts to gets speckled looking or a pot shatters in a bisque firing.   I sieve my glazes before I use them if they have been sitting on a shelf for a long time.   I tend to jump around on glazes so I probably sieve them every time I  use them.  Maybe you got a piece  clay stuck on your sleeve and it fell off when you were loading.        Denice

  6. I bought a new Paragon Caldera XL last year.   My old test AIM test  kiln was in need of repair,   I was wanting to jump into the world of computerized firing.  It  has a Genisis controller and very tightly built with three inch bricks.   The three inch brick is very important,  my AIM had two inch brick that  cooled down way to fast.  I would try to slow it down manually,  it was very difficult to do.   I never felt like my test were totally accurate,  the glazes always looked different when they came out of a large firing.  The Genisis controller is also easy to use,  I believe the Caldera takes a 15amp outlet.   You could fire two mugs in it.  You may have to find a smaller test kiln with thick walls for a 120v outlet   Firing a test glaze fast could produce different results  than a big standard firing.   The Genisis  glaze program  is hours slower than the program I fired manually.   My L&L has the same controller so I just let it do it thing.    Denice

  7. I have been working with clay for 55 years and I still feel like I have a lot to learn.   You have set up a studio but you still need to take some ceramic classes.   Check out several different ones,  find a teacher that will let you help load and unload  and fire kilns.   When I was getting my degree  we had to make clay for the beginners,  sometimes helped load kilns and definitely unload them.   We are talking about big gas kilns that you could stand in.  Once a week we had to give the main work area a good scrubbing,  one day each semester was grinding and coating kiln shelves day.  You finally get to the level where you make general glaze for the classes.   A master student hands you a drill mixer,  5 gal bucket and formulas and tells you to start mixing.  If you decide to get your masters degree you are suddenly a teacher.  They were short a hand building teacher and tried to talk me into teaching a class even before I got my BA.   You probably won't run into a program like they have at college,  just make sure you find someone that is willing to share their knowledge and not just stick you behind a wheel.   I would find a evening class to take now to meet other potters and share ideas.  I haven't done it lately  I end up helping to teach the class because they don't have enough teachers.   Denice

  8. I started out wanting to be a art teacher,   I didn't get to attend college until I was older.   I decided to concentrate on clay instead of teaching.   I had my studio for 15 years when I went back to finish my degree.   I taught some art classes in my son's school,  sold some pots  and did portraiture sculpture  during that time period.   When I graduated from college  I closed my decorating business  that I had for 20 years to concentrate on my work.   I had  my mother,  father,  niece  and other relatives die that year,   my husband and I decided that life is too short  and I should be in the studio working.    I started selling my work at galleries  before I graduated,  so I at least had money for supplies.    I  haven't sold any work since Covid,  most of the galleries around here closed and didn't reopen.   I don't care about selling work anymore,   I will let my son deal with it  when I am gone.   Right now I am headed out to my studio,   I have a mural to finish before I head into a new direction  with my work.   Yesterday I picked up a 25lb bag of clay off the floor and ran it thru the slab roller.   I flipped it over after I laid sheet rock on it and cut the tiles.   I am a 70 year old woman who has Multiple Sclerosis,   working with clay makes you STRONG.   At this stage of my life strength is more important than money.  Denice

  9. Does anyone out there have baseboard heaters.   I have seen them in homes but not in workshops.  Kansas has had some extremely cold winters lately,  I bought a new electric radiator heater last year.   I thought my studio was so cold because my old heater wasn't working well.   It is colder now with the new heater,  need to come up with a new idea.    Denice

  10. I have the windows with a view and my outlets are four feet off the floor,  I could use more outlets also.  I don't have a floor drain.  wanted to put one in when I built the studio but we couldn't get the county inspectors to grasp the idea.  They thought I would be polluting the near by creek.  Doubling my space would be nice but I probably would fill it with stuff I should get rid of.   My husband is on a bright  lights rampage,  he put new LED tube lights in my studio that are so bright you need sunglasses.  Fortunately  they are dimmable.    Denice

  11. I would devote more space to the kiln room.   My new L&L  takes up more space than my old big Skutt,   my husband put it on some big casters and I roll it out to the middle of the room to fire it.  I could load a kiln on the other side of the room before while the Skutt was firing,  now I have to wait until the L&L is cool.   Not a big deal, I  am retired and have plenty of time.  I would put a separate heating/aircondition unit,  often it is too hot or cold to work.   Getting rid of a work table that is barely used and installing more shelves,  I have 3 work tables and a large slab roller table.   Install a drawer unit in my sink area,  the only lower cabinet I have doesn't even have shelves,  I end up putting misc stuff in it.   I could probably add another upper cabinet,  we  bought a couple of closeout cabinets for cheap when we put in the sink.   Denice

  12. Over the years I have had two different clay's that I loved discontinued.  I dislike a clay like  B-Mix it feels like cream cheese.   I like one with enough body that I can throw and handbuild with it,   I switch back and forth with  red speckled and white and dapple with a tan now and then.   Denice

  13. I have purchased two new kilns this year,  I have  fired manual kilns a Skutt and a Paragon for 50 years.    I decided to jump into the world of  computer controlled kilns,  the first one was a Paragon Caldera XL test kiln with a Genisis controller on it.   I found it easy to use,   several months later I noticed that L&L  was having a sale  I also added a Genisis controller to it.   My Skutt still had great firings but  I needed a shorter kiln in my old age.    I sold it to a new potter,   my test kiln just needed new elements but I was wanting a more modern one.    Both of the new kilns  have heavy metal components and thick dense fire brick that is tightly fitted together.   The L&L  had a bigger diameter than my old Skutt  so my husband put some nice roller wheels on it.   I roll it out of the corner to the center of my kiln room and fire it there and roll it back when it is cool and unloaded.   I have two kilns that use the same outlet  and the test kiln has a separate  20 amp  outlet.   Good luck 

  14. 58 minutes ago, Pres said:

    Hi folks, getting ready to mix up some more glazes for a glaze load.  While doing this it occurred to me that some people don't weigh out their glazes, but use a volume method. I have never used a volume method for glazes, but know of some potters who do. However, I have some formulas that are by volume as in Magic Water, and some stain recipes.

    QotW: Weight or volume, which is your preference when mixing glazes?

    best,

    Pres

    I have also used a few volume glazes,  but I was trained using weights.   I don't think I would change methods  after all of these years.     Denice

  15. I bought Corederlite shelves for my new L&L kiln,  I was told then that they had fixed the warping problem.   I don't have enough firings on them to know if they warp.   I will tell you that I was disappointed that they were heavier than I expected.   You shouldn't have too much trouble lifting the regular 15 inch shelves.   You could buy a Corederlite shelf to use as your bottom shelf,  that is always the hardest one for me to pick up of the 20 inch shelves.    You can always work with half shelves,  some kiln loading instructions recommend using only  half shelves.   I bought the lighter shelves because I am 70 years old and thinking of my future  kiln loading and unloading.     Denice

  16. My local supplier had limited supplies during  Covid, the one employee almost died from it.   She was in the hospital for a month,  they sent her home to  put together estate plans.  They said they could no longer help  her.   She laid in bed for 3 days and decided to get up and clean her house,  she is back at work lifting those heavy boxes of clay.    The store seems  to be well stocked now I think it is because Virginia is back.  Denice

  17. I have been thinking about downsizing my book collection.   I still have a lot of art history books and misc how to do books.   We are getting ready for a donation trip to the Goodwill store.  We had so much furniture to donate this week we hired a company with a box truck to pick it up and take to  the Goodwill.   Most of it was from our old  house that had the five bedrooms.   Some of the rooms were never used and most of the furniture looks like new.   Like Mark  we are clearing out to make our house easier to clean and manage in our senior years.     Denice

  18. Every workshop I have attended I have been impressed by something different in each artist.  The artist I want to be is Marcia Selsor,  I visited her studio when I was in  the Yellowstone area.  When I got there she was lounging in the back yard with a  small kiln firing,   She would pull a pot out and look it over and  maybe sprinkle  some of her magic dust on it for more flash.  She had a order for 6 pots from a gallery she needed to fill.   When  the firing was over  she took me  through her huge studio to show me her new kiln in the back.   We walked by a couple of her moon pots sitting on the wheel.   She gently touches them to see if they are ready to be moved,   We finally reach our destination of the new kiln building and  huge kiln.  The reason I want to be a potter like Marcia is that she is so serene and calming.   When I am in my studio I am hype up and don't want anyone talking to me while I am trying to work.  I usually just stop working if I am interrupted and have my concentration broken.    Denice

  19. I just did a test firing with a Mayco underglaze and top coated it with a clear Duncan glaze.   I was firing to Cone 5 but I don't know why it wouldn't work on a lower cone.   The Duncan clear I use is a low fire glaze,  I can fire it to Cone 5 without any problems.  I tested a white and a blue and they came out perfect.   Denice

  20. I was taking a community sculpture class and decided to make a lions head sculpture for a fountain.  My teacher thought it was so beautiful that we should make a silicone mold of it,  I don't think she knew anymore about it than I did.   I bought the expensive spray separator and sprayed it according to directions and covered the head with several tubs of silicone.  I couldn't get it off,  I asked my teacher what should I do and she said to burn off the silicone in my kiln.  That turned out to be a smokey disaster,  the smoke went up 3 stories in the stair well.  My son and I hung out on the balcony until it cleared up,  I am glad it was dark our neighbors probably would have called the fire department with all of the smoke coming out of a 3rd floor window.   My kitchen ceiling was the only thing smoke damaged,   I prime and painted it the next day,  my husband had was out of town.   I didn't tell him what happened,  he did comment on how clean the house looked when he got home.   I had dusted every inch of it, even the ceilings.  Denice

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