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Babs

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Everything posted by Babs

  1. Stick a bit of broken pot in the dishwater for a while, see if it likes that. Any matte glazed dinnerware makes my hair and teeth stand on end when cutlery scraped them. Not durable in most cases
  2. I have seen folk use a dog bucket, thing they put over dogs head to stop them licking sores etc, placed over the rim of bucket to catch the spray, but seemed like an over kill unless big stirrer in small bucket. @Mark C. modern toilet brush here, no metal, some have a plastic rib at end. Hard pan , the split pan and sieve sieve sieve but 4 weeks don't get that way.
  3. Well getting to the shed after about 4 weeks away, and finding my glazes need waking up, I found myself, by glancing in the buckets, reaching for a variety of "stirrers. Toilet brush, bamix, or stick beater, drill with stirrer attachment abd and in one case my talisman sieve. What are your go to tools? Whilst glazing my toilet brushes are on hand.
  4. @Presbeats me leaving my rejects i e. Not what I liked, or clearing shelves stuff on fence posts around my area! It is picked up In a flash!!!! And I dont live on a highway. I also left a crumb trail on a kayaking trip. Little spoons which hooefully were picked up...bit of guilt setting in in old age...humans making their mark on nature thoughts:-(
  5. Be a good test piece, either making your advice positive or how to get a special effect.. Some glazez can tolerate fettling drips a nd bubbles. Hairspray will disperse bubbles on top of glaze bucket prior to dipping. Cheap and doesnt need much, needs to be repeated after stirring. Some of your bubbles may be evident if glaze is a stiff one
  6. I read that you are in a very frustrating position in life. So instead of slamming Simon Leach, let's focus on the positive. What videos do you recommend? Take care.
  7. Oh right! thanks Neil, I never did, or had to??? Touch the plate, I mean. Too late for me but there you go, @suz davis
  8. Yes the timer has to be seperate from sitter . Cuts the electricity to kiln after a set number of hours. I used to set mine 1/2 hr aftr my estimated firing time ended, in case I slept etc. Nursing a sitter, the only way.
  9. @glazenerd Have you worked on this? Thanks.
  10. It is usual to adjust on the rod which passes from outside to inside of kiln and sits on top of the cone, not the plate. There is a thingie, guage, you can get which will hold that pin and cone support in correct position for adusting to. If plate is dropping too soon, it may be that that rod is worn on the kiln side. Adjustment by moving the "peg " along the rod, towards kiln body, to allow the plate to sit more vertically and thus drop later has to be done with caution as if too vertical it may not drop and so kiln stays on... Have you got a cut off timer seperate from the kilnsitter?
  11. @Dani dowling A re you damp wiping your pots to get rid of dust prior to glazing? Are youR hands oil free? Are you measuring temp/ cone your kiln is reaching with cones? Is this happening all over your kiln shelves, every firing or what? Cone 08 is way low for a bisque or a glaze firing. What cone are your glazes maturing at? Dull unshiny glazes often means required maturation cone not reached. What is your firing schedule? Start making a log book recording your firings and results. Exciting, eh?
  12. You can make your dark rutile light by putting it through a bisque firing , I think. Just need to burn out a few gremlins.
  13. You would sell the pots with frog attached with the F. Clay? Just thinking of doing a batch. Not sure, seems lots of " individual" frogs out there.
  14. "Haven't got time to write you a short letter, so I'll write you a long one" The OP often wants just a yes, personally I like to receive and read the reasons why, and poss results etc. Have learned so much from others questions and answers given. The only short answer..."It depends" Such openness and generosity are amazing @Mark C. such irony!
  15. @Bill KielbThanks Bill. Sounds good stuff for local Com Gallery too. @Min thanks. Takes the drying process of different thicknesses off the page prior to firing.
  16. What does this product do? Wax??? Non slip? Will look for equiv in Aus.
  17. Do those who make shallow pots for flower arrangements attach the frogs or are they loose in pot?
  18. Post images so folk can see what you are writing about. Same effect throughout kiln? Same clay body ? Other glazes ok? Reds and greens...underglazes or reduction firing? Same glaze batches?
  19. Yes, I havemade small terracotta pots for a eucalyptus distilery for 30 plus years. Local folk, also do small slipware bowls and trinket plates with euc leaf design Easy and nearby. Pocket money
  20. When are you opening the kiln? Looks like dunting. Waster slabswill help with this too. A photo of the profile of broken piece would help re thicknesses of pieces
  21. If ongoing, why not build a couple of saggers from clay?
  22. If beginning, I'd go to local library and borrow until I was a bit down the road. Emmanuel Cooper Kenneth Clark John Colbeck Peter cosentino
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