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Everything posted by Benzine
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Loading a packed kiln full of beginning student sculptures, is like putting an egg, full of nitroglycerin, into a bin full of more of those exact same explosive eggs. One wrong move and everything goes...
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End of year firing were always fun. Especially those that had mixed loads of bisque and glaze when firing ^06.
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Perhaps an extended candling to insure dryness?
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glazenerd, that goes without saying when you teach ceramics to kids. Heavy thick walled areas is not unusual, no matter how hard you try to get them to understand the problems with overweight poorly constructed ware.
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I will be gathering quite a few of these: https://goo.gl/images/NGXZn7. Think they would be good for small amounts of glaze materials? They even come with their own scoops.
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Nice. So exciting!
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Congrats, Poppa!
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Had quite a bit of time in the hospital. On the plus side, I came up with a few pages of concept sketches for wares.
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I have a dipping glaze for my classroom, but want to have a small bottle, do the students can brush it on as well. What should I add to the small bottle? Epsom Salts to keep it suspended? Gum solution so it dries slower?
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REad Pete Pinnells article http://www.claytimes.com/articles/glazeadjusting.html Adjusting glazes
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Takes a lot of CMC, so I make my own.
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Thanks for the responses all. I went with a little bit of Epsom salt and gum solution. Initial test went well. Brushed on pretty evenly. I may have to tinker a bit more, but it's a start.
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Fired a class load last week. Had a larger student sculpture that had been drying for weeks. Had a slow bisque fire program. Everything was going well, until the kiln got around 1000 F. Felt steam coming out of the peep... It was like the engine room scene from Titanic. FULL STOP!!!
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Scotty would have pushed her to Warp 12 and held on for dear life.
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Yep, it survived. After shutting off the kiln, I kept checking the peep for moisture. When none was detectable, I started it back up. No issues. There were no spots over 1/2" thick.
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Good job on the steam check. I always use the hand at the peep hole to check for moisture during bisque, and glaze firings.
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Random thought, what would happen, if a Raku piece were put in a container of cooking oil as a means of reduction?...
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I did a firing last night, and gave it a shot, with some pre-testing and precautions. It was SPECTACULAR-ly disappointing... The oil barely burned. Definitely no explosions and sizzled like bacon hitting a hot skillet. No real splatter to speak of. I've had worse from throwing frozen veggies into a skillet.
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LOL Well that's good to know!!
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Yeah, not dangerous, but also not worth the time. I thought the oil would burn, and give some nice carbon effects. It really didn't. And since the glaze went from the oxidation of the kiln, to an environment that provided neither oxygen or carbon, the glaze didn't really change. It doesn't look bad, just nothing amazing.
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Did a Raku firing last night with some test tiles for my Art Club firing this week. Also used a pumpkin as a reduction chamber for a ceramic pumpkin... Yes, clever I know...
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''Tis the season
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''Tis the season
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Babs, I tried something similar a couple years ago, but scooped out the "guts" first, and dried the pumpkin a bit. Some interesting results. This time, I just cut the top off the pumpkin, and put the hot ware directly into the pumpkin guts, seeds and all. The pumpkin top seals nicely to keep the air out. Pretty interesting result. I'll post photos later.
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Got some cement board, to replace the canvases in my classroom. Good Lord is that stuff heavy!
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I was pouring glaze over the outside of some little tumblers the other day. I used a small sour cream container lid to shield the bottom from glaze. Worked pretty well.
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did you simply place the lid over the bottom of the tumbler? Then pour?
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Yes indeed. I didn't want to bother waxing them, or spend the time wiping off the excess. I saw a lid sitting there, and I gave it a shot. If I wanted the end of the glaze to be further up, I would scoot the lid further to the side I was pouring on.
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Why not just dip upside down? Were you using a different liner glaze?
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Did a Raku firing with my departing Art Club Seniors. For reduction, we used their old notes, papers and tests. Fun was had, minus the heat and humidity...
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Came across a video on YouTube of a "Ceramics Throw Down" show on the BBC. Here's hoping they bring that one to the US too. Link for those interested:
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So I was looking to make some "Score No More", and it call for dry gum powder. Will CMC Gum, or Veegum work?
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so Benzine is score no more different from the magic water?
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The gum in the recipe by Old Lady is Gum Arabic, can't see why CMC won't work
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Babs. Score No More is Gum, Custer Feldspar and the clay body. So it's more of modified slip. Whereas the magic water is mainly water with the soda ash and sodium silicate.
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