Joseph Fireborn

At some point you have to commit to a process, including the glaze. Can be daunting because in some ways you are saying: this is who I am. When it comes to glaze, you could easily spend a lifetime searching.

I was that way in college, and I still feel that way many times. I especially like the look of the clay, at the leatherhard stage, so smooth. Many times I even like the look of the prefired glazeware with the glaze marks I like, but know won't look much like that when fired...

The issue is accepting that for me. Developing a work with two glazes seems nearly impossible in my mind. But I know I must commit. Maybe soon.