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PSC

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About PSC

  • Rank
    Advanced Member

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  • Website URL
    https://www.aftcra.com/KilnGoddess

Profile Information

  • Location
    Florida
  • Interests
    Pottery, drawing, mosaics, mac computers, ipad apps, herb gardening,

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6,016 profile views
  1. I live in humid florida and don't seem to have the problem of ware drying out in just a couple of hours of carving so maybe running a humidifier while carving might stop the drying out. i find carving over a shallow tray like a large cake pan catches all the crumbs from carving and can be disposed of later either in the slurry bucket or trash.
  2. I teach at a communty center. I get paid a set amount per teaching hour based on enrollment. Across town there is a center that pays 60% of the take minus the discount that members get. Neither place pays for hours spent in prep, cleanup or firing kilns.
  3. The wheel thrown work stacked in 5 gallon buckets using cloth yardage and some cloth bags for packing. The buckets stack up 3 high nicely. When a show comes up i just load up some buckets and the rest of my stuff and off i go. I do a lot of repeating shows and to keep people buying they like to see different work so i try to bring a mix of new and older buckets so there is something fresh to see every time. I also have a few larger bins for nonround shapes and platters. I find the stacking totes' lids don't really take too much weight so not overly practical for long term stacking.
  4. I was doing some public demoing at a small show and a woodturning came up to have a chat and asked if i knew of a good book for ceramic shapes cause he could see they might help him with his wood lathe. So i gave him the name of a couple of books. I have since seen him at other shows and he has said the books were a tremendous source of inspiration.
  5. I use a pipe cleaner to ream the dry glaze out of the holes...don't breathe the dust. it could just be a too thick application of glaze or a runny glaze and it just wants to run into the holes.
  6. Here is a pricing formula that has never steered me wrong.... if someone was to run it over with the their car how much money would it take for you to stop feeling so bad about it.
  7. I left etsy some years ago when they redefined the word handmade to include things never touched by the 'makers' hand. Haven't found a decent online venue to replace it.
  8. I'm always telling my students to clean up their clay boogers and sharpies(sharp edges that will be prone to chip). I tend to get giggles. And i have been known to complement students that can take a bit of ribbing on their burglar deterrents and door stops ( aka heavy enough to be used as a weapon or stop a door). And of course i always mention how to avoid building kiln bombs.
  9. I use 14” speedball bats. Love them. Back when C.I. Owned the company i bought my first bats from them and bought more maybe 5 years ago, both the original and the new ones are still going strong. The originals ones went thru a hurricane...literally they were blown around in 2004 during that awful hurricane season...the house had to be taken down to studs but the bats other than a bite taken out of one are still useable and flat with no pinhole wiggle and i still throw with the one with the bite out of it. I have never had my clay fly off tho they do make a bit of noise when you smack your clay in the middle of them...more so than just the wheelhead. I do suggest you learn how to remove your work by hand as that save you from needing too many bats. Some clays and forms take to the hand removal process better than others. But i always feel like i am giving my bowl a vulcan mind meld touch when i take it off the wheel by hand.
  10. I stopped using bubble wrap after my first real windy show....as i unpacked my pots the wind took my wrap and blew it down the road. I now use uncut cloth bolts, cheaply got on clearance at the fabric store and thrift store and some muslin bags i found at a thrift. If it is round and fits in a five gallon bucket it gets stacked in a bucket with a fold of fabric between bowls or plates and extra fabric tucked around and smaller bowls bagged in the muslin bags and tucked around the stack of larger bowls. Things that don't fit in buckets i.e. platters and wall hangings get put in plastic bins and layered with cloth. One torrential downpour and your cardboard is a soggy mess...i remember one show having to pack up with water halfway to my knees under my tent. That was the show that i actually backed my truck under my tent and loaded it all up finding the footing easier barefoot than shoed...i now have rubber boots in the truck for those kind of days.
  11. I have used veggie oil as a release but i once used old veggie oil and it actually seemed to adhere it to the shape worse so make sure the oil isn't real old. Also dry cleaning bags, cling film or silk make for a good barrier to sticking.
  12. A friend once brought me a apple baker to look at the glaze she bought from a local potter...i had to break it to her that the potter did not make it...it was a Hull.
  13. I have a folder of photos of kiln mishaps on my ipad that i find on the web....there is one that is a particular favorite of three vessels attached to the inside lid of an open kiln. I always have a yard stick by the kilns to slide across the open kiln rim just to confirm everything fits.
  14. Don't let your kiln goddess hear you talking like that
  15. Glaze is glass and glass flows so i can't imagine a glaze that can maintain a thick, stay put frosting like consistancy. I agree piping slip is likely going to be the answer for the effect you are looking for. i found you a tutorial https://ceramicartsnetwork.org/daily/pottery-making-techniques/ceramic-decorating-techniques/piece-of-cake-how-to-decorate-your-pots-like-a-pastry-chef/
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