Jump to content


  • Posts

  • Joined

  • Last visited

Everything posted by PSC

  1. I went and visited the art market i talked about in my earlier post. I saw nothing in the way of covid changes by the organizer other than a sign at the entrance advising social distancing and mask. The tents were right up against each other and back to back. Show goers with no masks and some vendors without any on either. So glad i decided not to sign up.
  2. They still owe me a back ordered fettling knife they charged me for but never sent. I had to fight to get the portion of the order they did send and it took 7 weeks to get but the class i ordered it for was an 8 week class And by the time the partial order got there we had ordered from elsewhere . That was maybe 4ish years ago and after that i told my students not to bother with them. One student forgot and had to fight for a refund when their order was not sent. I orderEd from them many times before that and didn't have an issue.
  3. People like things signed. I too have a line of little widgets that sell well but its not my work from the heart so i sign them differently with my initials not my full name.
  4. Any Florida potters wrestling with doing shows or not? I have one twice a month art market taking signups but so far i have resisted cause masks won't be required and no one has said if space between booths are going to increase or how vendors will be able to wash hands without the long walk to the restrooms. I can bring my hand sanitizer and lysol spray but i worry if that will be good enough. Not knowing if snowbird season will play out concerns me cause booth fee would not be returned if the show bombs and they are wanting the whole season of shows paid to reserve your spot. They say the show is 80% filled tho i have no idea if there are a reduced number of spots for distance sake. I worry. Sales have not been huge there to begin with but sales are predictable and consistent in the past and definitely helps pay the bills. But with covid i have no idea if the shoppers will come. Funds are low and i need to use care where i spend them .
  5. I notice rougher handling when package go thru certain sorting facilities than other sorting facilities.
  6. If you can throw a pot you can throw a chuck. Its merely a thick walled cylinder that flairs like a three mile island nuclear cooling tower. I throw my chuck, make sure it is tall enough to accommodate the neck of your vessel. The body of the vessel will sit on the inner curve of the chuck inside the chuck. I throw single use chucks all the time and use while wet. I line the inside of the chuck with strips of newspaper to keep the pot from sticking to the wet clay. I also use a small level to make sure my pot sits level in the chuck. Then i trim my pot. Then i take the pot out and take the paper off the inside of the chuck and continue throwing my chuck into a vase. You can make a reusable chuck by throwing the three mile island cooling tower bottomless on a bat and under cutting it, then allow it to dry and then bisque it. You can then center it on a bat and glue it In place. Then you will always have a chuck...you may want to make various sizes.
  7. 1. Practice, lots of it. 2.clay as clay is reusable until it is fired or get contaminated by something. So if you slice up a pot now and again you can just let it dry a bit a wedge it...watch some you tubes on wedging there are multiple methods. Also slice any piece that didn't make it to see what went wrong. 3. Sometime if there is an air bubble in the clay it will be almost impossible to center so that could be one answer but sometimes you are just off kilter and it makes centering hard. 4. Dry it out, wedge it up and use it again. 5.try not to get clay down the drain, you don't want to fill up your septic tank nor clog your pipes. If you dump any clay outside it will eventually will make a clay slick and be very slippery. Also some plants do not grow well with clay bound soil. So if you are allowing clay to drain outside don't fall in the slick and if you decide to bury it just make sure you are not planning on planting anything or building anything where it is buried.
  8. I have one once a month outdoor art market that has let the artists know that they are planning to open in late October as long as things don't become bad by then and they will let us know if things change. Thats the only info on any shows taking applications i have heard about. I know my July show is canceled. As the venue has decided they will not be opening until august for more than 10 patrons in the building at a time.
  9. I use this stuff, found in the sunscreen aftersun area at the store, when my hands get dry...it doesn't happen often unless i am throwing in the winter in a draft. But i have never had an issue with my nails as you can see from my thumb's nail in the photo. The lotion smells like a day at the beach so thats always nice.
  10. Lime does pop so plaster in clay is a hazard...so is concrete in clay too...concrete when heated goes boom...just take a torch to your driveway if you need to see for yourself. I've seen plaster blow about a 3/8” chunk out of the surface of a pot when a small 1/8” little chunk got trapped in the wall of a thrown pot.
  11. Glaze one side and paint an oxide or underglaze on the other side and wipe it off so it stays in the texture.
  12. You might be doing yourself a disservice by not following thru with keeping at least a portion of your practice wares...perhaps you are practicing wrong and your work if had been fired would have ended up with S cracks in the bottom or rim splits at the top or maybe you've put too much torque in your lifts and you get spiral cracks in the wall...btw i have only seen this happen once and i thought it was the most amazing fault to occur in clay...the maker was not so thrilled but to see a bowl break apart in a spiral is very wowish. And of course you are trashing all the opportunities to practice getting your glaze right...you might as well screw up on the not so perfect pieces than the ones you are more attached to.
  13. My bowls start off as bowls...thats how i was taught, thats how i teach. One week i throw a bowl for demo the next week i throw a cylinder for a demo. Frankly i have always thought bowls were easier to throw and a lot funner to trim. Depending if you want a steep curving bowl or a wide bottom bowl you set it up from the first opening movement. Bowls with a flat bottom i have always called Bowlynders in jest, but i tend to to stress to my students it is not the proper way to form a true bowl form...they asked me what they really are and i say a flaired cylinder. My teacher was quite adamant that a bowl should start out as a bowl.
  14. I don't think the glass is breaking your ware. Looking at those crack i can see glass melted into the cracks. If it was the glass cracking the pieces it would happen as it cooled not still liquid. I think its either the uneven clay thickness or some other stress that has happen either while drying, bisquing or the final firing. After your bisque tap the item with your fingernail...if it has a microcrack before it goes into the glaze kiln the tap will sound flatter than if there is no crack.
  15. Any letterset stamp will work given that it is a solid font as opposed to a outlined font...i found smaller outlined font don't work so great at smaller font sizes. Also some script fonts are a little hard to read on clay. I have used everything from office letterset stamps you find at the office supply store to ink stamps at the craft store to concrete stamps for stepping stone to leather stamps for leathercraft to stamps made for polymer clay and even dry alphabet pasta pressed into clay. Some give softer impressions and some more crisp. Personally i like the sets that have a holder to set up words and phrases for repetition stamping. a word of warning about other stamps besides straight fonts...image and word stamps are copyrighted and most stamp companies only give the purchaser a 'for personal use' license (as opposed to a commercial license for work that will be sold) to use there stamps. Some companies have liberal licenses to there stamps and often this licenses are called "angel policies" tho there may still be terms you must abide by when using them...i.e. handstamping only, limited runs using the image, crediting the company on the work itself...you really have to read the policies for each company to know. But you should be fine just using the letter stamps, especially if they are basic letter forms.
  16. I started giving it as gifts to family. They seemed to like it. I was going to college and could compare my work to multiple classes of other student. I visited a lot of galleries. I was making a lot of work. And comparatively my work eventually seemed on par with the work i was seeing for sale. The school allowed students to sell at some events on campus. But pricing is hard. And then someone told me a pricing strategy...if someone were to run your bowl over with a car how much money would it take to not have you feel so bad about it. Weirdly the the amounts that i came up with pretty much added up to the price the galleries were charging for similar work. i never felt bad when selling work, certainly not feeling like i would barf. I started selling when i thought the work was ready, good enough...Now for those items i was giving away early on...how i wish i could get them back
  17. I do two hour classes with teens and not experienced issues but these are at a community center and these kids specifically sign up and pay to join the class so perhaps their interest is more present. But i find introducing cultural history along with the technique and historical pots seem to help fill the time. During making pinch pots i introduce native american animal animorphic vessels and then they make animal pinch pots. During coil demo i talk a lot about native american and African coil pot making, ask them to look up examples on their devices, let them explore online for a short while then we get down to making coils and pots. They are almost all still trying to get those details right when the class ends.
  18. Prepare for wind, if not for your work sake but for you neighbors work. I usually have extra weights in the van. I normally do 60 pounds per leg but carry enough weight when doing a two day show to take it to 100 a leg...i have loaned out these weights to clueless first timers. This past November i did a one day show that i gotta say was my windiest to date. As i unloaded my van I watched in horror as the booth two doors down had their tent folded by the wind as they tried to erect it. In spite of this, the makers next to me erected their tent. Now totally unloaded, I went and parked my van. Came back to see these tiny little weights on their legs. I told them they should take the tent down as the wind was too strong. They said it was integral to their display. I refused to start setting up as i watched that tent walk into my space with every gust. I told them multiple times to take the tent down or take the canopy off, that the tent was walking. They poopoo'd my concerns. I continued to not set up. Then a big gust swept that tent 3 feet into my space knocking over a bin of pots. I strongly, between gritted teeth, urged them to take the freaking canopy off the frame as it had now, i was fairly certain, broke some of my pots...this said while holding onto the leg that smashed into my space to keep it from coming further into my space. Finally the canopy came off. No apology was given for breaking three items, two bowls and a mug. Eventually the frame was even brought down as they tried using it to hang aprons and such from it. Those items of course blew off into my space. Finally i set up...no tent. I set up my barebones setup, no platter easels, no interesting multilevel display...windproof. But i did spend the day returning merchandise that blew off their table all day long. I tried to show them the bags of marbles i use to weight down light objects but the brushed the advice aside. It was a tiring, stressful day. I have not seen those two makers at any other local outdoor show since. Seriously, that day was so windy that if you stood up from your folding chair your chair would blow away.
  19. All my shows have been canceled...i do shows fall, winter, spring, where the late winter early spring is the bulk of my income that gets me thru the bare showless summer here in Florida...also my center has cancelled my classes that let me limp along financially when the shows fail to produce. Thursday i am heading over to the next town to see about selling some plasma. The cats gotta have their kibble and i don't know when the classes will be allowed to restart. If they close things down too tight then the plasma thing might not even be an option, gotta get the $ while i can.
  20. I live in humid florida and don't seem to have the problem of ware drying out in just a couple of hours of carving so maybe running a humidifier while carving might stop the drying out. i find carving over a shallow tray like a large cake pan catches all the crumbs from carving and can be disposed of later either in the slurry bucket or trash.
  21. I teach at a communty center. I get paid a set amount per teaching hour based on enrollment. Across town there is a center that pays 60% of the take minus the discount that members get. Neither place pays for hours spent in prep, cleanup or firing kilns.
  22. The wheel thrown work stacked in 5 gallon buckets using cloth yardage and some cloth bags for packing. The buckets stack up 3 high nicely. When a show comes up i just load up some buckets and the rest of my stuff and off i go. I do a lot of repeating shows and to keep people buying they like to see different work so i try to bring a mix of new and older buckets so there is something fresh to see every time. I also have a few larger bins for nonround shapes and platters. I find the stacking totes' lids don't really take too much weight so not overly practical for long term stacking.
  23. I was doing some public demoing at a small show and a woodturning came up to have a chat and asked if i knew of a good book for ceramic shapes cause he could see they might help him with his wood lathe. So i gave him the name of a couple of books. I have since seen him at other shows and he has said the books were a tremendous source of inspiration.
  24. I use a pipe cleaner to ream the dry glaze out of the holes...don't breathe the dust. it could just be a too thick application of glaze or a runny glaze and it just wants to run into the holes.
  25. I don't think i explained it well. The trim line isn't for wax brushing but glaze brushing. I brush my glaze on for more control and thinner layers, the trim line is for the glaze brush to track. But it does work for brushing wax but a so very rarely need wax. Even when i do dip i very rarely dip to the foot but finish with my brush. I just hate messing with wax and the inevitable burp since my bowls tend to have a deeper foot its just faster to brush the glaze at the bottom than fix the wax burp.
  • Create New...

Important Information

By using this site, you agree to our Terms of Use.