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I have an old Venco de-airing pugmill, with an aluminum barrel. I'm starting fresh once again with an empty, cleaned out barrel. My intention is to pug my huge pile of porcelain reclaim clay all at once (over a few days, perhaps). Then I should just clean it out, because when leaving clay in it, I've repeatedly failed to get back to it in time. I use ^6 porcelain PSH 910. Over many years I have never yielded reclaim clay that was a pleasure to use. I've always restricted it's use to a few items where the imperfections aren't as big an issue. But I feel like I should be able to do better, deairing pugmill and all. Some of the challenges: -When throwing, materials settle in the throwing water and form a hard lump in the bottom. (Primarily talc?) I've tried both adding this to the reclaim bucket (get dried gobs of material- but I could possibly deal with this more effectively in the future) and leaving it out has been my latest strategy. -As seems to be more common knowledge now, the aluminum barrel and porcelain clay react over time and form clumps of salts (?) that make hard horrible bits in your clay. A large part of my reason to try doing a big batch at once then clean it out. -Getting the PSI high enough to de-air the porcelain is difficult -The clay comes out short. The bags of clay have been sitting around for a long time. Any additives that I try now to improve the plasticity would be added as I pug. Ideas I'm considering: -Adding some vinegar, because it would swing the alkalinity to slightly acidic, which would draw the particles closer together and possibly improve the plasticity. -I could mix some bentonite and water, and roll the clay in a bit of that "snot" before pugging? -Epsom salts in the clay (straight from PSH) have not had good results for me. -A potter I worked for years ago used to mix her boxed clay 1:1 with the reclaim. But I'm nervous that the result would lower the quality of the boxed clay, more than improve the reclaim? Any brilliant thoughts and suggestions are appreciated.

I have an old Venco de-airing pugmill, with an aluminum barrel. I'm starting fresh once again with an empty, cleaned out barrel. My intention is to pug my huge pile of porcelain reclaim clay all at once (over a few days, perhaps). Then I should just clean it out, because when leaving clay in it, I've repeatedly failed to get back to it in time. I use ^6 porcelain PSH 910. Over many years I have never yielded reclaim clay that was a pleasure to use. I've always restricted it's use to a few items where the imperfections aren't as big an issue. But I feel like I should be able to do better, deairing pugmill and all. Some of the challenges: -When throwing, materials settle in the throwing water and form a hard lump in the bottom. (Primarily talc?) I've tried both adding this to the reclaim bucket (get dried gobs of material- but I could possibly deal with this more effectively in the future) and leaving it out has been my latest strategy. -As seems to be more common knowledge now, the aluminum barrel and porcelain clay react over time and form clumps of salts (?) that make hard horrible bits in your clay. A large part of my reason to try doing a big batch at once then clean it out. -Getting the PSI high enough to de-air the porcelain is difficult -The clay comes out short. The bags of clay have been sitting around for a long time. Any additives that I try now to improve the plasticity would be added as I pug. Ideas I'm considering: -Adding some vinegar, because it would swing the alkalinity to slightly acidic, which would draw the particles closer together and possibly improve the plasticity. -I could mix some bentonite and water, and roll the clay in a bit of that "snot" before pugging? -Epsom salts in the clay (straight from PSH) have not had good results for me. -A potter I worked for years ago used to mix her boxed clay 1:1 with the reclaim. But I'm nervous that the result would lower the quality of the boxed clay, more than improve the reclaim? Any brilliant thoughts and suggestions are appreciated. Cross-posting

My community studio has a couple of very old plaster reclaiming tables that are just not as absorbent as they used to be. Is there any way to revive these tables? Would sanding/shaving off the top layers make a difference? Is that even something you can do with plaster without it ending up in all the reclaim? Any and all suggestions are welcome! Thanks in advance!

I have frozen greenware, which is pretty but I am worried about it cracking when fired. Should I smooth it back out once it has defrosted and then bisque fire it? Or is it doomed and heading for the reclaim bucket?

I’ve recently discovered missing paint on the bottom of my mixer (see photo) so I can only assume that it is in my clay reclaim and potentially in my glaze. What do I do? Will it burn out of the clay? I mostly care about the glaze because I paid someone to make it for me and it was expensive. Should I put it through a sieve just in case? Is it totally ruined?

Dear colleagues, I have to make a decision as I could have a Venco Super Twin in a few days here in my studio what would normally take months to be delivered and I have a big order of lots of plates to throw. In my research about pugmills I have come as far as that I think I have to decide between buying a Peter Pugger vpmss20 and a Venco Super Twin, both stainless steel and de-airing. I throw porcelain and run a studio production, means around 2 tons a year, getting more (sorry, I'm not a native speaker)... I'll need it in the first place for replacing the wedging of new porcelain clay as I find this extremely power- and timeconsuming for production. I let the wet material dry a little bit down to have a stiffer clay for throwing thin bigger pots. That means the clay has stiffer parts outside from the drying and softer ones inside even if I dry it slowly under a soft fabric to avoid too fast drying. I hope such a machine could mix and de-air it for having a homogen porcelain body ready for throwing. That's what I intend mainly. To reclaim crap is also an idea but not really important as I can sell trimming crap for a small money to someone who re-uses it for small sculptures. i know in stoneware de-aired clay is a gorgeous thing for throwing, but porcelain is different and it seems to absorb air whenever possible so the vacuum effect might be a problem? What I have heard about the Peter Puggers: Some potters have problems with porcelain coming out with no plasticity. Also heard a rumour that the pugging chamber of the PP is too short for good de-airing. The advantage of PP seems to be that the clay can be stiffened or dried down easily and that any stiffness doesn't seem to be a problem at all as the mill is very strong so it won't stop with stiffer clay. About the Venco: the twin spiral shall have a quite well mixing effect but the de-airing pump shall also not be so good. Another disadvantage of the Venco is that I heard it stands still if the clay is too stiff and you have to open it to pull the clay out before going on with softer clay. I'm afraid I will have spent so much money to have small air bubbles in my fired ware what must be quite horrifying and / or that I have a machine that stops when i put a bit stiffer clay for bigger pots into it. It would be SO GREAT if anyone working with porcelain with these machines could share his/her experiences... thanks so much, claude