Jump to content

Marcia Selsor

  • Content count

  • Joined

  • Last visited

1 Follower

About Marcia Selsor

  • Rank
    Professor Emerita, MSU-Billings

Contact Methods

  • Website URL
    http://www.marciaselsorstudio.com , http://www.lameridiana.fi.it/pottery-workshops-marcia-selsor-36-17.htm

Profile Information

  • Gender
  • Location
    Red Lodge, Montana
  • Interests
    "I have been working in clay since 1966. -an industrial design major in a ceramics elective. I got hooked! First time I raku fired was with Paul Soldner in 1968 at Wallingford Art Center in the snow. I love the fire, kilns, tactile surfaces and the comraderie of the folks who live with this humbling medium. My interests in Clay include dynamics of Kiln designs, Glaze Chemistry, Throwing, building kilns, and developing tools for new forms and textures, alternative firing processes and the World History of Ceramics. On a non-ceramics note I enjoy cooking and gardening, travel, museums observations of nature including wild horses and birds incorporating them into my art. Moved back to Montana where I'll be able to visit the wild horse herds in the Pryor Mountains.


Recent Profile Visitors

1,002,222 profile views
  1. Just back from a very busy 2 weeks away to see family and wedding. Got a dreadful cold. Still sick but at least I'm home.


  2. NCECA

    I love the energy at NCECA and the excitement. Lots of pottery nerds, Maybe you'll meet Jon Singer, and he'll expose his test tiles. he's ALWAYS carrying... There are too many exhibitions to possibly see. Talking with others is the most fun. Dropping in on the Makers Rooms, the big demos, the lectures, the special group discussions. etc. Good idea to mark up the program with your top choices. Major draw is the trade show exhibition Hall where there are 6 or more galleries, many clay distributors, tools galore, demos, the Potters Council show, Workshop venues, Schools and universities and other non-profits. It takes weeks to decompress. I see some familiar faces in the program including John Baymore and some of my friends and fellow symposium colleagues years past. Marcia
  3. I have a friend Brazil with a small studio. She wants some opinions on the vertical slab rollers. Has anyone here tried one? Marcia
  4. Table Top Slab Roller

    Hi all. Almost home after huge visit to friends and family, wedding, etc. on east coast. Heading back today to Montana. Slab rollers: I have a Bailey. My second. The first was purchased in 1980 or so. My current one (2002) was a step up to a large table top and 30" wide. Love it.Northstar has improved greatly since I used the early model in my classroom. It had adjustments for thickness on each side and students could get it lopsided. Brent's have cables to adjust, they fray and prick your fingers. PITA factor. Can never say enough about Bailey and their customer service. Always improving their designs. Slab mat: been using them for years. Time for some fresh ones. The ones that survived the toxic air in Texas are crumbling. Guess they really didn't survive it after all. I have a question about those vertical slab rollers. A friend from Brazil is interested because her studio is really small. Will start another thread for that. Marcia
  5. I agree with John. Shipo banding wheel at NCECA. I use them when applying terra sig. Great momentum. Marcia
  6. when I think of balance in functional pottery , I think of Robin Hopper's book, Functional Pottery and his pitcher with an X-ray of a hand and how the hand holds the handle of the pitcher. Pottery is more interaction with touch beyond the visual. That is why picking up and touching pottery is so important to the aesthetic, IMO. Marca
  7. The Starter Wheel

    Marcia, when you say a “larger wheel”, what sort of diameter are you talking? Honestly, I’m too new to differentiate between sizes and what I might need. I meant that the Arista may not be sufficient if you want to make casseroles or dinner plates. Marcia
  8. Table top fountain design

    or you could place an inverted bowl over the pump in the basin and attach a trough form (sculpted) and run the plug out at a higher level but out of sight. Marcia
  9. The Starter Wheel

    I have an Arista as a spare wheel for demos and working on a change of clay body when I don't want to change my primary wheel. They are good for smaller work. I also have an Aspire by Shimpo. This has a small wheel head. I use it for polishing bases after woodier. Also use it for small work. Tea bowls, mugs, bowls. Bats are about 8". Both are tabletop wheels. Selecting a wheel is a big investment. You really need to decide what you plan to do with it and your future demands for it. If you plan to sit 8 hours a day, you don't want back aches. Do you plan on getting to the point of throwing casseroles, dinner plates? You may need a larger wheel. I had some old Amaco wheels similar to the 1-101 in my classroom when I started teaching. They were old in '75. . They can be slowed down while centering. remove from list. Arista nice beginner wheel but long range may be limiting. Pacifica is a good wheel for the price with more potential depending on where you plan to take it. You could adjust the height , if needed, by putting it on bricks or it may come with adjustable legs. Get a chair/stool that adjusts to your body needs. Marcia
  10. Desert night to day

    I like this design. I know places like that. Marcia
  11. What's your Mug?

    Here's mine. ..from a wood firing..made by me and fits my hand as Mea says. Prerequisite..must fit under spigot of espresso machine. This is for cappuccino. Marcia
  12. Firing Raku can yield good results or disasters. So a good day of firing is always rewarding. If the humidity is right, or the combustible is working its juju, then all is right in the world. This was a good day. Got some beauties. Firing in the heat of South Texas was physically stressful. This was a long day of firing into the night. I used a new source of straw from a feed store near the art museum. It seemed to have more weeds than straw, but it created very interesting colors.
  13. Plainsmen 340 

    One of my students who was from a ranch in central MT said that Plainsmen mined on their ranch, shipped it to canada and refined it. Who knows. that was 30years ago.


    1. terrim8


      I was in their office & there was a map on the wall with all their deposits. Everything was distributed sort of like a circle around Medicine hat & part of that circle crossed the border so you are correct. they were really complaining  about the costs of some stuff that came from further away in the US so there must be some ingredients that they have to order from other places. 

  14. Handle Help

    for practice pulling handles, I was taught to pull as many handles as you could get onto a 10" or so cylinder then recycle the clay, It was a good practice. Marcia
  15. Locally Made-get on the bandwagon

    "Made in Montana" stickers have been available for potters and other craftsmen for at least 14 years. It was a big economic push at the turn of the century maybe before that.. There are a lot of local clays in Montana and possibly the Bray manufactures a lot with all or mostly all local ingredients. can't really say. The Canadian clay processed in Medicine Hat just across the Canadian Border,-Plainsmen Porcelain, comes from a ranch of a former student just North of Roundup , Montana. Its true , we use many imported ingredients. I have a button from the 60s that says "Support you local Potter". Maybe that is more of what it is really about than 100% ingredients. I am up to 6 Montana Galleries and one Nevada. Still have 2 in Texas, one in Minnesota. I like that many people remember me even though I was gone for 11 years. It is good to be back. Marcia