glazenerd
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Image Comments posted by glazenerd
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Layering glazes are we? A controlled application results in a controlled run. Very good symmetry, i like the piece.
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Intriquing piece no doubt. There is an earthy, natural, and alluring quality abou it. Almost like the piece is inviting you to figure it out.
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A creative glaze. and a very unique look: congrats. However, the forms should be noted as well: they illustrate your eye for proportion. This particular glaze would swallow up smaller forms: very nice work.
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You need to frame this and sell copies. Has an unique quality to it.
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Think I figured out a name for this form: Trumpet Vase
I see the glazes are laying down nicely on the Soldate 60 now.
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You are approaching an artistic expression with these pieces: and crossed way past the level of pottery "mug." Once again I encourage you to minimize output in order to create demand. Once again I encourage you to price accordingly..
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I knew who made these pieces when I saw the pics in the gallery. and before I saw your name.
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Useful info..TY
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This is way past shivering and approaching complete bond failure. I would expect to see the remaining glaze to fall off over a short period. At this point I am assuming that you have a low fire glaze on a high fire clay body.
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3 things. You can see barren white patches, and areas where the glazed is pooled: which indicates it is over-fired.
The coarse texture of the clay indicates that the clay is under-fired: immature. The slight off set where the crack is also suggest that the clay was immature.
The uneven texture where the glaze did shiver off also indicates a bond failure between the clay and glaze: which also means the flux level in the clay is way off.
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The concentric crack on the bottom piece is aligned where this piece made contact with the kiln shelf. The exposed area of this piece cooled at a different rate than where it made contact with a shelf. You need to control the cooling to correct it, or put wadding under it to even out the heat.
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Lady: TY for the progression in pictures: nice to see a conceptual piece from start to finish. Very nice work.. well done.
Tom
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Amazing what high alumina and feldpsar does to a clean porcelain body.
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I like where this is going: some modern technique with some old world traditions.
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Am I seeing some 18th century influence here? Little John Barleycorn folklore?
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Looks like you have found your zone: dialed in, defined direction, and an aesthetic that is uniquely you. Even took the time to trim your foot ring of choice. Welcome home, you have arrived. ........Nerd
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I have been coming back to this cup for the last three days. I have kept going back and forth trying to decide if the banding fits the over-all look of the piece. After three days of weighing it over: it fits. Actually, it fits very well. This color combination is rather new to me: took me awhile to understand your aesthetic. Actually, beveling the upper and lower bands around it was another clever trick to reflect light.. Bravo to you!
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The mouth is larger than it needs to be. Making it narrower, and bringing it to a small V would bring it into better proportions. Although, I do not find it obtrusive as it is.
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You are zoning in on your "voice.". Am enjoying watching the progression and progress.
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Agreed!. I like the scalloped edges much better; but then again I lean towards designs that break up defined lines.
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Whoever staged this event deserves mention as well. Well thought out placement, great displays, lighting used effectively, and the background does not compete with the art.
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Very cool!!
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Love the color palate on this one- visually pleasing.
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I see a Jackson Pollock thing going on, and yet unique on its own. Springtime: light, fresh, and full of life/light.
warm soupmug
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2Posted
Did you cut the profile in while trimming, or incorporate it while forming? Makes for a nice break line either way. The liner glaze is visually appealing, but I tend to like softer colors. Like the manly man handle as well.