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Bam2015

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Posts posted by Bam2015

  1. As Babs said, you covered a lot of ground, but I appreciate that you highlighted this topic. I too have been concerned about sustainability in this medium and in the end realize that I can only be responsible for my own practices. I no longer belong to a community studio so I am not in a position to  influence others. 

    I am interested to see this thread continue as I am interested in the input of others. 

  2. Peter and Jeff, thank you for your responses.

    Peter, thank you for the suggestion of a dry clay mix. I will Google to see what is available in the US. 

    Jeff, I am going to try that recipe this winter. I found several recipes on line, but would prefer to try a recipe that someone on this forum recommends. I'll let you know how it turns out. Will probably wait until the new year to try it out. 

    Betty

  3. 16 hours ago, Callie Beller Diesel said:

    Having watched his progress on Instagram, Seth Rogen is no slouch. He’s put in some serious work in the last couple of years. His fame did kickstart some things and open a bunch of doors, but he’s still got a good eye. He’s likely supposed to be the analogous body to  Kieth, but with less joyful weeping. 

    It was just my humble opinion. :) Didn't mean to offend anyone.

  4. Hello All,

    I have the opportunity to participate in a pit firing (this is my second pit fire) and wondering if anyone can provide some tips on how to maximize reds, blues & greens. I've done a good amount of research, read articles, watched YouTube videos, but would appreciate input from this community of potters. I am thinking about using an aluminum saggar for some of my pots and some of the usual additives, banana peels, dried seaweed, copper, Miracle Gro, etc. 

    And is there a way to add graphics and ensure that they will survive the firing?  

    Thanks!

    Betty

  5. I agree Min, probably a lot of work to achieve this and a lot of trial and error. I certainly can't fault her for not sharing her process when asked. 

    Interesting thought Min. "Perhaps slip trailing done on paper then pressed against the inside of the mold then the white porcelain poured in?"

    I am determined to figure it out!!

  6. Hi All,

    I have upgraded to a larger kiln and will be selling my small L & L 18S kiln. I know that it needs new elements, but I am hoping to avoid replacing them myself. Do you think that if I try selling the kiln without replacing the elements, that some buyers will be turned off and not want to purchase it?  Other than the elements, the kiln is in perfect working condition. 

    Thank you,

    Betty

  7. Thank you for sharing Mark. I saw the exhibit on Friday at the Museum of Fine Arts Boston. It was a beautiful exhibition, the pots were huge, most much larger than the replica shown in the article. But as LinR said, a sad subject. Many of the pots had writings on them and it was explained in the descriptions that the potter could have been punished for the writings since slaves were not supposed to know how to read or write.

    If in the Boston area or have the opportunity to visit the traveling exhibit, I highly recommend it. 

    Betty

  8. I agree with Denise. Your hands are your best tools! I bought lots of tools in the beginning and find that I use very few. I would suggest an inexpensive starter set and see what you need. 

    I have often thought that it would be helpful if an experienced sculptor reviewed the various tools and showed how best to use them, but I haven't come across any sort of tutorial that addresses this. 

  9. Interestingly, I made a couple of pots with exterior black underglaze which has pin holes & I like it. Yes, it's a defect, but an interesting one. I found out that my clear glaze and they black underglaze don't like each other. I did not use black on the inside, so not pinholes.

    Betty  

     

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