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Stellaria

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Everything posted by Stellaria

  1. Was asked today by a Clay Club newbie how many years I'd been working with pottery, and then shocked her by saying "since September". Made me feel pretty good! It led to a good conversation about practice frequency, goals, and research.

  2. *grumble* let my plates get too dry before trimming. Dangit!

    1. Chilly
    2. Rebekah Krieger

      Rebekah Krieger

      Chris told me to dampen a paper towel and wrap them in plastic. It works like a charm

       

    3. Stellaria

      Stellaria

      I used damp paper towels overnight, and it did help. They were still flaky and weird, though! But I didn't seriously ruin any, so I'm happy. 5 dinner plates and a slightly wonky pie dish to be bisqued this weekend :)

  3. Ordered my own glazes for the first time! I decided to give glazemixer.com a try - we'll see how it goes. I ordered Diana's Fake Ash, Jeannie's Purple, and the CAD ^6 Eggshell. Excited to get experimenting again!

  4. I got a short tips session on throwing and trimming plates today while waiting in line to order my lunch! One of the local production potters I know was there with his family. He always gives good tips, too :)

  5. Whyyyyy does learning how to throw plates have to be SO HARD!! I should totally be able to do this without all this practicing crap. Yup. Ok, back to practicing. UGH!

    1. Chris Campbell

      Chris Campbell

      Hey, I am impressed that you find time to do all this practicing!! Focus on how thrilled everyone will be to eat off their own hand made plate ... really!

    2. Tyler Miller

      Tyler Miller

      I'm a believer in mathos pathei -- if it's not painful and difficult, you're not really learning. Keep up the practice! You'll have stunning plates soon!

    3. Stellaria

      Stellaria

      You're probably right. But I don't have to like it!

      It probably doesn't help that all of my joints hate me right now, so the clay gets the better of me half the time. I made 3 that looked decent and didn't flop within 10 minutes. We'll see if I can keep it up.

  6. I think it was more that he wasn't prepared for the sheer volume of beginners that happened to be in that session. I'm sure his format works spectacularly when there's a couple beginners and 4-6 more experienced participants....but we had 6 beginners, and about half did not catch on to much of anything very quickly and required constant babysitting. One of the pitfalls of running an "any experience level" group, I suppose.
  7. I've only been working with clay as an adult for about 7 months, starting with an open studio type class in September. I came to that with the experience of three high school ceramics classes taken 20-some years prior. My expectations of the open studio did not match reality, as I didn't quite realize how much I did know already, how much other beginners DIDN'T know, and how much of the instructor's time would be taken up by the participants with zero experience. I figured we'd be getting more demonstrations each session, but the format was geared more toward just making what you want to make. It was really up to me, being more determined to learn a specific skill (wheel,) to research techniques and just get in and practice. When I was in high school, I was allowed to "fall back" on hand building when throwing didn't come easily. That kind of makes me mad now. Throwing ISN'T EASY, and I wish someone had pushed me a little harder then. The only part of that experience that I am grateful for now is that it gave me some drive to not just give up and take the easy route this time around. Yeah, I could be making press-molded slab plates like everyone else in my open studio group, but that's not the pieces I want. But I'm the one that has to push myself to get the practice in, because our instructor won't do that. I do rely on YouTube almost exclusively for learning techniques, troubleshooting, and learning new forms. It's not a bad thing. I watch videos on single subjects from a variety of potters, and play around to see what works best for me. In that way, I was able to set my own "curriculum" while still creating functional ware that I didn't have to just pitch out because I wasn't "getting" everything all at once. For example, I tried trimming a pot the second week of class, and felt WAY too fumbly and unconfident. It ruined an otherwise decent piece, so I was pleased to find a few videos on trimming pieces while still on the bat, and fettling/thumbing off flat-bottomed pieces. I did that while I worked on getting my cylinders decent, and used those pieces to work through glaze experiments, so by the time I was throwing nicer pieces that I *wanted* to trim, I had the confidence to give it a shot and was also not ruining the pieces with ugly glaze combos. But I had to decide all that. If I had just run with the pack of beginners, I'd have had to suffer through the pinch pots and fish-shaped serving trays, and might never have gotten onto the path I wanted to be on.
  8. From the album: Session 2

    Made as a gift for a local café - Julienne Tomatoes Standard 300 brown clay Nutmeg lining, waterfall brown dip, nutmeg drizzled over rim and sides. Tomato: Amaco velvet underglaze, 2 coats radiant red and leaf green, waxed over for glaze dipping

    © 2014 Stell Michelsen

  9. Stellaria

    Session 2

    Work from my second session of "classes" that are really just clay club work days and not actually instructional classes.
  10. Stellaria

    image

    From the album: Session 2

    Made as a gift for a local café - Julienne Tomatoes Standard 300 Brown clay Lined with Nutmeg, bottom dip of Turquoise Matte, top dip of Stone White, no overlap Tomato: Amaco velvet underglaze, 2 coats radiant red and leaf green, waxed over for glaze dipping

    © 2014 Stell Michelsen

  11. From the album: Session 2

    Made loosely following a Simon Leach video tutorial Runyan Wheatstone clay Waterfall brown dunk, angle dipped in Ron Roy's Clear Grinding surfaces were left unglazed, and a triangular shelf stilt was used to hold the pestle upright on its unglazed end for glaze firing

    © 2014 Stell Michelsen

  12. Stellaria

    Cup

    From the album: Session 2

    Runyan Wheatstone clay Bee's Green top dip, waterfall brown lining and bottom dip

    © 2014 Stell Michelsen

  13. Stellaria

    image

    From the album: Session 2

    Runyan Wheatstone clay Bee's green top dip, waterfall brown lining and bottom dip

    © 2014 Stell Michelsen

  14. From the album: Session 2

    Runyan Wheatstone clay Waterfall brown dunk, Dynasty Blue rim dip

    © 2014 Stell Michelsen

  15. From the album: Session 2

    Made as a gift for a local café - Julienne Tomatoes Standard 300 brown clay. Glaze: nutmeg dunk and then drizzled over Tomato: Amaco velvet underglaze, 2 coats radiant red and leaf green, waxed over for glaze dipping

    © 2014 Stell Michelsen

  16. From the album: Session 2

    Made as a gift for a local café - Julienne Tomatoes Standard 300 brown clay, Stone White glaze, waterfall brown lining Tomato: Amaco velvet underglaze 2 coats radiant red and leaf green, waxed over for glaze dipping

    © 2014 Stell Michelsen

  17. From the album: Session 2

    Runyan Wheatstone, Bee's Green top dip, Waterfall Brown bottom dip and lining

    © 2014 Stell Michelsen

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