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Marcia Selsor

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Everything posted by Marcia Selsor

  1. welcome to the Clay community forum.

    Marcia

  2. Recipe Cobalt Green mat ^6 Oxidation Neph Syenite was 64.8 increased to 65 Spodumene 13.9 Gerstley Borate 4.6 Ball Clay was 7.4 decreased to 7.2 Whiting 4.6 Silica 4.7 100 bentonite 2 Rutile 2 Cobalt Carbonate 1
  3. Do not use Vanadium on surfaces with contact with food. It is toxic. This glaze is very easy to manipulate color. For a food safe buttery yellow , eliminate the vanadium increase the rutile, reduce the zircopax to a lower % Marcia
  4. From the album: forum discussions

    This is a glaze posted on 12/4 /10 in response to a request for a yellow buttercup , not mustard glaze Marci’s Matt ^6 Reduction EPKaolin 1150 23 Dolomite 1000 25 Neph Syenite 1900 38 Silica 900 18 Whiting 200 4 Gerstley Borate 500 10 Variables: Blue 1% Cobalt Carb LightGreen1.5%Nickel Carb + 1.5%RedIron Oxide Gray 2.5% Rutile +1.5% Nickel Carb Warm Blue 1% 1% Cobalt Carb+ 5% Manganse Di Tan 6% Manganese Di. +2.5 Red Iron Ox +1% Rutile OR try using only 5% Rutile as a colorant This particular example has 4% vanadium stain, 4% Rutile and 3% zircopax. To brighten it up , reduce the zircopax
  5. From the album: forum discussions

    shellac carved image drawn free hand using shellac over slip.
  6. where is texas? I am in Texas. If you are a winter texan, I am in the lower Rio Grande valley. I have a very nice large raku kiln and would love some clay folk company. Marcia
  7. This is using 10% deep crimson Mason stain in a glaze altered by Ron Roy for Sue Hintz Version#2 ^6 OXIDATION Cornwall Stone 33.5 G200 22 Whiting 18 Ger. Borate 10 EPK 5.5 Silica 11 Bentonite 2 Deep Crimson 10%
  8. I knew a medieval lit or religion Prof from Boone. We were in an NEH seminar together. Can't remember his name. It has been 22 years.

  9. Very nice design on your tiles
  10. Artist's statement: As a nation we shared the heavy loss of civilian lives on September 11. We suffered grief for months as search and rescue teams continued to filter through the debris looking for the remains of the people who perished. I believe Mayor Giuliani expressed the magnitude of our loss in that every life, every person is a story. Every day more stories appeared in the newspapers with photographs of people missing. As an artist I searched for a way to express this. I have reproduced the image of a book 21 times in clay adding pages gently turning as if blown by the wind to reveal the story's progress. These stories were abruptly ended. These books have been burned as if censored. They tell a story illegible but symbolically of what has survived out of the ashes. –Marcia Selsor May, 2002
  11. From the album: Paper Clay Installation

    Detail of one book form. This installation in various sizes has been shown at the Archie Bray Warehouse Gallery in Helena, Mt; Toucan Gallery in Billings, MT; Greenville, NC; Hood College in Frederick, MD. The thin pages were formed using slip dried onto plaster to a workable consistency.
  12. From the album: Paper Clay Installation

    Forty two books were press molded into four different book molds with additional sheets added were saggar fired. Paper clay terra cotta was mixed with cellulose insulation.
  13. beautiful texture...looks like coral.
  14. beautiful texture...looks like coral.
  15. From the album: Tropical decoration

    Lots of lizards in and out of the studio. When I was gone from my wheel, a lizard moved under the wheel head.
  16. Nice texture! Reminds me of coral.
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