terrim8 Posted February 27, 2016 Report Share Posted February 27, 2016 https://digitalfire.com/4sight/recipes/cone_6_silky_matte_3.html I really like this one and it doesn't mark up with our cutlery. Link to comment Share on other sites More sharing options...
High Bridge Pottery Posted February 27, 2016 Report Share Posted February 27, 2016 Interesting link and it goes along the same lines that I was talking about. The spirit of this recipe is not to present the perfect matte, it is to demonstrate about how Al2O3:SiO2 chemistry balance in a glaze recipe can be changed to adjust the degree of matteness of a glaze I also found this image on digital fire. If you ignore the far right test the first three have the exact same flux chemistry but varying silica alumina ratios. I think the third which has a 6:1 ratio or what I would call the gloss ratio has the specular reflections that for me are not a matte glaze. He is calling it a matte and also the far right glaze that has specular reflections and a similar 6:1 ratio. I think it is confusing to call these micro-crystal gloss glazes matte. Maybe it is just me who feels this way. They do scatter light a little different but they still have the specular reflections. If you kept lowering the Si:Al ratio you would go back to an overloaded matte glaze but with too much alumina while keeping the flux the same. It is interesting to do a test with as many different materials as you can and hit their chemistry between limit formulas. You come out with 100 different gloss recipes and no mattes. Link to comment Share on other sites More sharing options...
Joseph Fireborn Posted February 28, 2016 Author Report Share Posted February 28, 2016 Well I did a lot of testing last night in a kiln load, and I have a satin that I am happy with. It isn't 100% matte, more like a semi matte or satin I guess. However the surface is amazing. I am going to do some vinegar test with it tonight, but it resisted me dragging a point over it with no marks. This is the best result I have had in a long time. The slow cooling definitely helped as I had this glaze before without a slow cool and it marked slightly, it was the one I mentioned in the original post. Link to comment Share on other sites More sharing options...
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