s6x Posted September 20, 2023 Report Share Posted September 20, 2023 I'm trying to make my clay less plastic. Was about to add sand, but thought I'd run it by the forum first to see if someone has expertise in this area? The reason is that I want to achieve the crumbling effect depicted in this image I've attached. Any idea what kind of clay this black/brown clay is? Quote Link to comment Share on other sites More sharing options...
Callie Beller Diesel Posted September 21, 2023 Report Share Posted September 21, 2023 Sand or other temper like grog, chicken grit, large mesh feldspar, etc will indeed make a clay body less plastic. As to the clay body pictured, I think the colour has less to do with the underlying material and more to do with how it was fired. If I had to guess, I’d say it was pit fired. That’s if it’s clay at all. s6x 1 Quote Link to comment Share on other sites More sharing options...
PeterH Posted September 21, 2023 Report Share Posted September 21, 2023 You might find something of interest in these. In the Studio: Supersizing Clay Bodies https://ceramicartsnetwork.org/pottery-making-illustrated/pottery-making-illustrated-article/In-the-Studio-Supersizing-Clay-Bodies# Additions to clay bodies (sampler) https://www.yumpu.com/en/document/read/19109768/download-a-free-excerpt-ceramic-arts-daily Grog https://digitalfire.com/material/grog Quote Link to comment Share on other sites More sharing options...
s6x Posted September 21, 2023 Author Report Share Posted September 21, 2023 1 hour ago, PeterH said: You might find something of interest in these. this is great! thank you! Quote Link to comment Share on other sites More sharing options...
Min Posted September 21, 2023 Report Share Posted September 21, 2023 (edited) I believe the image in the first post is a work by Yō Akiyama and is from his work using stoneware, heat and peeling off layers of clay to achieve the cracks. If you search his name you can find many examples of his work. From this Wikipedia link: "Akiyama developed and fine-tuned the latter technique in the 1980s while experimenting with the feasibility of peeling the outer skin off a ball of clay, in the same way that one might peel a fruit. To achieve this, he heated a ball of clay with a gas burner, creating a shape with a soft center and a hard, outer shell. Since that first experiment, Akiyama has refined his technique and manipulated this template to create a multitude of cracks and chasms on the surface of his pieces, in some cases completely inverting the shape." Edited September 21, 2023 by Min Callie Beller Diesel, PeterH and s6x 3 Quote Link to comment Share on other sites More sharing options...
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