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Image Comments posted by Biglou13
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This received a whole,lot of good kiln Karma, good eye Babs. Many have missed the beauty in this pot. It has some rough spots... I'm afraid to clean.....
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Unfortunately in not my pot / bowl/cup. I gave some clay to a friend. I did make the clay. It's the dick lehman 12d* slightly modified. I'll still take partial credit. I got same effect on parts of plates. But it's pretty spectacular what this clay does. Thanks
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Marcia did you do a test with more colorants?
Is this porcelaineous clay?
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The black ones are just clay and newspaper redux.
The others are Hawaiian blue raku in varying thickness, on 2 different clay bodies, also with newspaper reduction.
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Please no insult intended.!!! No flak intended.
Gaijin was used more as a term for foreigner/outsider not an insult. While I have spent some time studying, although Asian I too am gaijiin.
The key is you love making them. And that energy will show in the pots. And yunomi is more casual than chawan, which is less formal than ceremonial chawan.
I've seen some chawan in museum collection. Looking at them they had a holy grail,like quality.... In that they looked like the "carpenters cup" metaphorically speaking. Simple cups. And to most no magic there. But to the initiated WOW........
I learned this from John b. Drink tea out your cups. Learn about tea....bring your yunomi to japanese, chineese, korean restaurants. Watch others more familiar with team reaction and comments. Keep one with you , or close at all times, drink more tea, become intimately familiar with form and use. A cup is more than the out side. That's why I asked to see more. Like I said I'd enjoy and be proud owning one. (((Maybe arrange trade).
Photo wise I love the shallow depth of field the natural background.try getting large piece of foam core, large white card..... Bigger than you think you need. And or black card, Or sheet. Or combination of black and white. Remember that with reflective items you photographing reflection. Pm me we can talk more photo.
“We mold clay into a pot, but it is the emptiness inside that makes the vessel useful.†Tao Te Ching – Lao Tzu
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Very nice, some shino's have a lot of soul this one definitely does. I'd love to see some thick and thin spots.
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I don't think your yunomi is boring, or nothing special?
It does have movement and flavor. I dig the finger marks or drips. The glare is distracting , looks like reflection of house. I like the nature background and shallow depth of field. I'd like to see images with less light hitting house.
Shooting reflective objects isn't easy. Sorry for photo tangent, past life....
I'd to see Foot, lip,...mikomi, chadamari,kodai, mikomi. If you don't know these words maybe you should.
I'm trying to see why some would make "nothing special" statement. Ok at first glance I ask myself, is it japanese/ Asian influenced, or more so is it tea influenced, Has the maker drank 1000 cups of tea. From a yunomi. I'm not saying a gaijin can't make meaningful relevant pottery. But understanding more than the form and shape will make your work more meaningful. So un fortunately I do think this is a bit of gaijin about it. While large feet are acceptable , this kodai is out of proportion not necessarily in size but out of proportion regarding style.
I'm not slamming you yunomi I'd proudly own it.
From kodai up it pretty f
Straight forward design, color hard to tell but white grey ish. So far leads me to expect a form with formal design principle.......
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Test heavy slip application of same clay?
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Marvy...
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grey glaze? test
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Test
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Great work!
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Me likes
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Test
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Detail Shino with red flashing, finger marks, crackle, laguna 900, RIO wash,
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Curved plate shino glaze
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pictures don't show it but in some pieces there is an iridescent/metallic quality in areas, i had others use it and didn't get same effect. i pulled from kiln onto news paper, placed more newspaper, closed lid on trash/redux can...... repeat