I have a de-airing pug mill, and like Pres, I recommend putting the clay in the wheel 'perpendicular' to the direction it comes out of the mill. For large pieces, I slam (for lack of a better description , kind of gently, though!) the ends on the wedging table until they get fat, and then slap or slam them into shape. I've done 8 lbs or more that way. My wrists can't take wedging either, so I've never gotten any good at it.
Suggestions?
in Studio Operations and Making Work
Posted
I have a de-airing pug mill, and like Pres, I recommend putting the clay in the wheel 'perpendicular' to the direction it comes out of the mill. For large pieces, I slam (for lack of a better description , kind of gently, though!) the ends on the wedging table until they get fat, and then slap or slam them into shape. I've done 8 lbs or more that way. My wrists can't take wedging either, so I've never gotten any good at it.