Brandee Ross Posted August 19, 2010 Report Share Posted August 19, 2010 I've had good results with Mastering Cone 6 Glazes' "Raspberry". Now I'd like to work toward more of a true red. Are there any good alternatives to Mason stains to achieve this? I can't find many red oxidation recipes for a starting point. Link to comment Share on other sites More sharing options...
clay lover Posted September 12, 2010 Report Share Posted September 12, 2010 Have you tried Randy's Red? Some hate it, soome use it sucessfully, it is a rusy red, but not at all Rasperry, which is very pinkish for me. If you wish, I can look up this and post it. Sorry you had to 'hang' so long be4 someone responded. I've not been on for a while. Let me know if you would like the recepie. Glad to share. Link to comment Share on other sites More sharing options...
azjoe Posted September 12, 2010 Report Share Posted September 12, 2010 ...a true red. ... I can't find many red oxidation recipes... I suspect the short answer is there aren't any, but that's not entirely true depending on what you mean by "red". Since you brought up Mason Stains, which of their numbers do you consider to be the "true red" you're looking for? Link to comment Share on other sites More sharing options...
AmeriSwede Posted September 13, 2010 Report Share Posted September 13, 2010 ...a true red. ... I can't find many red oxidation recipes... I suspect the short answer is there aren't any, but that's not entirely true depending on what you mean by "red". Since you brought up Mason Stains, which of their numbers do you consider to be the "true red" you're looking for? I would tend to agree azjoe. Wished I had a dollar for every time I heard someone ask 'is there a really good, true red?' That true red seems to be an elusive color when in the presence of high temperatures. Another aspect to this is also what azjoe is hinting at, in what your consideration is of a true red. I have actually heard three different people discussing whether a certain red color was the Christmas red of Santa's jacket. One thought so, the other's didn't. They each had there own idea of what THAT red was. Seems we all must have a certain perception of what that 'true red' is.... so much so that Coca-Cola even went to the expense of copywriting (patenting?) the red that they use on their products, (so I've heard). And I recall, years ago at a Contemporary Ceramics Convention in Houston, that one of the Studio owners asked the Duncan Product rep during his talk, this same question. I smiled and laughed inside when he responded, that Duncan 'was working on it, now, and thought they would have one out by the end of that year (1998)'. Haven't seen it yet! But then, I'm not so optimistic... feeling that with the thousands of years of ceramic history and the millions of people working within the medium in that time, that if it was possible it would already be on the shelves. Actually it is, it's called paint. And that true red paint doesn't need to go into the high temperature extremes which those reds seem to generally not be able to endure. Just my 2¢.... ----rick Link to comment Share on other sites More sharing options...
bciskepottery Posted September 14, 2010 Report Share Posted September 14, 2010 Here is a site for iron red glazes to look over: http://www.johnpost.us/pages/glaze-recipes-cone-6.html Link to comment Share on other sites More sharing options...
Potterstu Posted September 14, 2010 Report Share Posted September 14, 2010 Here's a C/6 oxidation recipe for a very nice berry like red. Slightly transparent it works best on white bodies. Because of it's translucency, it's fun to do some design work under this glaze with colored slips. Try it: CHROME RED Glaze. Gerstley Borate 21 Nephsy 16 E P Kaolin 11 Ca Co3 Calcium Carbonate 20 Silica 32 Tin Ox. 5 Chrome Oxide 0.15 Keep potting, Stuart Link to comment Share on other sites More sharing options...
Marcia Selsor Posted September 15, 2010 Report Share Posted September 15, 2010 Brandon, I posted a mug with the iron red on the bottom. If you open the jpg it looks more accurate when blown up. It is a really nice red. IMHO It is under my profile I think but I made it public. I started an album for visuals for the forum topics. I have used up my allowed space for attachments to the replies. Marcia Link to comment Share on other sites More sharing options...
Brandee Ross Posted September 16, 2010 Author Report Share Posted September 16, 2010 Thank you all for the helpful replies. Marcia, I saw your mug and that color looks promising. Does it require special cooling? I do not currently slow cool my kiln; instead I let it cool on its own at a rate of ~200 degrees per hour for the first 3 hours and ~100-125 degrees per hour after that. This method is tolerated well by my other glazes. Link to comment Share on other sites More sharing options...
Marcia Selsor Posted September 16, 2010 Report Share Posted September 16, 2010 Thank you all for the helpful replies. Marcia, I saw your mug and that color looks promising. Does it require special cooling? I do not currently slow cool my kiln; instead I let it cool on its own at a rate of ~200 degrees per hour for the first 3 hours and ~100-125 degrees per hour after that. This method is tolerated well by my other glazes. I hold it for 20 minutes and drop it to 1800 or so for 1 hour. Link to comment Share on other sites More sharing options...
SUS Posted September 27, 2010 Report Share Posted September 27, 2010 Here is a site for iron red glazes to look over: http://www.johnpost....pes-cone-6.html I spent quite a long time looking at John Post's site last night. I found it very interesting and plan to test several of the glazes he generously offered. Also enjoyed seeing his studio and viewing his beautiful pots. Well worth viewing. SUS Link to comment Share on other sites More sharing options...
OffCenter Posted September 27, 2010 Report Share Posted September 27, 2010 Here is a site for iron red glazes to look over: http://www.johnpost....pes-cone-6.html Thanks, John, for all the info and some nice-looking glazes. The metallic spangly variation of Pete's glaze is nice but Jean's Juicy Fruit is even better (but, of course, not a red). The variation on your jar reminds me of the beautiful Tuscan gold on Steven Hill's pots. jim jimsandefur.com Link to comment Share on other sites More sharing options...
Deb Evans Posted September 28, 2010 Report Share Posted September 28, 2010 Electric reds are great because they either go to a red or clear not LIVER like ^9r. Studies have proven that men and women see the color red differently. I've verified it over the years w/ my students. Link to comment Share on other sites More sharing options...
Les Posted September 30, 2010 Report Share Posted September 30, 2010 Try Amoco's PC 59 Deep Firebrick. I use glazes besides Amoco's, but find their PC line stable and dependable. I fire at ^6 oxidation, and if it matters, I'm a male who finds this red has a nice deep hue to it. http://www.amaco.com/learn-about-potters-choice-glazes/ Link to comment Share on other sites More sharing options...
Pres Posted September 30, 2010 Report Share Posted September 30, 2010 Electric reds are great because they either go to a red or clear not LIVER like ^9r. Studies have proven that men and women see the color red differently. I've verified it over the years w/ my students. Yes there are glazes that I told students were "forgiving" glazes since they had tendencies to either turn to color or were either clear or a non obtrusive white. Most of the time these glazes were in the pink to red range due to the chromium as a coloring agent. Be forgiving I explained that if it was not correctly mixed, not applied thick or thin enough, or did not get the right temp in the kiln that it didn't turn out bad. Just without color. Link to comment Share on other sites More sharing options...
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