BlueChihuahuas Posted July 23, 2020 Report Share Posted July 23, 2020 Hi all - I'm fairly new to underglazing. I have historically glazed my pieces with a select few glazes which I brush -very rarely dipped. I use Bella's Blend from Highwater because the clay body shows off my favorite glazes. These are my go to glazes Coyote: Eggshell Coyote: Light blue Mayco: White opal (usually over the light blue) Mayco: Green opal Laguna: Turkish amber (accents) Amaco Celadon: Cherry Blossom Designer Liner: Black I'm not a fan of clear glaze over exposed clay body. I am adding a pic of a piece I made a few years ago - I used designer liner as the black and white opal over it - but it ran really bad and muted all the detail. So I'm wanting to try with underglaze to see if my designs will remain crisp. But I don't want to have "naked" clay around the designs. And I really love my main mid-fire glazes and the durability of mid-fired pieces. See below Suggestions on how to achieve this with underglaze (i.e. the black details?) Can I put underglaze over glaze and then cover the underglaze with celadon or clear? Link to comment Share on other sites More sharing options...
Babs Posted July 23, 2020 Report Share Posted July 23, 2020 You can get small"pens" whch you can apply fine lines with. Or fine tipped brush Your glazes look stiff i.e. not runny so test applying black over unfired glaze. You have to lay colour onto the unfired surface No need to fire and refire. Research ongl0aze decoratin or majolica work. Linda Arbuckle is a generous expert in this Link to comment Share on other sites More sharing options...
neilestrick Posted July 24, 2020 Report Share Posted July 24, 2020 You can put whatever you want over the underglaze. Colored transparent glazes can do some pretty neat things with underglaze. Some matte glazes will also show them, as the colors bleed into through the glaze, especially dark colors. Link to comment Share on other sites More sharing options...
Bill Kielb Posted July 24, 2020 Report Share Posted July 24, 2020 6 hours ago, BlueChihuahuas said: So I'm wanting to try with underglaze to see if my designs will remain crisp So as @neilestrick mentioned lots can be done. Ikebana: underglaze design with green celadon over it (carved porcelain) Trivet: painted underglaze with well formulated durable matte clear glaze over it Cup: golfer painted underglaze with matte clear and interior glossy liner. ( very white porcelain clay) here are some ideas, just add experimentation energy! Pretty crisp I think. Link to comment Share on other sites More sharing options...
BlueChihuahuas Posted July 24, 2020 Author Report Share Posted July 24, 2020 those are crisp designs. Have any of you used an underglaze overtop of a traditional glaze? Link to comment Share on other sites More sharing options...
Roberta12 Posted July 24, 2020 Report Share Posted July 24, 2020 1 hour ago, BlueChihuahuas said: those are crisp designs. Have any of you used an underglaze overtop of a traditional glaze? I did one time. I felt that a vase I made needed more embellishment. I put the underglaze on top of the already glaze fired piece. Then I refired at glaze temp. The UG was fine, just flat and rather hard. No photos, sorry. Roberta Link to comment Share on other sites More sharing options...
Min Posted July 24, 2020 Report Share Posted July 24, 2020 On 7/23/2020 at 2:00 PM, BlueChihuahuas said: I used designer liner as the black and white opal over it - but it ran really bad and muted all the detail. If the Designer Liner moved under the glaze(s) I would put this down as being from the glaze being too fluid and pulling the Designer Liner. Underglazes can move under fluid glazes also. If you have a less fluid glaze it might work, other thing you could try would be the Amaco Stroke & Coat overtop of the glaze. It doesn't need a covering glaze, the Tuxedo black stays black at cone 6. Link to comment Share on other sites More sharing options...
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