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Qotw: Participants Question Pool For Future Qotw's


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thanks, hulk.   i think the beginners who have visited my studio overlook the things that are important to me and just think i am mean or wacky.   i am probably viewed as  overly fussy about keeping the work under my hand clean by avoiding the tiny bits of clay that have separated from the actual piece being worked on.    if you have ever picked up a piece of handwork that has a dozen tiny bits stuck to the bottom, you see what i mean.   there are 2 small boxes attached to the table holding my slab roller so i can brush those bits into the box nearest my hand.   they sit there for months out of the way and not getting turned into dust on the floor.

those tiny stuck on bits make me unhappy, they call attention to the lack of care that i think we owe ourselves, not just for whoever picks up that piece in future.

and tools need to have a place to be when not in my hand.  not scattered all over the room just because i moved the piece or walked to another spot to pick up another tool.  so i provide a space for tools.   unfortunately, i keep adding more tools and the really generous space i started with now resembles a dump.   but exactly where i work is clean and it stays clean and i leave the space clean when the session is over so the next time the space is welcoming.

(funny, i can't seem to work that way in the kitchen)

 

Edited by oldlady
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  • 1 month later...

My suggestion for a QOTW came about from this thread. The thread drifted a little to include a members comment that cone 6 electric is easier than cone 10 gas reduction. My initial thought was yes firing an electric kiln is less time consuming than firing reduction but there are tradeoffs. 

I’ve always found cone 10 clay nicer to throw than any of the midrange clays I’ve used, the glazes (and clay) are generally less expensive to make for high fire and I also agree with what Michael Cardew said, electricity is a harsher judge of pots than reduction. I find that gifts from the kiln are far less frequent with electric firing vs reduction. Wood firing would top my list as the most work.

So, electric or gas reduction firing at any cone you choose, which is more work overall and at what stage of the pot making is it more work than the other? Also, is firing one way more enjoyable than the other?

And to make this into a 2’fer QOTW suggestion, another question would be this: hypothetically speaking if zoning / bylaws / fuel cost didn’t come into play would you glaze fire gas reduction or electric?

Edited by Min
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Hello Pres,

I have a question for you, or for our viewers. If this topic has been discussed ad nauseam then I understand if you skip it, but it's something I think about.

Question: To wedge or not to wedge? Do you wedge clay when it comes straight from a bag or pug mill? If you do wedge, why?

Maybe you wedge for the following?

a) It's what I was taught and I can't get my instructor's voice out of your head?

b) I'm a little OCD, I can't sit down at the wheel until I've repeated my wedging "x" number of times.

c) There is scientific proof that one must wedge! 

d) Nope, don't wedge, waste of time and my pots turn out beautifully!

e) Other...please enlighten us.

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  • 1 month later...

Any supply chain issues for you as well as raising costs in this new landscape . Things like plaster are scare as well as talc at Laguna Clay Com.Equipment is long backordered they say- Prices are creeping up on most items

I had to raise my prices as well to keep up.

any issues for you in ceramics?

Edited by Mark C.
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