stonefly Posted May 6, 2016 Report Share Posted May 6, 2016 Hi Ceramicists! I'm an elementary art teacher and have typically used colored commercial underglazes and a clear commercial overglaze for my little students to finish their work. (06, typical white low fire body) Recently I tried a version of in which the student work is first dipped in an opaque white glaze and commercial gloss colors are applied over. It's a definite improvement in what I've been doing, and the kid's work came out much brighter and more appealing, the whole process was much more forgiving. Only this - I have three gallons of clear to use up. Can I add zircopax or tin oxide or something else to my commercial clear to get a good white majolica base? Thanks for any thoughts! Cristy in WY Link to comment Share on other sites More sharing options...
Min Posted May 6, 2016 Report Share Posted May 6, 2016 Couple things come to mind, the commercial white you are using that works, do you know if it contains tin, zircopax or a combination of the two? If you can’t find that out I would test with zircopax first. I would weigh out 200 grams of the liquid clear glaze and then add 10 zircopax to that, dip a test piece and paint on some of your overglaze colours. Now add another 2 grams of zircopax and repeat process. I would then add another 2 grams and do a third test tile. You now have approx 10% zircopax on the first tile, 12 on the second, 14 on the third. If one of these is successful you can extrapolate the figures upwards for larger amounts. (I’m basing the figures on the liquid commercial glaze being approx 50% water) Link to comment Share on other sites More sharing options...
Recommended Posts
Archived
This topic is now archived and is closed to further replies.