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Found 12 results

  1. From the album: Pottery 2016

    © Giselle No. 5 Ceramics 2016, all rights reserved

  2. From the album: Pottery 2016

    Thrown on the pottery wheel in white stoneware, carved deeply with mountain design. Treated with 2-1 water and iron oxide mix on only the mountains. One coat Mayco's Stoned Denim on mountains, four coats on everything else. Fired at ^6 in an electric kiln.

    © Giselle No. 5 Ceramics 2016, all rights reserved

  3. From the album: Pottery 2016

    Thrown on the pottery wheel in white stoneware, carved deeply with mountain design. Treated with 2-1 water and iron oxide mix on only the mountains. One coat Mayco's Stoned Denim on mountains, four coats on everything else. Fired at ^6.

    © Giselle No. 5 Ceramics 2016, all rights reserved

  4. From the album: Pottery 2016

    Thrown on the pottery wheel in white stoneware, carved deeply with mountain design. Treated with 2-1 water and iron oxide mix on only the mountains. One coat Amaco's Smoky Merlot on mountains, four coats on everything else. Fired at ^6.

    © Giselle No. 5 Ceramics 2016, all rights reserved

  5. From the album: Pottery 2016

    Thrown on the pottery wheel in white stoneware, carved deeply with mountain design. Treated with 2-1 water and iron oxide mix on only the mountains. One coat Amaco's Smoky Merlot on mountains, four coats on everything else. Fired at ^6.

    © Giselle No. 5 Ceramics 2016, all rights reserved

  6. From the album: newer work

    These have no actual granite in them, but the glaze has a granite-like quality, with green specks on a blue background, a smooth matte surface, and a micaceous sparkle in the sun.
  7. From the album: newer work

    This yunomi was dipped in both green and blue slips and then quickly combed to expose both. It may be excessively bright, but I like it because it's lively. Same white satin glaze.
  8. From the album: newer work

    This is probably my favorite piece from the last firing. The yunomi was sprayed with a vitreous green slip and then a more refractory lavender slip. It was glazed in my current favorite glaze, a titanium satin matte. Somehow this treatment resulted in a soft gray with tiny flecks of many colors, green, blue, lavender... and with a mysterious pink flush on one side.
  9. From the album: newer work

    These porcelain yunomis are fluted and glazed with a pale green ash glaze on the exterior, and a clear glaze on the interior, overlaid with ash glaze a distance down from the rim.
  10. From the album: John Baymore's Clay Work

    Yunomi thrown from clay with massive amounts of local NH granite dust and stone mixed in. Almost more stone than clay. Fired many multiple times in my woodfired noborigama to get the rocks to melt sufficiently. Included wooden stoage box. Sold at one of my solo exhibitions at an asian art gallery in the US. Now in the personal collection of the executive director of a US art museum.

    © John Baymore -all rights reserved

  11. From the album: Wood Fired

    This cup was side fired on shells, the ash build up ran nicely down the finger grooves.
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