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Showing results for tags 'wood fire'.
Found 11 results
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From the album: LeeU Hidden Mask Series
Fired in the angama kiln of the New Hampshire Institute of Art . -
From the album: LeeU Hidden Mask Series
This piece was fired in the anagama kiln at the Sharon Art Center in NH. -
From the album: LeeU Hidden Mask Series
This piece was fired in the anagama kiln at the Sharon Art Center in NH. It is porcelain with a celedon glaze on the facial planes and a temmoku on the stamped area. The orange on the right side is on unglazed clay and is an attribute of the firing. -
From the album: Images For Misc. Posts
This is the bottle form right after unloading from the firing. -
From the album: Images For Misc. Posts
This is the bottle that is shown in a discussion thread sitting in the anagama with the coating of oribe glaze applied over the modified clay body. -
From the album: Images For Misc. Posts
The last step of Fushigigama has ports to introduce hardwood charcoal (not charcoal briquettes!) directly onto the load of ware. This is done at the peak of the firing just after ceasing stoking wood and just before sealing up the kiln. Here you can see the general process. -
From the album: John Baymore's Clay Work
My wood fired vase form which will be inculded in the coming 2017 ISCAEE symposium's exhibition at the University for the Creative Arts in Farnham, England in July. Looking forward to presenting and attending the symposium. We have numerous NHIA faculty, students, and alums attending the symposium.© 2017- John Baymore - all rights reserved
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From the album: Images For Misc. Posts
View in one of the side stoke ports during the firing. Note the wood laying right on the pieces. -
From the album: Images For Misc. Posts
The early stage of the summer 2017 Fushigigama firing. -
From the album: Images For Misc. Posts
Front step loading of the summer 2017 firing of Fushigigama. -
From the album: experiment in woodfire bisque
Cones 019, 08, and 05 were put in the kiln to indicate firing temperature. 019 is completely melted.
