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Showing results for tags 'terra sig'.
Hi all. Is it possible to glaze over a piece that has been terrasigged? Has anyone done this? I would be interested to see your results please! I am wanting to create a sculpture with some areas terrasigged and some glazed. All comments and ideas welcome!
I'm keen to try burnishing paper clay for Raku firing at around 1852 f I have some pieces that I have made using paper clay that I have made from local clay collected from a nearby beach that has quite a bit of salt in it - I have two batches, one that I have rinsed , dried and re-constituted and the other from raw clay that has not been rinsed I've noticed that when I scrape the surface of the pieces, there is a shine that is begging to come forth! - I might just continue-on with burnishing with a pebble I collected from the same beach to see if the surface comes up to shine but I've been looking at making Terra Sigillata and wondering whether it would be best to use the same paper clay in the mix or if it might work to use an earthenware clay in the recipe better? Has anyone tried working an earthenware clay slip / glaze effect into a paper clay body? Many thanks
I am wondering how to fire - in an electric kiln- burnished pots brushed with a porcelain/stoneware terra sigillata- or even just burnished! Is this possible? What temperature would you suggest to fire to? I’d like for them to be strong enough to be carried at markets and slightly shiny and smooth on the outside. Any knowledgeable advice and tips would be valued. Thank you V.
I’m using plain terra sig made with xx saggar on Laguna 80 red clay. I bisqued and remained waxy and white. Perfect. then I added Psuedo Celedon glaze to the interior of the cylinder. Some dripped so I wiped off the whole pot with a wet clean sponge. When it dried, the white Terra Sig started turning bright yellow. Marker yellow. Won’t wash off... Any idea why this would happen?