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Found 6 results

  1. From the album: SCULPTOR

    H 23 CM X L 27 CM

    © Barake Sculptor

  2. Can work with two different kinds of clays with different porosity together when marbling or doing other clay combinations? For example one terracotta which ends up very porous and one stoneware clay that vitrifies to be less porous? Or will it crack?
  3. From the album: Clay Tests

    Cone 6 Terra Cotta Unglazed. Body developed from locally sourced (wild) clay with hematite iron source.

    © TJA2020

  4. From the album: SCULPTOR

    THIS SOLID CLAY STUDY FOR A BRONZE CAST. THIS GORILA ,IN A THOUGHTFULL STANCE,ASKING HIMSELF: '' HOW COULD HUMANS EVER THINK TO BE RELATED TO US? WE DON´T ENSLAVE OUR NEIGHBORS,WE DON´T PEE IN RIVERS WHERE WE DRINK,I DON´T KILL FOR SPORT,I HAVE NO INTENTIONS OF GOING TO MARS. NO, WE JUST CAN´T BE RELATED !!

    © BarakeSculptor

  5. Hello everyone, I am completely new in this field, my work so far has focused on plaster modeling. But soon I would like to start a new project, which requires a lot of knowledge in clay processing. I would like to make two fireplace surrounds (designed in the style of the attached plan), one for a decorative fireplace and one for a real fireplace which already has a cast iron insert whit a brick mantle. I would like to know for the first one, for the decorative one, I need to burn the tiles or not. It's about some large parts, for example 2 corbels 80x20 cm. Also I would like to know if such large parts should have any reinforcement system for example made of wire or iron. The material, the clay is good as I find it in commerce as it is or will need to be added some additives to avoid the appearance of fissures without burning. For the symmetry of the parts, I thought it would be good to carve one part and the other to copy it with a plaster coating. I look forward to any suggestions. Thank you all
  6. From the album: aperhapshand

    First pinch pot I made - shown on my desk

    © a perhaps hand

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