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Showing results for tags 'teapot'.
Found 26 results
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From the album: Favorites
I don't make many teapots, but I had the idea for this teapot with a hollow wave cut out of the body. It was an experiment, and it's not perfect but I still really like this piece. Wheel thrown and hand built with applied engobe and underglaze, sgraffito and hand painted waves. Fired to ^6 electric.© Firenflux
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From the album: Forum Discussion Images
This is a sculptural teapot by Helene Fielder. I had the pleasure of meeting her at the Tennessee Craft fair in Nashville over the weekend. This is NOT my work but is part of a community discussion forum. To see more of Helene's amazing work, go here: http://potterybyhelene.com/© Copyright Helene Fielder
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From the album: Pottery 2016
White stoneware, thrown on the wheel as a "chopstick" jar and then altered into a teapot. I added the little hand-shaped flower knob. Handles coil and flattened. Spout wheel thrown. Fired at ^6 in an electric kiln. Laguna's Dynasty Red and Peach Blush, Duncan Concepts Bright Kiwi as the underglazed leaves and stems. This came out really nicely for a test set; next time everything is going to be bigger. I plan to make four cups and saucers, sugar, creamer, teapot, and a couple of serving platters. Maybe even a cake stand or two. We'll see.© Giselle No. 5 Ceramics 2016, all rights reserved
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From the album: Pottery 2016
White stoneware, thrown on the wheel as a "chopstick" jar and then altered into a teapot. I added the little hand-shaped flower knob. Fired at ^6 in an electric kiln. Laguna's Dynasty Red and Peach Blush, Duncan Concepts Bright Kiwi as the underglazed leaves and stems.© Giselle No. 5 Ceramics 2016, all rights reserved
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From the album: Pottery 2016
White stoneware, thrown on the wheel as a "chopstick" jar and then altered into a teapot. I added the little hand-shaped flower knob. Fired at ^6 in an electric kiln. Laguna's Dynasty Red and Peach Blush, Duncan Concepts Bright Kiwi as the underglazed leaves and stems. There are some issues with it as a teapot. It's a bit thicker and more bottom heavy than I'd like. It's also smaller than I intended, only holds 16 oz. However, there are a lot of things I did right. The lid fits really nicely. The handle is comfortable for fitting all your fingers in and pouring even with the teapot full. The spout works (a couple of tiny drips but not bad at all) and the strainer works too. I tried it. So I would say this was a very useful learning experience. And I am far from unhappy with my very first teapot!© Giselle No. 5 Ceramics 2016, all rights reserved
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Dears I recently made tea pots based on the old japanese houhin design. Hence it does not need a metal seeve. However, after using them some dark spots appear on the bottom side. Perhaps this is just the color of the tea slowly leaking through. I wonder if it could be an unhealthy fungus. It was fired approx 1250 degrees. For comparision, the inverted teapot on the top right of the photo does not have dark spots. Because it is glazed on the inside as well. Any experience or ideas on that? Thanks. kind regards Zustand -
From the album: Some work
Thrown "donut", altered and hand built teapot. -
From the album: Some work
Slab built teapot with slip, "Otto's black slip". Green ware. -
This 2-day workshop will explore an array of leatherhard and bisqueware decorative options to enhance your pottery surface. Demonstrations are divided into two sections: pre and post firing. Initial explorations will begin in the green-ware stage to include the use of slip, slip trailing, sprigging, as well as trimming. In the bisqueware portion, glaze strategies will be investigated with trailing and waxing techniques demonstrated. Upon the completion of this workshop you will be armed with a variety of skills to apply towards your future pottery practice. Participants will have the opportunity to employ these ideas through their own work during both days. Please bring a sketchbook, personal potting tools, assorted brushes and any reference material you would like to incorporate in your work (photos, drawings, etc.) Bio Ryan J. Greenheck received his Master of Fine Arts degree from SUNY College of Ceramics at Alfred University in 2004. He earned a Bachelor of Fine Arts degree as well as a Bachelor of Science degree from The University of Wisconsin-Stout in 2002. He has participated in numerous national juried exhibitions and shows since 2000. His work is represented in many galleries throughout the country. Ryan currently is a practicing studio potter and Lecturer at the University of Pennsylvania. WS01 – Saturday & Sunday, 10-4pm, January 16 & 17, 2016 Fee: $200 members; $225 non-members Contact Mary Cloonan at mary.cloonan@baltimoreclayworks.org for more information. Baltimore Clayworks 5707 Smith Avenue Baltimore, MD 21209 www.baltimoreclayworks.org -
From the album: Mad About Pottery
Hand thrown stoneware pottery teapot and cups are made with a speckled clay. The are coated in a white glaze.© Gittit Rad-El
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From the album: Displays
Arrangement of ^6 functional pottery. Underglazes with black underglaze overall design. Platter, teapot, and mug.- 1 comment
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From the album: Displays
Arrangement of ^6 dark clay, functional pottery. Sgraffito through underglazes. Platter, teapot and bottle. -
From the album: New ^6 Work 2015 (2)
Wheel thrown and constructed white stoneware teapot, underglazes over a satin matte glaze (majolica-style). black underglaze outline. Light green gloss opaque inside. 7 cup capacity. -
From the album: New ^6 Work 2015 (2)
Wheel thrown and constructed dark stoneware teapot, sgraffito through underglazes, dotted accents. Blue opaque gloss glaze inside and clear glaze outside. 7 cup capacity.- 1 comment
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Celadonish Teapot with Blackberry Blossoms and Thorns
rayaldridge posted a gallery image in Browse Member Galleries
From the album: narrative work
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From the album: My nautical stuff
another view of my nautical teapot. The top is a yo yo jar I threw in one piece without a bottom and then stacked after throwing the main body of the teapot. -
From the album: My nautical stuff
another view of my nautical teapot. I threw the spout and handle and pieced them together. I got some cracks in the seams of the bottom cut out so I keep this one for decoration. -
From the album: RV gallery
© RV Ceramics
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From the album: teapots
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From the album: teapots
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From the album: teapots
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From the album: teapots
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From the album: teapots
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From the album: teapots
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Mark Shapiro Workshop – Teapots: Brew / Pour / More WS01 – Saturday & Sunday, 10-4pm, January 17 & 18, 2015 Fee: $200 member/$225 non-member For the potter, teapots are entrancing objects to make. They have a long and rich history that evokes social rituals and intercultural connections. They have long been collected and displayed, and ceramic teapots remain the first choice for brewing tea. They are still commonly used, though other ceramic forms have been replaced by other kinds of vessels. Technically teapots present the challenge of designing and integrating multiple parts—spout, lid, handle, foot, knob—in addition to the usual questions of clay, surface, and firing. As such, the teapot is a classic potter’s performance, in which the drama of ceramic inspiration and mastery unfolds. A functional teapot must successfully brew and pour tea, but what else can a teapot do? In this 2-day workshop participants will look at the parts that make the whole, focusing on ergonomics, proportion, and the harmony of elements. What makes a great teapot, one that you want to use again and again? This workshop will attempt to unfold some of those qualities by learning from outstanding examples and thinking about how to capture such excellence in our own teapots and related wares. Mark Shapiro makes wood-fired pots in Western Massachusetts. He is a frequent workshop leader, lecturer, curator, panelist, and writer, and is mentor to a half-dozen apprentices who have trained at his Stonepool Pottery. His work was featured in the 4th World Ceramics Biennial in Icheon, Korea, and is in many public collections. His interviews of Karen Karnes, Michael Simon, Paulus Berensohn, and Sergei Isupov, are in the Smithsonian Archives of American Art and he edited A Chosen Path: the Ceramic Art of Karen Karnes (UNC Press). He is on the advisory board of Ceramics Monthly, and is a contributing editor to Studio Potter Magazine. WS01 – Saturday & Sunday, 10-4pm, January 17 & 18, 2015 Fee: $200 members; $225 non-members Contact Matthew Hyleck at matt.hyleck@baltimoreclayworks.org for more information. Baltimore Clayworks 5707 Smith Avenue Baltimore, MD 21209
