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Found 3 results

  1. Hi folks, time for another topic, and don't forget you may post new ideas for QotW in the pool here: Of late I have considered some changes in the decorative process, I have often been interested in surface decoration and texture. I have probably done the gambit of Impressing, incising, piercing, added on clay or sprigging. In my earlier years I did mostly glaze dipping over bare surfaces, then spraying glazes through lace, and silk flower/leaves, along with calligraphic brushwork to bring out or add details. The last 20 years have been more about texture in the piece; first was faceting, then incising the unshaped cylinder. Then I started stamping, and forcing more into the clay to the point I often had to repair the piece when leather hard. Glazing was completed by spraying from different angles to highlight the surfaces. Lately I have considered returning to the smooth surfaces for large areas, with other areas of texture applied before the shaping. I would then decorate the smooth areas as mentioned before with stencils and inglaze work. QotW: What is your predominant method of decorating the greenware, and how do you deal with this decoration in your glazing? best, Pres
  2. Weeklong - July 18-23, 2021 Markmaking: Brushwork and Stamping Michael Kline Explore how to transform wheel-thrown forms with stamped and painted surface treatments. Sessions will include demonstrations on classic thrown forms, stamping and brushwork. Make stamps and learn to use them to make marks and create patterns with inlay. Dramatically improve your brushwork skills with a series of lively group painting exercises. Intermediate-Advanced, Materials fee, payable to instructor, $5-$20 (for MKM stamps and roulettes, $20 for Mudtools Do-All scraping tool, $8-$20 for bamboo handle brushes, $2 for small lidded containers for wax resist, free Amaco white underglaze sample) Registration and Information
  3. From the album: Forum Discussion Images

    This is strictly a whimsical demo experiment of taking a wheel-thrown vessel and doing several treatments on it. This one has been pinched, paddled, appended stamped, textured and converted to a pouring pot. The 'pun' is a little more sublet (for some at least).

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA - All rights reserved.

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