Jump to content

Search the Community

Showing results for tags 'stains'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Ceramic Arts Daily Forums
    • Forum FAQ & Terms of Use
    • Studio Operations and Making Work
    • Clay and Glaze Chemistry
    • Equipment Use and Repair
    • Business, Marketing, and Accounting
    • Educational Approaches and Resources
    • Aesthetic Approaches and Philosophy
    • Int'l Ceramic Artists Network (ICAN) Operations and Benefits
    • Ceramic Events of Interest
    • Community Marketplace – Buy/Sell/Trade/Free

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Location


Interests

Found 6 results

  1. Hi all, Currently I work with mid-fire slip and glaze my work 'traditionally' to achieve quite muted, natural tones. I'm thinking about making some wares that I want to be BRIGHT and flat in colour - like popping, primary colours. I'm wondering what the best way to achieve this level of colour would be? In my experience using stains in glazes never seems to achieve the flatness I'm after. I would suspect a coloured slip might be the answer but again using stains only seems to result in pastels - what is the average ratio of stain to slip to achieve a full bodied red for example? Or would I paint the work all over with an underglaze? Or something else. All suggestions appreciated!
  2. HELP ..... ... Trying to get back to ceramics .I’ve just finished mixing a small quantity batch of stains and underglazes with slip ( same clay bodies nothing else ) I’ve used 60 % slip to the ratio of about 10% stain to both stain and underglazes But have found that the underglaze slips are much thinner than the stain slips .Consistencies are different .Most stains seems to be thicker than underglazes Aside from black and purple which are def thinner . How to rectify ......???? Do I add more slip or stain to thicken ??? Or is it more complicated than I imagine . ? Bare in mind I am not adding anything else ie frits etc Thank you Nicky
  3. Hi all, I want to try majolica and have read that frit should be added to oxides and stains but is that always necessary? What would be the outcome if I just mixed it with water and maybe CMC (which I already have) I'm just trying to avoid buying things that are unnecessary. Thanks in advance.
  4. Hi I am using Audrey Blackman porcelain and am interested in using stains into the clay. Can anyone suggest which stains are good to use and can I just wedge it in? Many thanks. Debs
  5. From the album: 2016

    Made for a friend's 50th birthday. Various 'significant' words & phrases stamped inside and out with different letter styles, highlighted with oxide washes before bisque firing. Dipped in transparent glaze & fired to 1100oC in an electric kiln.
  6. From the album: 2016

    Small bowl with pinched floral additions. Stains added to transparent glaze painted on flowers. Whole piece dipped in transparent glaze. Fired to 1100oC in electric kiln.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use.