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Found 18 results

  1. Hi all, I'm looking for advice on how to achieve a darker charcoal/black carbon trap finish. I'm working with Malcolm Davis Shino on bee mix & coleman porcelain. I have been unable to fire the gas reduction downdraft kiln because of work so I haven't been able to play around with it. This image was taken a while back before I really cared how heavy the carbon trap was (record record record). This is what I'm trying to achieve. It's Malcolm Davis Shino on Coleman Porcelain with wax resist fired to cone 10 in gas reduction. Any thoughts?
  2. We’ve been having a really bad run of luck with M. Davis shino. At first we thought it was glaze application, then maybe a bad batch of glaze, now I’m wondering if it’s our firing or if this just is a lousy glaze. The fault we’re running into is tiny bubbles that cause a very rough texture. It’s neither pinholes or craters, here’s a picture: Anyone see this before?
  3. Hello! New to the site and am curious about the effects of dry wood ash on glazes. I have found a lot of info about wood ash glazes, but not so much about applying dry wood ash onto an already applied and dried (or sometimes sprayed with a little water) glaze. I realize glaze recipes will vary greatly so it may not be very helpful to name any, but I have had great results (in my opinion) with the shino glaze at the pottery school I attend, please see the attached image. I have also tried this on our versions of tenmoku and iron red with results of some fluxing and gold spec
  4. Hello everyone! I am stumped on this issue and was wondering if anyone had any insight or advice on this. We opened our soda kiln a couple weeks ago and I had a problem with my work. I fired 64 pcs, most of which was Rods Bod clay body which also had some Red Iron Oxide slip decoration on it. I used Penn State Shino that I mixed the day that I glazed. 60% of it had major shivering! The glaze was just crumbling off and some thicker areas coming off in large pieces, leaving a grey stony finish behind. Such a bummer! See video here: https://youtu.be/0cbd0eXvYII Some things to note in t
  5. Guest

    Burnish Gold Luster Mug

    From the album: John Baymore's Clay Work

    This cup is in the invitational exhibition "I'll Drink To That" at the Eclipse Mill Gallery in North Adams, MA until August 27th, 2017. Handbuilt, woodfired, American Shino, overglaze enamel, gold luster.

    © 2017 - John Baymore - all rights reserved

  6. From the album: John Baymore's Clay Work

    This woodfired Chawan with an iron slip and an American Shino glaze is part of an invitational exhibition at the England Center Gallery in Beebe Arkansas from May 2017 thru July 2017. This exhibition features Emerging Artists in Arkansas, and they have each invited one individual who has been a significant influence on their work. I was honored to have Bobby Lindsay ask me to show with him. Bobby took my pre-NCECA workshop in 2016 about making Chawan.

    © 2017 John Baymore -all rights reserved

  7. Guest

    "Ode to Jurakudai"

    From the album: John Baymore's Clay Work

    Ido-style Chawan. Wood fired and electric fired. Granite bearing stoneware body. American Shino glaze on exterior (with finger wipes), semi-matte feldspathic glaze on interior. Gold luster on interior. Exhibited In "Chawan for Chanoyu" solo exhibition held in conjunction with the 2015 Providence NCECA conference.

    © 2015 John Baymore -all rights reserved

  8. From the album: John Baymore's Clay Work

    Thrown; noborigama woodfired; Orton cone 12; American Shino glaze. In the Tsinghua University collection in Beijing.

    © John Baymore 2011 - all rights reserved

  9. From the album: High Fire

    Loaded with ash crystals from being in just the right spot in Mark Goertzen's kiln, Dante.
  10. From the album: High Fire

    This delicious cup was fired for 96 hours in Justin Rothshank's anagama in Goshen, IN.
  11. From the album: Lori Hess of Claybird Pottery Studio

    -this was the first pitcher I ever threw and then subsequently altered ...what a ride it's been

    © Claybird Pottery Studio

  12. From the album: Phillip Schmidt Pottery

    My American Shino recipe on one of my favorite bowls that came out of this last firing. unedited photo
  13. From the album: Woodfire

    Peach shino glazed bowl, carbon trapping, woodfired.
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