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Found 7 results

  1. I am making mugs with red clay which I fire to cone six. I apply white slip over it and scratch through. I have use both Amaco and Duncan cone 6 clear and both turn my red clay brown, sometimes even murky. Is there a recipe and/or a commercial clear cone 6 glaze that won't turn my red clay brown? Thanks neema
  2. Art Students League of Denver Please join us for our upcoming workshop: β€œThe Basics and Beyond: Soft Slab Hand-Building" with Liz Zlot Summerfield (https://www.lzspottery.com/) April 30, 2020 - Artist's Talk -- 6 -7:30 pm | $5.00 May 1, 2020 - delecTABLE Exhibit Artists Reception with Liz in attendance -- 5:30 - 8:00 pm | Free May 2-3, 2020 - Demonstration Workshop -- 9 am - 4 pm daily | $233.75 for members, $275 for non-members During her slide lecture, Liz will about her career, philosophy and approach to working with clay. The workshop will demystify working with soft slabs and offer essential components to creating unique hand-built pots. Students will be introduced to techniques for working with clay slabs and paper patterns. Liz will discuss and demonstrate the journey she takes, starting from an idea or concept, creating a paper pattern and finishing with a slab built pot. Surface discussion and demonstrations will include application of various types of color treatment, terra sigillata and underglazes. To Register: please call 303-778-6990, or register online at: https://asld.org/visiting-artist-series-liz-zlot-summerfield/ This Visiting Artist Series workshop will be held in conjunction with the juried delecTABLE: The Fine Art of Dining exhibit - April 17 – May 22, 2020. To view images of juried artists, dates for exhibit and receptions: https://asld.org/delectable-2020/ Thanks! Shelley Schreiber Ceramics Studio Manager Art Students League of Denver s.schreiber@asld.org delectable20_revised 2.17.20.pdf
  3. From the album: Pottery 2016

    © Copyright 2016 Giselle No. 5 Ceramics - Giselle Massey - All Rights Reserved

  4. From the album: Ceramics Fall 2016

    Turquoise stone and white matte on a dark red clay body. I threw the foot separately and attached when leather hard. It is slightly off balance, but will look nice holding my mini hanging succulents in the garden.
  5. From the album: Ceramics Fall 2016

    Bisqued Sake set. This was glazed in tenmoku and I will grab photos of them later today. Since my work is fired in a classroom setting, all my cups were placed in different areas of the kiln, so each one looks slightly different.
  6. From the album: Ceramics Fall 2016

    Turquoise stone and white matte ^6 ox on calico dark red clay. A couple very wonky vases that developed decent sized cracks from uneven drying, this was one of the first things I made after taking a hiatus of 3 years from clay, be gentle! I needed to keep a few unsatisfactory pieces to try my experiments. I am totally head over heals in love with the color combo, but am very sad all the pieces developed pin holes on them... I talked to the professor and she is going to go over how to avoid that next time and keep my work together as to have a more consistent firing.
  7. From the album: Wheel Thrown Work, 2015

    This sponge holder is made with B-Mix clay. I slip trailed a design of mountains in red slip, then moon and stars in white. The whole piece was glazed in a lovely denim blue glaze that I borrowed from my dad's studio. I'm going to get my own pint.

    © Copyright Giselle Massey 2015 All Rights Reserved

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