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Found 7 results

  1. I am making mugs with red clay which I fire to cone six. I apply white slip over it and scratch through. I have use both Amaco and Duncan cone 6 clear and both turn my red clay brown, sometimes even murky. Is there a recipe and/or a commercial clear cone 6 glaze that won't turn my red clay brown? Thanks neema
  2. Art Students League of Denver Please join us for our upcoming workshop: “The Basics and Beyond: Soft Slab Hand-Building" with Liz Zlot Summerfield (https://www.lzspottery.com/) April 30, 2020 - Artist's Talk -- 6 -7:30 pm | $5.00 May 1, 2020 - delecTABLE Exhibit Artists Reception with Liz in attendance -- 5:30 - 8:00 pm | Free May 2-3, 2020 - Demonstration Workshop -- 9 am - 4 pm daily | $233.75 for members, $275 for non-members During her slide lecture, Liz will about her career, philosophy and approach to working with clay. The workshop will demystify working with so
  3. From the album: Pottery 2016

    © Copyright 2016 Giselle No. 5 Ceramics - Giselle Massey - All Rights Reserved

  4. From the album: Ceramics Fall 2016

    Turquoise stone and white matte on a dark red clay body. I threw the foot separately and attached when leather hard. It is slightly off balance, but will look nice holding my mini hanging succulents in the garden.
  5. From the album: Ceramics Fall 2016

    Bisqued Sake set. This was glazed in tenmoku and I will grab photos of them later today. Since my work is fired in a classroom setting, all my cups were placed in different areas of the kiln, so each one looks slightly different.
  6. From the album: Ceramics Fall 2016

    Turquoise stone and white matte ^6 ox on calico dark red clay. A couple very wonky vases that developed decent sized cracks from uneven drying, this was one of the first things I made after taking a hiatus of 3 years from clay, be gentle! I needed to keep a few unsatisfactory pieces to try my experiments. I am totally head over heals in love with the color combo, but am very sad all the pieces developed pin holes on them... I talked to the professor and she is going to go over how to avoid that next time and keep my work together as to have a more consistent firing.
  7. From the album: Wheel Thrown Work, 2015

    This sponge holder is made with B-Mix clay. I slip trailed a design of mountains in red slip, then moon and stars in white. The whole piece was glazed in a lovely denim blue glaze that I borrowed from my dad's studio. I'm going to get my own pint.

    © Copyright Giselle Massey 2015 All Rights Reserved

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