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  1. Among the famous types of pottery or traditional tools, we can talk about it in this article. The first type is called “Asian", and its color is black to gray, and it is also very solid, like small pebbles, which are abundant in the mountains. The villagers use it in the manufacture of traditional kilns and some Cup utensils and some tools in the kitchen.The second type is called "Tora", which is not a white steel and is also found in the mountains, and this type cannot be used alone in making tools, rather it needs the first type of soil.They are often used or mixed with each other to obtain On the complete recipe, these names are local, traditional and extracted from the Moroccan heritage, exactly in the Atlas region. Thank you for reading. If you like it, I will write more expanded content attached to pictures. azeddine
  2. Hello, I was wondering if anyone could help me, I have around 10 glaze fired tiles, they are all stoneware and I fired to 1200 with a 30 minute soak. 7 were glazed with textured brush on glazes and 3 were painted with a transparent glaze. For some reason when I took them all out of the kiln, all three transparent glazed ones and one beige tile appear to have several cracks in the back. The clay is a white stoneware clay, I placed them directly onto a batt washed kiln shelf and all three transparent tiles were on the top shelf. Not sure if this may be a coincidence. Please let me know if anyone has any suggestions as to how I can fix this issue?
  3. Potters Guild Hosts Online and In-Person Spring Pottery Sale Online Sale — May 7-23 In-person Sale — May 22-23 in Basking Ridge, NJ The Potters Guild of New Jersey will host its Annual Spring Pottery Sale of functional and sculptural ceramics. This year’s sale will have both online and in-person shopping opportunities. Online Sale — May 7-23 The online sale will be hosted by the Farmstead Arts Center at farmsteadartscenter.org. View the handmade creations of 30 fabulous clay artists from the convenience of your home. Each item will indicate whether the buyer can choose to pay for shipping or make arrangements for in-person pick-up. In some cases, pick-up will be available at the in-person show on May 22 or 23. In-Person Sale — May 22-23 We are thrilled to be offering an in-person, outdoor show on the grounds of the historic Farmstead Art Center, located at 450 King George Road in Basking Ridge, on Saturday, May 22, and Sunday, May 23, from 11 a.m. to 5 p.m. Meet 30 fabulous clay artists and get to know the stories behind their work. Spend a relaxing afternoon as you stroll through dazzling displays and chat with the members of the Potters Guild. For safety, the show will be held outdoors with displays spread at least six feet apart. Masks will be required for both customers and artists; hand sanitizer will be available. Admission may be limited at any given time in order to comply with state and local guidelines for in-person gatherings. Admission is free, and major credit cards are accepted. Available for sale both online and in-person will be a fabulous selection of vases, wall pieces, pitchers, teapots, platters, casseroles, raku and pit-fired vessels in varying colors and styles, and one-of-a-kind sculptures and decorative ceramic objects. The shows are the perfect places to find a unique item or gift for any occasion. About the Potters Guild of New Jersey: The Potters Guild of New Jersey (PGNJ) was founded in 1987 to promote the free exchange of knowledge in support of the creative endeavors of New Jersey’s ceramic artists. The Guild’s membership is comprised of over 100 individuals and it is growing. It includes professional and recreational potters, clay artists, educators and students. The PGNJ is a dynamic, member-driven organization that meets on a monthly basis. Learn more at pottersguildnj.org and follow the Potters Guild on Facebook (pottersguildnj) and Instagram (@pottersguildofnj).
  4. I am looking to buy a used Gare 1818 from a guy on Craigslist, but I cannot find any information on this kiln. I realize it’s an older kiln model, and I read that Gare was rebranded to Evenheat. This would be my first kiln so I wanted to do my research, and I was hoping to find a manual or something online but I’m coming up empty. Does anyone have any information on this kiln? Used kilns are hard to come by in my area, so I’m debating on just buying it anyway, and hoping for the best.
  5. Hi there. I love these glazes that Seth Rogan does - does anyone have any idea how they could have been done?!
  6. From the album: Mug inspired in vintage enamelware

    multiple uses for one mug
  7. From the album: Nir and Zanetta Pottery

    © Nir & Zaneta

  8. From the album: Nir and Zanetta Pottery

    © Nir and Zaneta

  9. Min recently asked the following question, and it runs differently than most of the ones asked in the pool. It has also been bumped by LeeU in a post that she like Min's question. . . so: Do you make feminine, masculine or gender neutral work and is it a conscious decision? I have never thought about masculinity or femininity of any work. Looking over my work, I believe it is all over the gender situation. I have biases that I will admit when throwing work: I really do not like to see a flat spot in any curve, I consider the diameter of bottoms in proportion to height as not wanting a piece to be visually too bottom heavy or too spindly because of a narrow base to a tall form, I like shoulder accents in "S" shaped curves to slow the motion to the neck or rim, I love to texture the piece before shaping(something that has only happened within the last two years, and I have a tendency to follow the "Golden Mean" when throwing, handbuilding or combining forms. In much of this I do not pre sketch unless I am constructing a form either of slab, thrown or combined pieces. Most of my work is completed visually within the throwing and trimming. I throw lots of pieces of the same genre (mug, bowl, honey pot etc) at a time, breaking off in different directions in the form as I see something I particularly like at the time, then head in another direction. You could look at my gallery, or blog to see if you find a gender in my pieces, I really don't know as I have one. best, Pres
  10. From the album: Favorites

    I don't make many teapots, but I had the idea for this teapot with a hollow wave cut out of the body. It was an experiment, and it's not perfect but I still really like this piece. Wheel thrown and hand built with applied engobe and underglaze, sgraffito and hand painted waves. Fired to ^6 electric.

    © Firenflux

  11. From the album: Favorites

    This is my favorite piece I have made to date. I sold it about a year ago but haven't made another one yet. It's wheel thrown with applied colored engobes. It's hand carved and textured with pulled handles and commercial glazes. Fired to ^6 electric.

    © Firenflux

  12. From the album: Gas Kiln

    Well thanks to the community here I loaded this kiln and I believe I solved my problem of not having enough air flow in-between the shelves. Thanks everyone who helped, the kiln is firing right now so hopefully it turns out perfectly.
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