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  1. Chris posted Campbell posted a question from a recent strand in the forums. . . You know you are not meant to be a potter if ...... As a teacher, I have heard this so many times quested in so many ways. Usually starting with some sort of excuse. Those excuses vary in so many different ways. There would be the students that couldn't stand to get their hands dirty,or the girls who would not risk a broken finger nail,or the student that complained they weren't strong enough to move the clay in one way or another. There were those that making something out of clay. . . such an old process.. . was beneath them, or it wasn't art, and they were artists. There were those that were to smart, wanted a more difficult problem to solve, or those that building something was to big of a problem to solve. In the end, and all too often, once they allowed themselves to experience the clay, they would fall in love with it. Those that were to weak, got stronger. Those that didn't like getting dirty found their hands felt better after a class with wash up and hand cream(I always kept a bottle by the sink most years). Others cut their nails because it messed up their pots to have them. Most were not meant to be potters, but they went on to appreciate pottery when at shows or other events where pottery was present. I would see them at craft fairs, and many times they were carrying a pot in a bag that they wanted me to see. You really aren't meant to be a potter when you allow your expectations to get in the way of good results. If you can't bring yourself to accept a form, glaze, or other attribute of a pot even though it is a good pot, then you should not be a potter. If making something has to be so perfect that it never makes it to the kiln, you should not be a potter. On the other end of the coin, if you cannot throw out a poorly made piece, at any stage of its creation, then you should not be a potter. Those are the aspects that I think makes good potter. The ability to discern quality against expectation, and the determination to make the best you can within your skill levels. best, Pres
  2. I just graduated from high school where my teacher would do everything with the kiln. I just got a kiln and am going to start firing my own things. It is a cress cone sitter. I have a bunch of low fire clays around but i plan on getting some potters choice glazes. will the cone 5-6 glaze would work with the low fire clays? what clays would be good for throwing and firing with the potters choice? can i bisque high fire clays at around 04? Im a bit new to firing my own pieces so sorry about all the questions.
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