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Found 6 results

  1. I have been researching whether it is possible and efficient to utilize a gelli plate to transfer an image to leather hard or bisque clay. I am fascinated with layering and have used many standard techniques available. I am wondering if underglaze can be applied to the gelli plate then manipulated like one would to make a transfer. I imagine that if the underglaze can be kept wet enough, it can be transferred to newsprint or rice paper. I know I could do this without the gelli plate. I'm just wondering if there would be any advantage to using it? If anyone has done this and can lend some advi
  2. Eleanor Anderson - July 26-30, 2019 - SKETCHING YOUR WAY INTO CLAY - $614.00 $614.00 Workshop Description: In this workshop, you will learn how to take pottery to the next level by focusing on surface design. We will learn how to carve, etch and stencil patterns, images and textures onto your pottery. Participants will learn Sgraffito, Mishima (Japanese Underglaze/ Slip Inlay) Stamping, monoprinting as well as water etching. We will do daily drawing exercises to come up with solutions for original and personal surfaces. This workshop is designed for students who have some experience
  3. From the album: Monoprinting with plaster

    Tile I made using a plaster slab, underglazes and porcelain casting slip, learned technique in Andrew Wandless' book 'Image Transfer on Clay' and also Joanne Veevers on CAD. This is still in greenware stage, not entirely sure how all of those colors will look as bisque and then glazed
  4. From the album: Past Uni work

    © Isabelle

  5. From the album: Past Uni work

    © Isabelle

  6. From the album: Past Uni work

    © Isabelle

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