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Found 9 results

  1. I started pottery a bit over a year ago and recently begun exploring decorative techniques. I tried some underglaze inlay on a greenware piece, carving out decorative lines on a small waxed porcelain cup, then painting the whole thing with blue underglaze, and wiping off the excess underglaze. I bisque fired the piece, then dipped it in transparent glaze and fired it again. The final cup has streaky underglaze, I don't understand why since the underglaze was bisque fired before I applied the final glaze? (I'll attach a picture, please note it's just a test piece I do notice however that the streaking seems to occur on those lines that were less deep (the straight lines were carved a bit deeper into the clay, might that be the solution? - I thought mishima could be fairly superficial, am I wrong?) Should I try to sponge on the clear glaze instead of dipping? Also, I find that dipping gives me a bit of a thick final transparent coating, could I try and brush it on in order to obtain a thinner coating or am I just setting myself up for a huge mess? I'd very much appreciate some experienced insight on this! Many Thanks in advance! SaveSave
  2. Eleanor Anderson - July 26-30, 2019 - SKETCHING YOUR WAY INTO CLAY - $614.00 $614.00 Workshop Description: In this workshop, you will learn how to take pottery to the next level by focusing on surface design. We will learn how to carve, etch and stencil patterns, images and textures onto your pottery. Participants will learn Sgraffito, Mishima (Japanese Underglaze/ Slip Inlay) Stamping, monoprinting as well as water etching. We will do daily drawing exercises to come up with solutions for original and personal surfaces. This workshop is designed for students who have some experience with clay. Students are encouraged to prioritize process and risk taking, and will take home bisque wear designed to be fired at cone 6 oxidation. REGISTER HERE ALL LEVELS some clay experience handy Session runs January 26 - 30, 2019 9:00 a.m. - 5:00 p.m. daily, open studio hours on select days. Fee includes tuition + materials fee + studio fee. Students may be asked to bring some additional items. Materials include 25 lbs. of clay and 2 firings. Additional clay will be available for purchase. Artist Bio: Eleanor Anderson graduated from Colorado College, where she studied printmaking and fibers. She works across a broad range of media including ceramics, textiles, prints and collage. She has been a resident at the Textile Arts Center is Brooklyn, NY and the 9th Semester Fellow in Design at Colorado College. Most recently she finished a two year Core Fellowship at Penland School of Crafts in Penland, North Carolina. She sends work into the world with the optimistic intentions of enlivening and enriching objects and spaces for the user or the viewer. www.eleanoranderson.com www.eleanoranderson.com
  3. From the album: Playing with mud 2016

    White earthenware bowl. Carved when leather hard. Grey underglaze painted into lines and scraped back to neaten. Transparent glaze.
  4. From the album: Pottery 2016

    Interior of elaborately carved pie plate made with red clay and inlaid with white slip (and a touch of white underglaze).

    © Giselle No. 5 Ceramics, all rights reserved

  5. From the album: Pottery 2016

    I love these new handles. I tried the "ruffled" pie plates but that just wasn't me. But these art deco handles make me happy!

    © Giselle No. 5 Ceramics, all rights reserved

  6. Kevin Snipes Workshop Heck Yeah: Creativity and Clay WS04 – Saturday & Sunday, 10-4pm, May 14 & 15 2016 Fee: $200 member/$225 non-member Artist Talk: Saturday May 14 at 6pm. Free and open to the public. Heck Yeah! - Creativity and Clay. Come explore the right side of your brain with Kevin Snipes and clay. Stretch, poke, prod, shape, squish and draw out those ideas! Working with both 2 and 3-D materials, he will help you unleash the hidden images and talents buried in your psyche. Engage in fun ways to invigorate your imagination with drawing, painting, collage and sculpting. Brainstorming with paper and pencil can lead to unexpected twists and turns that can be transferred to your ceramic art. Ceramic surface techniques and creating forms will be explored. This is open to all skill levels and artists from a variety of media. Kevin Snipes was born in Philadelphia, but grew up mostly in Cleveland, Ohio. He received a B.F.A. in ceramics and drawing from the Cleveland Institute of Art in 1994. After leaving grad school at the University of Florida in 2003 Kevin has led a seemingly nomadic artistic life, constantly making making no matter where he is. Kevin has participated in several artist residency programs, including the Clay Studio, in Philadelphia and Watershed Center for Ceramic Arts, in New Castle, Maine and received a Taunt Fellowship from the Archie Bray Foundation in Montana 2008. Exhibiting both nationally and internationally, including a recent solo exhibition at the Society of Arts and Craft, Boston; Akar, Iowa City and Duane Reed Gallery in St. Louis. Kevin has exhibited as far away as Jingdezhen, China. Kevin combines his love of constructing unconventional pottery with an obsessive need to draw on everything that he produces, creating a uniquely dynamic body of work. www.Kevinsnipes.com Contact Mary Cloonan at mary.cloonan@baltimoreclayworks.org for more information. Baltimore Clayworks 5707 Smith Avenue Baltimore, MD 21209 www.baltimoreclayworks.org
  7. From the album: Wheel Thrown Work, 2015

    Moroccan Sand clay from Laguna with carved modern leaves. I applied white stoneware slip inlay and glazed the interior in their Navy Blue.

    © Copyright Giselle No. 5 Ceramics (Giselle Massey) 2015, all rights reserved

  8. From the album: Wheel Thrown Work, 2015

    © Copyright Giselle Massey 2015

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