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Found 10 results

  1. Hi all. Can anyone please recommend some food safe, high fire, clear matte/satin glazes? I'll be using it over fired underglaze on slipcast mugs I'm working on. Amaco recommended their SM-10 (https://www.amaco.com/products/glaze-sm-10-clear?ref=2&taxon_id=284) to me, so I'm going to try that out. But I'd like to see what other people are using as well. They can be dippable, sprayable, brushable - anything. I just want to test some different products to find what I like best. Also, I understand that the matte/satin clears aren't entirely crystal clear in the way that gl
  2. Will post pictures as soon as I get home, but I read somewhere that one does not really have to fire greenware before glazing. I understand there is a risk, and I am increasingly frustrated with the quality of the pieces coming out of my kiln. Kiln fires to Cone 6, I bisque to Cone 06. I bought a 25lb mix of the Amaco Ironstone and have been super disappointed. Switched to clear glaze (amaco mixing clear) because I started doing work with mason stains and marbeling clay bodies together, wedging nicely, and then throwing the pieces. They turned out great, but I started experimenting with di
  3. Hello, All! I am looking for info on favorite and best clear glazes to use with slip decorations at cone 10, and favorites to use with underglaze at cone 6 on porcelain slip! any and all help is appreciated. I am in my senior year of my ceramics undergrad, so photos of results could be super beneficial because I am not 100% certain of the properties I desire as of just yet. Thank you in advance!
  4. I had a collaborative project with a friend. I made the trays, she applied the black underglaze and did the sgraffito work. I bisqued the pieces to 04 and sprayed them with clear. All of the pieces came out with a white speckling and slight pitting. I have not noticed this effect on my other work with underglaze and clear. But I do not normally use large expanses of black. Does anyone have any thoughts or suggestions? We would love to do more of this work. Roberta
  5. Hi guys. I've started my aquaitance with ceramics and glazes half a year ago. I still have a very basic understanding of chemistry and I have several problems I'd like to ask about. First is clear transparent glaze. I made around 10 of them taking different recipes, but all of them contain bubbles. I've tried bisque firing in various temps, from 600 to 950C and second firing slow cooling, dropping and slow cooling, but bubbles are there and their quantity is similar in all conditions. I know commercial glazes don't have such problems. Please help me to figure out what is going on. My thoug
  6. Hi, I am hoping that someone can help me out. I am looking for a cone 10 clear that works well in oxidation, specifically with underglazes, mason stains and color in general. In our studio we have a Laguna Clear and another that work okay in reduction but not well with the colors our students use. I know it can be difficult to have some underglazes come through at cone 10, but, I'm hoping to find a really solid clear that doesn't bubble up, cloud or burn out the color so severely. We use a commercial speedball clear sometimes but it is getting too expensive and I would love to have on
  7. I am looking for a satin clear glaze that can be fired to cone 2. I am going to do some testing, but there is such a plethora of recipes out there for low-fire and mid-range but not much that I can see for cone 2. I am assuming I will have to just test and tweak but not sure which ones to try first. Suggestions? Recipes?
  8. Newbie here. I've been experimenting using different colored clay bodies and even colored clays using oxides and stains. Mostly for neriage/agateware technique. So far i've been leaving the exterior unglazed to show the true colors of the clay (usually buff, with ochre, white, or bclay). I've tried to glaze my pieces using an cone 6 oxidation clear glaze and cone 10 reduction clear glaze, but i find that the clay colors gets "covered" up by the glaze. Expecially in cone 10 where most of my dark clays (with iron) turns grey. Can anyone suggest an alternative glaze or material tha
  9. Hello, I'm fairly new to ceramics and am learning quickly with the guidance of a really great teacher who encourages my creative side. I like to use underglaze on my bisque pieces to add more vibrant colors or if I want detailed decoration. My teacher and I have been experimenting with several different clear glazes both studio made and commercial but are finding that we can't quite get what we're looking for. We want a very glossy finish, but without any clouding. We fire to cone 5-6. Commercial glaze recommendations or recipes are great--thanks!
  10. I have been mixing a Cone 6 clear gloss glaze that is very stable and consistent. It's a Glossy Clear Liner recipe (see below). However, the super shiny surface makes my pieces look "plasticy". It also changes the clay body color dramatically. I have two questions: 1) Does anyone know how to modify this recipe so it's less glossy? I don't want a matte finish. I would like something between satin and semi-gloss. 2) Will changing the sheen effect the clay body color somewhat? Thanks! GLOSSY CLEAR LINER 100G G-200 FELDSPAR 20 FERRO FRIT 3134 20 WOLLASTONITE 15 EPK KAOLIN 20 TALC 6
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