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Showing results for tags 'bowl'.
Found 46 results
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From the album: Nir and Zanetta Pottery
© Nir
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I've got a bone dry bowl. Arctic white stoneware. It has thin walls and has been sitting for about a month. I also have a 'raven black' slip (description below). Is it possible for me to paint the pot with the slip, then paint patterns with shellac and wipe the black slip away, revealing the clay underneath? I'm unsure if the bowl will take the slip and whether it's possible to wipe the excess away, so I'm left with a black pattern. Ideas: These decorating slips, are suitable for use on both Earthernware and Stoneware bodies. When manufacturing our slips we believe in using high percentages of stain to give strong, vivid colours throughout the range. The slip can be applied to leather hard clay with brushes, sponges or slip trailers. After biscuit firing the pots should be glazed with a suitable transparent glaze which will further enhance the vibrant colours. Our sample is fired to 1060degC.The colours darken the higher you fire. Wide firing range - 1000-1300°C" Is it possible for me to paint the pot with the slip, then paint patterns with shellac and wipe the black slip -
From the album: My work - Lucy POTTERY
Bowl with liquid effect made from glass. You can see instruction video here: https://youtu.be/9uFZ1OxogDo© Lucy POTTERY
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From the album: Ceramics Fall 2016
Turquoise stone and white matte on a dark red clay body. I threw the foot separately and attached when leather hard. It is slightly off balance, but will look nice holding my mini hanging succulents in the garden. -
From the album: Favorites
Small wheel thrown bowl with underglaze, geometric sgraffito carving, fired to cone 6 in an electric kiln. -
From the album: Pottery 2016
Cone 5 B-Mix, carved and glazed in Stoned Denim from Mayco.© Giselle Massey 2016 all rights reserved
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From the album: John Baymore's Clay Work
Ido-style Chawan. Wood fired and electric fired. Granite bearing stoneware body. American Shino glaze on exterior (with finger wipes), semi-matte feldspathic glaze on interior. Gold luster on interior. Exhibited In "Chawan for Chanoyu" solo exhibition held in conjunction with the 2015 Providence NCECA conference.© 2015 John Baymore -all rights reserved
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From the album: Custom Mugs and Commission Concepts
This is a large, 3.5+ quart, mixing bowl that is part of a commission project for a retiring university dean. You might guess that the dean had something to do with the music program...and that would be correct. The bowl stands 7" tall and is a full 12" wide at the rim. The black keys were added individually to the wheel thrown piece and later brushed with Amaco Velvet underglaze. The exterior is glazed with Woo's Blue. The interior is Pete's Cranberry. A final light coat of clear was sprayed over the underglazes section for additional sheen. This is a Cone 10 reduction piece.© Copyright 2016 - Paul Chenoweth - Nashville, TN USA - All rights reserved.
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From the album: Playing with mud 2016
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- Bowl
- Oxide wash
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Hi All, I'm a high-schooler taking a Ceramics II course, and I love it! I specialize in wheel throwing and I'm really interested in fusing glass on ceramic pieces. How would I do this? My teacher recommended putting marbles in my bowls to melt the glass with the glaze, but I'm curious on what others have to say! Also, where can I either get special glass, or get marbles to melt! Write me back! Thanks, Travis
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From the album: Late 2015
A bowl with "ears" a lady commissioned for her sister as a Xmas gift. I love this piece. Owls are such a special subject to make! Those eyes are gorgeous enough to drown in. SPS LF06 lowfire buff, Clay Art Center underglaze, Mayco underglaze, Mason Stain Fired to ^03.© Cavy Fire Studios
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- lowfire
- underglaze
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From the album: Late 2015
And this is why I love terracotta. Look at that delicious red. Measures 8" across, terracotta with greenware-applied underglaze, fired to ^03.- 4 comments
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- cats
- terracotta
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From the album: narrative work
I'm not really a cat person, but I chose to work with the basic shape because cats are far less variable in form than dogs and are thus more universally recognized, if that makes any sense. These images are developed using cut-out resists, colored slips, and sgraffito on porcelain. -
California Wildflowers creamer, sugar, serving bowl
GiselleNo5 posted a gallery image in Browse Member Galleries
From the album: Work in Progress
Three wheel thrown pieces made with Speckled Buff clay. The interiors are then painted with white stoneware slip and the outside is carved with grass and flowers.© Copyright Giselle Massey 2015
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- wheel thrown
- jar
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From the album: Glaze Combinations
Cone 6 firing - base glaze is Amaco Ancient Jasper with 3 coats of Coyote Red/Gold on the exterior and interior rims. Clay is Laguna BMix5© Whistle Tree Pottery - Ellijay, GA 2015
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From the album: newer work
The glaze is a silky white over pale blue slip, which breaks through the glaze to give soft delicate shades. The exterior was sprayed lightly with a blue ash glaze, which has gone transparent over the base glaze and run down to the foot in places. The interior is speckled with a blue reminiscent of a robin's egg. -
California Wildflowers creamer, sugar, serving bowl
GiselleNo5 posted a gallery image in Browse Member Galleries
From the album: Work in Progress
Three wheel thrown pieces made with Speckled Buff clay. The interiors are then painted with white stoneware slip and the outside is carved with grass and flowers. Then underglaze is applied to the grass and white engobe to the flowers so the colors will show true.© Copyright Giselle Massey 2015
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- wheel thrown
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From the album: 2015 Sgraffito
Wheel-thrown bowl with undulating edge, depicting Choctaw ponies running free in the Oklahoma mountains.© 2015, Carolyn Bernard Young
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Speckled buff and lime green leaf bowl/cup
GiselleNo5 posted a gallery image in Browse Member Galleries
From the album: Wheel Thrown Work, 2015
Again, one of my first wheel-thrown pieces. Made with Speckled Buff, I painted white slip into the inside of the bowl so the color would show true, then slip trailed a design on the outside in white slip. I was not prepared for the shrinkage! It still throws me off. But this would be a charming hot chocolate cup or great for dessert or ice cream.© Copyright Giselle Massey 2015 All Rights Reserved
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From the album: Work in Progress
The mug was a mistake. I lifted the clay too quickly while pinching too hard. I ended up with ridges and a slightly uneven rim. My first impulse was to throw it into the recycle bucket but there was something about it that I liked. I trimmed off the unevenness at the rim and threw a ripply bowl to match. The next day I added some intricate slip trailing and I can't tell you how glad I am that I kept them after all. These are two of my favorite things I've ever made.© Giselle Massey, Giselle No. 5 Handmade, all rights reserved
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From the album: Rogryphon's stuff
An open style bowl. Layering amaco glazed on exterior. -
From the album: Lori Hess of Claybird Pottery Studio
© Claybird Pottery Studio
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From the album: Lori Hess of Claybird Pottery Studio
© Claybird Pottery Studio
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From the album: narrative work
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From the album: MOAR STUFFS
This bowl was a process, to say the least. I threw it with whiteware clay, messed with the rim, and covered it completely with black slip. Then, I carved the dragon. I bisqued it, and since carving all those scales took away all of my sanity, I underglazed color onto the bisque, and re-bisqued it. Covered in shiny clear and fired to ^04. Dang thing had little crawl spots, grrr...re-fired to ^03 after adding a bit more glaze to the bald spots. VoÃla! Sold it a few years ago for a stupidly low $150... *facepalm* I'dve charged four times that if I was thinking straight. Live and learn!© Sarah Alderete
