Jump to content

Search the Community

Showing results for tags 'bone china'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Ceramic Arts Daily Forums
    • Forum FAQ & Terms of Use
    • Studio Operations and Making Work
    • Clay and Glaze Chemistry
    • Mold Making and Slip Casting
    • Equipment Use and Repair
    • Business, Marketing, and Accounting
    • Educational Approaches and Resources
    • Aesthetic Approaches and Philosophy
    • Int'l Ceramic Artists Network (ICAN) Operations and Benefits
    • Ceramic Events of Interest
    • Community Marketplace – Buy/Sell/Trade/Free
    • Job and Career Opportunities

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Location


Interests

Found 4 results

  1. From the album: Hyn Patty LLC

    'Carlito' sculpted by Brigitte Eberl of Germany shown here produced in limited edition English fine bone china by Horsing Around of England. This piece stands about 7.5 inches tall by about 9 inches long. I have custom glazed this boy to a light bay roan with subtle reverse dappling and light scar marks as per a client's custom order request. I have used a combination of under glazing at cone 04, with satin clear glaze at cone 06, with enamels and china paints to finish off his detailing and final color adjustments at cone 017. Custom glazed and photographed by Hyn Patty, 2022 - this piece resides in a private collection in the UK.

    © 2022

  2. From the album: Hyn Patty LLC

    'Carlito' sculpted by Brigitte Eberl of Germany shown here produced in limited edition English fine bone china by Horsing Around of England. This piece stands about 7.5 inches tall by about 9 inches long. I have custom glazed this boy to a light bay roan with subtle reverse dappling and light scar marks as per a client's custom order request. I have used a combination of under glazing at cone 04, with satin clear glaze at cone 06, with enamels and china paints to finish off his detailing and final color adjustments at cone 017. Custom glazed and photographed by Hyn Patty, 2022 - this piece resides in a private collection in the UK.

    © 2022

  3. From the album: Hyn Patty LLC

    Black Sabino Tennessee Walking Horse standing 3" tall sculpted by Donna Chaney of England and custom glazed by Hyn Patty, 2007. Underglaze, satin glaze, gloss, white gold.

    © (c) 2007

  4. So I know there are a few of you UK members out there who work with bone china slip. There are hardly any Americans making and using it and I want to learn. I've picked up my raw materials and have a basic recipe of 50% bone ash, 25% Cornwall Stone, and 25% kaolin but finding out /more/ details isn't easy. The initial firing temps listed are super high at 1400 C (Orton cone 16), too high for my kilns that only go up to cone 10. I understand that adding fritware can lower the firing temps into a more workable range for me of say, 1250 C (2282 F or about cone 8). But I am not having any luck yet finding which fritware to use and how much. Anyone willing to make suggestions or have a bone china slip recipe with more detail that you might be willing to share? I currently have my bone china sculptures produced in England and I coudn't be happier with them except for the expense, and the fact that I may have a 1 to 2 year wait to get pieces done and shipped to me for glazing. I am blessed with a local supplier that carries everything I need - except again, I'm not certain /which/ kaolin is ideal for bone china slip. The one I got to try first is Grolleg English china clay. The Cornwall stone here is more orangey tan than expected and seems to be low in flourine, which I hope won't be a problem.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use.