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Found 3 results

  1. Hi folks, no new questions in the pool, so I will pose one. I was recently watching a youtube video posted from House Beautiful about Heath Ceramics in S.F.. The video shows some interesting things including the use of a Griffin Grip! This production pottery also shows quite a bit of trimming, some throwing and ware on the storeroom walls. I was enthralled with the amount of trimming done with the GG, and how much trimming was done. I had always been taught to trim only the base, and make my throwing thin enough to not need trimming, and to use ribs when in need of smooth surfaces. Quite
  2. I recently did my first experimental pit firing, most of my piece survived, but they are super smelly. I used a paste wax to buff and varnish the surface, but the smell is still intoxicatingly strong. Is there something that I can use or do to reduce the scent when they go into the gallery?
  3. Chilly posted a question in the Question of the Week pool that was rather simple, but I have had to think really hard about it: The "accidental" perfect pot. Should have been this tall/wide, ended up different and was a success. About 12 years ago, I had been throwing some large 20# pots that were covered jars. One of these I had pulled the walls up, and was doing pretty well with the shaping, when I found an air bubble in the shoulder area caused a fault line. This I scratched out patched a bit, and then finished the shoulder/neck area I do most of my shaping with dry fingers, or ribs
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