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Found 2 results

  1. Hi folks, no new questions in the pool, so I will pose one. I was recently watching a youtube video posted from House Beautiful about Heath Ceramics in S.F.. The video shows some interesting things including the use of a Griffin Grip! This production pottery also shows quite a bit of trimming, some throwing and ware on the storeroom walls. I was enthralled with the amount of trimming done with the GG, and how much trimming was done. I had always been taught to trim only the base, and make my throwing thin enough to not need trimming, and to use ribs when in need of smooth surfaces. Quite different story here in the video. This makes me reevaluate my values in the way of time, expediency, and even aesthetics. I have on occasion believed a piece was too heavy, and would trim some weight off up the sides, but very infrequently, Not being judgemental, as a teacher I would always encourage/require my students to get the most out the clay walls even testing them on height/weight throwing. Now I wonder if I was imposing my own learned biases on my students. So it brings to mind the question for my own justification or approval/disapproval. .. . QotW: How much do you trim? best, Pres
  2. I recently did my first experimental pit firing, most of my piece survived, but they are super smelly. I used a paste wax to buff and varnish the surface, but the smell is still intoxicatingly strong. Is there something that I can use or do to reduce the scent when they go into the gallery?
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