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  1. From the album: July 2019

    Thrown porcelain vase, cut vertically from rim. Textured slab attached with slip. Copper & cobalt oxide wash applied to bone dry greenware. Bisqued to 1000oC. Transparent glaze poured inside and brushed on textured addition. Fired to 1200oC (cone 6/7). Gold lustre highlights added then fired to 780oC.
  2. From the album: WIPs

    More WIP. Some molds I made along with some random objects used for impressions, including a cameo of Dante. -The cup in the upper left is not my work btw.
  3. From the album: Images For Misc. Posts

    This is a detail shot of the surface on the bottom of Bottle 2.
  4. Guest

    JBaymore BottleForm

    From the album: Images For Misc. Posts

    Image of a bottle form made from the altered clay shown in another image.
  5. Guest

    JBaymore VaseForm

    From the album: Images For Misc. Posts

    A vase form made from the clay in a prior posting here.
  6. From the album: Winter 2016

    Thrown white earthenware, cut and altered. Slabs textured and added. Copper oxide and cobalt carbonate washes when bone dry. Bisqued to 1000oC. Transparent glaze poured over, fired to 1100oC.
  7. From the album: Winter 2016

    Thrown white earthenware, cut and altered. Slabs textured and added. Copper oxide and cobalt carbonate washes when bone dry. Bisqued to 1000oC. Transparent glaze poured over, fired to 1100oC.
  8. From the album: Winter 2016

    Thrown white earthenware, cut and altered. Slabs textured and added. Copper oxide and cobalt carbonate washes when bone dry. Bisqued to 1000oC. Transparent glaze poured over, fired to 1100oC.
  9. From the album: 2016

    Thrown bowls, cut at right angles to the rim. Thin slabs textured with bark, stamps, shells etc. - pieces attached to back part with front cut edge eased forwards to emphasise the contrast between the organic and engineered. Oxide washes applied at dry greenware stage, fixed in the bisqued firing. 3 back pieces were dipped in transparent glaze, front one dipped in tin white (to cover a repair that fired a different colour!). Fired to 1100oC in electric kiln.
  10. From the album: Favorites

    This one is fresh from my latest firing. I'm in love with this one. It's wheel thrown with a pulled handle, underglaze decoration, and hand carved texture. It's glazed in 3 different commercial glazes and fired in my electric kiln.
  11. From the album: Forum Discussion Images

    This is strictly a whimsical demo experiment of taking a wheel-thrown vessel and doing several treatments on it. This one has been pinched, paddled, appended stamped, textured and converted to a pouring pot. The 'pun' is a little more sublet (for some at least).

    © Copyright 2016 - Paul M. Chenoweth - Nashville, TN USA - All rights reserved.

  12. From the album: Handbuilding work

    This little bisque tripod pot was formed using Sandi Pierantozzi's method. Slab rolled, gutter cover rolled into the slab with a pony roller then formed into a cylinder and pinch the feet. I added the lid using the same method except it was four "feet" and using a different gutter cover for the texture.
  13. From the album: Handmade Clay Stamps

    These pyramid stamps are great space savers. Four stamps in one.

    © Giselle Massey, Giselle No. 5 All Rights Reserved

  14. From the album: Handmade Clay Stamps

    This one spells out L O V E with two other decorative sides.

    © Giselle Massey, Giselle No. 5 All Rights Reserved

  15. From the album: Handmade Clay Stamps

    These cube stamps are great space savers. Six in one.

    © Giselle Massey, Giselle No. 5 All Rights Reserved

  16. From the album: Handmade Clay Stamps

    These cube stamps are great space savers. Six in one.

    © Giselle Massey, Giselle No. 5 All Rights Reserved

  17. From the album: Handmade Clay Stamps

    These cube stamps are great space savers. Six in one.

    © Giselle Massey, Giselle No. 5 All Rights Reserved

  18. From the album: Handmade Clay Stamps

    This one started out as a mistake. I began to make a certain shape but the clay was too soft and distorted ... rather than scrap it and start over I created a stamp that makes a different impression with each side. Very fun! I used the stamp to create the design stamped in the clay.

    © Giselle Massey, Giselle No. 5 All Rights Reserved

  19. From the album: Handmade Clay Stamps

    © Giselle Massey, Giselle No. 5 All Rights Reserved

  20. From the album: Handmade Clay Stamps

    A little bowl full of texture! These are my favorites to make, by far.

    © Giselle Massey, Giselle No. 5 All Rights Reserved

  21. From the album: My nautical stuff

    I throw the goblets in 2 parts then assemble them. They are some of my favorite pieces to make.
  22. firenflux

    Bell Wip

    From the album: Works in progress

    Working on this little hand bell. It's thrown and painted with blue engobe then carved. It has a bit of high temp wire shoved into the high point of the bell which I will hang the ringer from.
  23. From the album: Texture

    This bowl was a bit of a surprise. The interior is suposed to be chartreuse! Luckly the steel blue color is beautiful! Black Mountain Clay with 3 coats of white Amaco Velvet Undeglaze, followed by 3 coats of chartreuse Amaco Velvet Underglaze before bisque firing. Then 3 coats of Amaco's zinc free clear fired to ^10. I also antiqued the outside with a cobalt oxide wash (which turns blue-black on the black mountain clay) to accent the texture. The texture was carved into thick walls while the clay was leather hard.

    © Aug 2014

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