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Found 48 results

  1. Hi, For a bit of context I make pottery that I apply layers of slip to create a raised bumpy surface. When my work is in greenware stage the dots are easily knocked off, and although I can load my work with out knocking any off in my current studio situation Im not the one loading the kilns and I've been constantly getting pieces that have multiple dots missing. I was wondering if anyone knew of something that will help to keep attached pieces or slip trailing from being knocked off by people during loading. I was thinking maybe an organic hairspray or to coat the piece in wax
  2. Yoshi Fujii Seductive Elegance: Clay Carving Techniques This 2-day participation workshop will introduce students to surface embellishment through carving the leather-hard surface. Yoshi will demonstrate using the potter’s wheel to create functional objects (simple cup & bowl forms) to serve as a collection point for visual inspiration. Students will explore the elegant quality of porcelain and seductive beauty possible through hand-carved lines, patterns and motifs and slip trailing to create visual and physical depth for tactile communication. Previous clay experience is required, open to hand-builders or potters. Students may choose to bring leather-hard pots or tiles and design references, grog-free clay recommended. Course fee includes clay and bisque firing. WS03 – Saturday and Sunday 10:00am – 4:00pm, November 9 & 10 Fee: $200 member, $220 non-member Bio YOSHI FUJII is currently a visiting artist with Baltimore Clayworks and was the recipient of the 2008–09 Lormina Salter Fellowship. Yoshi received his B.F.A from University of Southern Mississippi in 2002 and his M.F.A. from Southern Illinois University Carbondale in 2008. His interest is in wheel-thrown porcelain utilitarian and sculptural work. Contact Matt Hyleck at matt.hyleck@baltimoreclayworks.org for more information. Baltimore Clayworks 5707 Smith Avenue Baltimore, MD 21209 www.baltimoreclayworks.org
  3. From the album: Pottery 2016

    © Copyright 2016 Giselle No. 5 Ceramics - Giselle Massey - All Rights Reserved

  4. From the album: Pottery 2016

    I love my Xiem precision trailer ....

    © Giselle No. 5 Ceramics, all rights reserved

  5. From the album: Wheel Thrown Work, 2015

    Wheel thrown and slip decorated cream pitcher. White outside, green inside.

    © Copyright Giselle Massey - Giselle No. 5 Ceramics - All Rights Reserved

  6. This 2-day workshop will explore an array of leatherhard and bisqueware decorative options to enhance your pottery surface. Demonstrations are divided into two sections: pre and post firing. Initial explorations will begin in the green-ware stage to include the use of slip, slip trailing, sprigging, as well as trimming. In the bisqueware portion, glaze strategies will be investigated with trailing and waxing techniques demonstrated. Upon the completion of this workshop you will be armed with a variety of skills to apply towards your future pottery practice. Participants will have the opportunity to employ these ideas through their own work during both days. Please bring a sketchbook, personal potting tools, assorted brushes and any reference material you would like to incorporate in your work (photos, drawings, etc.) Bio Ryan J. Greenheck received his Master of Fine Arts degree from SUNY College of Ceramics at Alfred University in 2004. He earned a Bachelor of Fine Arts degree as well as a Bachelor of Science degree from The University of Wisconsin-Stout in 2002. He has participated in numerous national juried exhibitions and shows since 2000. His work is represented in many galleries throughout the country. Ryan currently is a practicing studio potter and Lecturer at the University of Pennsylvania. WS01 – Saturday & Sunday, 10-4pm, January 16 & 17, 2016 Fee: $200 members; $225 non-members Contact Mary Cloonan at mary.cloonan@baltimoreclayworks.org for more information. Baltimore Clayworks 5707 Smith Avenue Baltimore, MD 21209 www.baltimoreclayworks.org
  7. From the album: Wheel Thrown Work, 2015

    Hawaiian Red clay from Laguna decorated with white stoneware slip. I glazed the inside in Dynasty Red and the outside in clear to give it a great iced gingerbread look.

    © Copyright Giselle No. 5 Ceramics (Giselle Massey) 2015, all rights reserved

  8. From the album: Wheel Thrown Work, 2015

    © Copyright Giselle Massey, Giselle No. 5 Ceramics, all rights reserved

  9. From the album: Wheel Thrown Work, 2015

    © Copyright Giselle Massey, Giselle No. 5 Ceramics, all rights reserved

  10. From the album: Wheel Thrown Work, 2015

    © Copyright Giselle Massey, Giselle No. 5 Ceramics, all rights reserved

  11. From the album: Wheel Thrown Work, 2015

    © Copyright Giselle Massey, Giselle No. 5 Ceramics, all rights reserved

  12. From the album: Slip Cast Dinner and Bakeware

    The outside of the pie plate I decorated with a pattern of leaves in white slip. The bottom I glazed clear to show the contrast between the white slip and the Moroccan Sand underneath; the outside of the pie plate I glazed in Deep Sienna Speckle, which reminds me of pumpkin pie.

    © Copyright 2015 Giselle Massey, all rights reserved

  13. From the album: Slip Cast Dinner and Bakeware

    © Copyright 2015 Giselle Massey, all rights reserved

  14. From the album: Slip Cast Dinner and Bakeware

    Pie plate slip cast in white stoneware from Laguna. I painted three coats of Moroccan Sand slip on the inside and bottom of the plate. I carved an intricate design of leaves and vines around the bride and groom's initials and wedding date to show the white clay underneath the taupe clay. This was glazed in clear.

    © Copyright 2015 Giselle Massey, all rights reserved

  15. From the album: Work in Progress

    Having a mad and intense slip trailing session. I'm making these mugs specially as gifts for my husband's coworkers.

    © Copyright Giselle Massey 2015

  16. From the album: Work in Progress

    This is a special pie plate made with two tones of casting slip. I then decorated it with leaves and swirling vines in slip and sgraffito carving on the inside.

    © Copyright Giselle Massey 2015

  17. From the album: Work in Progress

    Playing around with different slip designs for my favorite from my set of vintage dinnerware.

    © Giselle Massey, Giselle No. 5 Handmade, all rights reserved

  18. From the album: Wheel Thrown Work, 2015

    Another view of my wildflower batter bowl, with several of my tiny wildflower teaspoon rests. I have a whole bouquet of them to put in my Etsy shop!

    © Copyright Giselle Massey 2015 All Rights Reserved

  19. From the album: Wheel Thrown Work, 2015

    This is one of my very first wheel-thrown pieces. It's made with Speckled Buff from Laguna and slip trailed with white. Even just in the three months since I threw this I can see a huge leap in both my throwing and slip trailing. So grateful to finally see progress!

    © Copyright Giselle Massey 2015 All Rights Reserved

  20. From the album: Wheel Thrown Work, 2015

    The holder on the left was done all in white clay and slip. The mountain design was washed with iron oxide and received only one coat of the glaze I used on the rest of the piece. The holder on the right has mountains painted on in a Hawaiian Red slip, and otherwise received the same glaze and treatment. I like them both. I was hoping to find an alternative to the iron oxide wash, which can be a mess.

    © Copyright Giselle Massey 2015, all rights reserved

  21. From the album: Wheel Thrown Work, 2015

    © Copyright Giselle Massey 2015, all rights reserved

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