Jump to content

Search the Community

Showing results for tags 'Overglaze'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Ceramic Arts Daily Forums
    • Forum FAQ & Terms of Use
    • Studio Operations and Making Work
    • Clay and Glaze Chemistry
    • Equipment Use and Repair
    • Business, Marketing, and Accounting
    • Educational Approaches and Resources
    • Aesthetic Approaches and Philosophy
    • Int'l Ceramic Artists Network (ICAN) Operations and Benefits
    • Ceramic Events of Interest
    • Community Marketplace – Buy/Sell/Trade/Free

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Location


Interests

Found 4 results

  1. Hi all- hope everyone is doing well wherever you are. I was interested in purchasing an overglaze luster (metallic/gold) to apply to my pottery, but realizing my studio doesn't have the capability to do a 'third firing' for my pieces (especially if it requires different heating instructions etc.). I believe the studio fires at cone 6. Is there an alternative to using overglaze luster that could get me a similar effect? Any tips would be appreciated! Thanks.
  2. I just found a bunch of little vials full of colorants at a garage sale. The adult children of the ceramic artist were selling these and didn't know what they were or how to use them. The vials are clearly colorants but I'm not sure if they are similar to Mason stains. Is anyone familiar with Maxfield Dresden studios out of Glendale CA? There is also 3 glass sheets with some dark substance on them. The box says Maxfield's unfluxed gold. They were cheap but I have no clue if I can use them or what to do with them. Any input is appreciated!
  3. Guest

    Burnish Gold Luster Mug

    From the album: John Baymore's Clay Work

    This cup is in the invitational exhibition "I'll Drink To That" at the Eclipse Mill Gallery in North Adams, MA until August 27th, 2017. Handbuilt, woodfired, American Shino, overglaze enamel, gold luster.

    © 2017 - John Baymore - all rights reserved

  4. Guest

    Flower Vase

    From the album: John Baymore's Clay Work

    Wood fired flower vase with tenmoku glaze, applied feldspar, and red overglaze enamels. This is sitting in the tokonoma (art alcove) in our newly renovated (2018-17) kitchen.

    © 2017 John Baymore -all rights reserved

×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use.