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Found 10 results

  1. I just found a bunch of little vials full of colorants at a garage sale. The adult children of the ceramic artist were selling these and didn't know what they were or how to use them. The vials are clearly colorants but I'm not sure if they are similar to Mason stains. Is anyone familiar with Maxfield Dresden studios out of Glendale CA? There is also 3 glass sheets with some dark substance on them. The box says Maxfield's unfluxed gold. They were cheap but I have no clue if I can use them or what to do with them. Any input is appreciated!
  2. Hi, I have problems trying to find the answers to this question. I want the "paint" I use to be something like China ink, but that it doesn't run and that fires well to cone 10 without loosing color. Thank you for your help!
  3. Hi, I’ve been working with gold lustre and recently changed brands. I’m familiar with that dreaded purple that appears when the lustre is too thin, and I’ve also seen the lustre crackle when it’s too thick. I’ve not seen this matte kind of finish which is in the photo attached. The piece was glazed entirely and shiny before application. Is the application too thick or thin? If I reapply and refire will it go shiny gold? or is there something else wrong?
  4. I have several old bottles of luster that were given to me by a friend. I was wondering if anybodies found a way to ‘rehydrate’ ceramic lusters?
  5. Hi all I have found very little on metallic lustre firing on google and even on this forum.Can anyone help me with lustre firings, techniques etc. I had a disappointing firing results this week- it was my local red earthenware and I applied the glaze too thin, resulting in lots of patches of red earthenware showing through. (fired to cone 03).I was wondering if I could refire the pieces with overglazes and lustres to cover up those areas. Anyone tried this successfully.I would so appreciate your input.
  6. Hello folks! I am a porcelain painter in Brazil! I work with china paint for 25 years... This week I lost seven plates in my kiln. Six at a time (Second firing) and another one in another time (fist firing) ... have lost some, rarely, very uncomon one piece or 2 but at this time I am very anxious because is the There have been losses of dishes a few times but so this is the first time ...I'm scared because it's a big order, the biggest one I've ever taken and this has never happened to me ...What could have been?Exaggerated load of the oven? I've done other burns like this and there's neve
  7. hello i'm sima from iran and i am a beginner i really want to learn about the techniques that are used to make these products. hope you could help me learn more. if you know any resources leet me know
  8. Hi all. Newbie here! I would like to try overglazing with lustres- I have no experience or knowledge in this and cant find much on google. Has anyone here got experience in this style of glazing?
  9. Guest

    Burnish Gold Luster Mug

    From the album: John Baymore's Clay Work

    This cup is in the invitational exhibition "I'll Drink To That" at the Eclipse Mill Gallery in North Adams, MA until August 27th, 2017. Handbuilt, woodfired, American Shino, overglaze enamel, gold luster.

    © 2017 - John Baymore - all rights reserved

  10. Guest

    Flower Vase

    From the album: John Baymore's Clay Work

    Wood fired flower vase with tenmoku glaze, applied feldspar, and red overglaze enamels. This is sitting in the tokonoma (art alcove) in our newly renovated (2018-17) kitchen.

    © 2017 John Baymore -all rights reserved

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